Winner of the 2022 Olivier Award for Best New Play "Life of Pi will make you believe in the power of theatre" (Times). After a cargo ship sinks in the middle of the vast Pacific Ocean, there are five survivors stranded on a lifeboat - a hyena, a zebra, an orangutan, a Royal Bengal tiger, and a sixteen year-old boy named Pi. Time is against them, nature is harsh, who will survive? Based on one of the most extraordinary and best-loved works of fiction - winner of the Man Booker Prize, selling over fifteen million copies worldwide - and featuring breath-taking puppetry and state-of-the-art visuals, Life of Pi is a universally acclaimed, smash hit adaptation of an epic journey of endurance and hope. Adapted by acclaimed playwright Lolita Chakrabarti, this edition was published to coincide with the West End premiere in November 2021.
A modern-day Orlando—edgy, funny and startlingly honest—Self is the fictional autobiography of a young writer and traveller who finds his gender changed overnight.
After the tragic sinking of a cargo ship, one solitary lifeboat remains bobbing on the wild, blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a zebra with a broken leg, a female orang-utan - and a 450-pound Royal Bengal tiger. Since it was first published in 2002, Life of Pi has entered mainstream consciousness and remains one of the most extraordinary works of fiction in recent years. In October 2005 Canongate launched a competition with The Times to find an artist to illustrate Yann Martel's international bestseller. Soon the competition expanded as the Globe and Mail and The Age newspapers also launched a search in Canada and Australia. From thousands of entries, Croatian artist Tomislav Torjanac was chosen as the illustrator for this new edition of Life of Pi. Now readers can enjoy this extraordinary tale with his glorious colour illustrations.
NEW YORK TIMES BESTSELLER • “Fifteen years after The Life of Pi, Yann Martel is taking us on another long journey. Fans of his Man Booker Prize–winning novel will recognize familiar themes from that seafaring phenomenon, but the itinerary in this imaginative new book is entirely fresh. . . . Martel’s writing has never been more charming.”—Ron Charles, The Washington Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR In Lisbon in 1904, a young man named Tomás discovers an old journal. It hints at the existence of an extraordinary artifact that—if he can find it—would redefine history. Traveling in one of Europe’s earliest automobiles, he sets out in search of this strange treasure. Thirty-five years later, a Portuguese pathologist devoted to the murder mysteries of Agatha Christie finds himself at the center of a mystery of his own and drawn into the consequences of Tomás’s quest. Fifty years on, a Canadian senator takes refuge in his ancestral village in northern Portugal, grieving the loss of his beloved wife. But he arrives with an unusual companion: a chimpanzee. And there the century-old quest will come to an unexpected conclusion. The High Mountains of Portugal—part quest, part ghost story, part contemporary fable—offers a haunting exploration of great love and great loss. Filled with tenderness, humor, and endless surprise, it takes the reader on a road trip through Portugal in the last century—and through the human soul. Praise for The High Mountains of Portugal “Just as ambitious, just as clever, just as existential and spiritual [as Life of Pi] . . . a book that rewards your attention . . . an excellent book club choice.”—San Francisco Chronicle “There’s no denying the simple pleasures to be had in The High Mountains of Portugal.”—Chicago Tribune “Charming . . . Most Martellian is the boundless capacity for parable. . . . Martel knows his strengths: passages about the chimpanzee and his owner brim irresistibly with affection and attentiveness.”—The New Yorker “A rich and rewarding experience . . . [Martel] spins his magic thread of hope and despair, comedy and pathos.”—USA Today “I took away indelible images from High Mountains, enchanting and disturbing at the same time. . . . As whimsical as Martel’s magic realism can be, grief informs every step of the book’s three journeys. In the course of the novel we burrow ever further into the heart of an ape, pure and threatening at once, our precursor, ourselves.”—NPR “Refreshing, surprising and filled with sparkling moments of humor and insight.”—The Dallas Morning News “We’re fortunate to have brilliant writers using their fiction to meditate on a paradox we need urgently to consider—the unbridgeable gap and the unbreakable bond between human and animal, our impossible self-alienation from our world.”—Ursula K. Le Guin, The Guardian “[Martel packs] his inventive novel with beguiling ideas. What connects an inept curator to a haunted pathologist to a smitten politician across more than seventy-five years is the author’s ability to conjure up something uncanny at the end.”—The Boston Globe “A fine home, and story, in which to find oneself.”—Minneapolis Star Tribune
The son of a zookeeper, Pi Patel has an encyclopedic knowledge of animal behavior and a fervent love of stories. When Pi is sixteen, his family emigrates from India to North America aboard a Japanese cargo ship, along with their zoo animals bound for new homes. The ship sinks. Pi finds himself alone in a lifeboat, his only companions a hyena, an orangutan, a wounded zebra, and Richard Parker, a 450-pound Bengal tiger. Soon the tiger has dispatched all but Pi, whose fear, knowledge, and cunning allow him to coexist with Richard Parker for 227 days while lost at sea. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe his story and press him to tell them "the truth." After hours of coercion, Pi tells a second story, a story much less fantastical, much more conventional--but is it more true?
After the sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a wounded zebra, an orangutan, and a 450-pound Royal Bengal tiger
“Will the tiger be menacing; will the ocean be threatening; will the island be something out of Frankenstein or will it be an Eden?”—Yann Martel Life of Pi, first published in 2002, became an international bestseller and remains one of the most extraordinary and popular works of contemporary fiction. In 2005 an international competition was held to find the perfect artist to illustrate Yann Martel’s Man Booker Prize–winning novel. From thousands of entrants, Croatian artist Tomislav Torjanac was chosen. This lavishly produced edition features forty of Torjanac’s beautiful four-color illustrations, bringing Life of Pi to splendid, eye-popping life. Tomislav Torjanac says of his illustrations: “My vision of the illustrated edition of Life of Pi is based on paintings from a first person’s perspective—Pi’s perspective. The interpretation of what Pi sees is intermeshed with what he feels and it is shown through [the] use of colors, perspective, symbols, hand gestures, etc.”
Pi Patel is an unusual boy. The son of a zookeeper, he has an encyclopedic knowledge of animal behavior, a fervent love of stories, and practices not only his native Hinduism, but also Christianity and Islam. When Pi is sixteen, his family emigrates from India to North America aboard a Japanese cargo ship, along with their zoo animals bound for new homes. The ship sinks. Pi finds himself alone in a lifeboat, his only companions a hyena, an orangutan, a wounded zebra, and Richard Parker, a 450-pound Bengal tiger. Soon the tiger has dispatched all but Pi, whose fear, knowledge, and cunning allow him to coexist with Richard Parker for 227 days lost at sea. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe his story and press him to tell them "the truth." After hours of coercion, Pi tells a second story, a story much less fantastical, much more conventional-but is it more true?
Yann Martel’s astonishing novel begins with a successful writer attempting to publish his latest book, made up of a novel and an essay. Henry plans for it to be a “flip book” that the reader can start at either end, reading the novel or the essay first, because both pieces are equally concerned with representations of the Holocaust. Faced with severe and categorical rejection, Henry gives up hope. He abandons writing, moves with his wife to a foreign city, joins a community theatre, becomes a waiter in a chocolatería. But then he receives a package containing a scene from a play, photocopies from a short story by Flaubert—about a man who hunts animals down relentlessly—and a short note: “I need your help.” Intrigued, Henry tracks down his correspondent, and finds himself in a strange part of the city, walking past a stuffed okapi into a taxidermist’s workshop. The taxidermist—also named Henry—says he has been working on his play, A 20th-Century Shirt, for most of his life, but now he needs Henry’s help to describe his characters: the play’s protagonists are a stuffed donkey and a howler monkey named Beatrice and Virgil, respectively, and Henry’s successful book was in part about animals. And though his new acquaintance is austere, abrupt and almost unearthly, Henry the writer is drawn more and more deeply into Henry the taxidermist’s uncompromising world. Beatrice & Virgil gradually grows into something more, a shattering and ultimately transfixing work that asks searching questions about the nature of our understanding of history, the meaning of suffering and the value of art. As we are drawn deeper into their disturbing moral fable, the relationship between the two faltering writers named Henry becomes more and more complex until it can only be resolved in an explosive, unexpected catastrophe.
Written earlier in Martel's career, these four unforgettable tales are as moving as they are thought-provoking, as inventive in form as they are timeless.
“I know you’re very busy, Mr. Harper. We’re all busy. But every person has a space next to where they sleep, whether a patch of pavement or a fine bedside table. In that space, at night, a book can glow. And in those moments of docile wakefulness, when we begin to let go of the day, then is the perfect time to pick up a book and be someone else, somewhere else, for a few minutes, a few pages, before we fall asleep.” From the author of Life of Pi comes a literary correspondence—recommendations to Canada’s Prime Minister of great short books that will inspire and delight book lovers and book club readers across our nation. Every two weeks since April 16th, 2007, Yann Martel has mailed Stephen Harper a book along with a letter. These insightful, provocative letters detailing what he hopes the Prime Minister may take from the books—by such writers as Jane Austen, Gabriel Garcia Marquez and Stephen Galloway—are collected here together. The one-sided correspondence (Mr. Harper’s office has only replied once) becomes a meditation on reading and writing and the necessity to allow ourselves to expand stillness in our lives, even if we’re not head of government.
Written earlier in Martel's career, these four unforgettable tales are as moving as they are thought-provoking, as inventive in form as they are timeless.
NEW YORK TIMES BESTSELLER • “Fifteen years after The Life of Pi, Yann Martel is taking us on another long journey. Fans of his Man Booker Prize–winning novel will recognize familiar themes from that seafaring phenomenon, but the itinerary in this imaginative new book is entirely fresh. . . . Martel’s writing has never been more charming.”—Ron Charles, The Washington Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR In Lisbon in 1904, a young man named Tomás discovers an old journal. It hints at the existence of an extraordinary artifact that—if he can find it—would redefine history. Traveling in one of Europe’s earliest automobiles, he sets out in search of this strange treasure. Thirty-five years later, a Portuguese pathologist devoted to the murder mysteries of Agatha Christie finds himself at the center of a mystery of his own and drawn into the consequences of Tomás’s quest. Fifty years on, a Canadian senator takes refuge in his ancestral village in northern Portugal, grieving the loss of his beloved wife. But he arrives with an unusual companion: a chimpanzee. And there the century-old quest will come to an unexpected conclusion. The High Mountains of Portugal—part quest, part ghost story, part contemporary fable—offers a haunting exploration of great love and great loss. Filled with tenderness, humor, and endless surprise, it takes the reader on a road trip through Portugal in the last century—and through the human soul. Praise for The High Mountains of Portugal “Just as ambitious, just as clever, just as existential and spiritual [as Life of Pi] . . . a book that rewards your attention . . . an excellent book club choice.”—San Francisco Chronicle “There’s no denying the simple pleasures to be had in The High Mountains of Portugal.”—Chicago Tribune “Charming . . . Most Martellian is the boundless capacity for parable. . . . Martel knows his strengths: passages about the chimpanzee and his owner brim irresistibly with affection and attentiveness.”—The New Yorker “A rich and rewarding experience . . . [Martel] spins his magic thread of hope and despair, comedy and pathos.”—USA Today “I took away indelible images from High Mountains, enchanting and disturbing at the same time. . . . As whimsical as Martel’s magic realism can be, grief informs every step of the book’s three journeys. In the course of the novel we burrow ever further into the heart of an ape, pure and threatening at once, our precursor, ourselves.”—NPR “Refreshing, surprising and filled with sparkling moments of humor and insight.”—The Dallas Morning News “We’re fortunate to have brilliant writers using their fiction to meditate on a paradox we need urgently to consider—the unbridgeable gap and the unbreakable bond between human and animal, our impossible self-alienation from our world.”—Ursula K. Le Guin, The Guardian “[Martel packs] his inventive novel with beguiling ideas. What connects an inept curator to a haunted pathologist to a smitten politician across more than seventy-five years is the author’s ability to conjure up something uncanny at the end.”—The Boston Globe “A fine home, and story, in which to find oneself.”—Minneapolis Star Tribune
A modern-day Orlando—edgy, funny and startlingly honest—Self is the fictional autobiography of a young writer and traveller who finds his gender changed overnight.
Sixteen-year-old Pi Patel is stranded in a lifeboat on the Pacific Ocean with only a 450-pound Bengal tiger for company, and must learn to survive both tiger and ocean.
BONUS: This edition contains a Beatrice and Virgil discussion guide. When Henry receives a letter from an elderly taxidermist, it poses a puzzle that he cannot resist. As he is pulled further into the world of this strange and calculating man, Henry becomes increasingly involved with the lives of a donkey and a howler monkey—named Beatrice and Virgil—and the epic journey they undertake together. With all the spirit and originality that made Life of Pi so beloved, this brilliant new novel takes the reader on a haunting odyssey. On the way Martel asks profound questions about life and art, truth and deception, responsibility and complicity.
“I know you’re very busy, Mr. Harper. We’re all busy. But every person has a space next to where they sleep, whether a patch of pavement or a fine bedside table. In that space, at night, a book can glow. And in those moments of docile wakefulness, when we begin to let go of the day, then is the perfect time to pick up a book and be someone else, somewhere else, for a few minutes, a few pages, before we fall asleep.” From the author of Life of Pi comes a literary correspondence—recommendations to Canada’s Prime Minister of great short books that will inspire and delight book lovers and book club readers across our nation. Every two weeks since April 16th, 2007, Yann Martel has mailed Stephen Harper a book along with a letter. These insightful, provocative letters detailing what he hopes the Prime Minister may take from the books—by such writers as Jane Austen, Gabriel Garcia Marquez and Stephen Galloway—are collected here together. The one-sided correspondence (Mr. Harper’s office has only replied once) becomes a meditation on reading and writing and the necessity to allow ourselves to expand stillness in our lives, even if we’re not head of government.
The Emperor Augustus believed that the Roman army occupied a crucial lace at the heart of the empire and it was he who made it a fully professional force. This book looks at the structure and development of the army between the Republic and the Late Empire, examining why the army has always been accorded such a prominent position in the history of the Roman Empire, and whether that view is justified. The book is divided into three sections. The author first examines the major divisions of army organization - the legions, the auxiliary units, the fleet - and how the men were recruited. Secondly he looks at what the army did - the training, tactics and strategy. Finally he considers the historical role of the army - how it fitted into Roman society, of which it was only part, and what influence it had economically and politically. In exploring these themes, the author gives equal weight to epigraphic, documentary and archaeology evidence. With tables summarizing detailed information, Yann Le Bohec provides a synthesis of current knowledge of the Roman army from the first to the third century AD, putting it in its context as part of the state structure of the Roman Empire.
It is the early 1920s. The Volstead Act has recently prohibited the sale and consumption of alcohol, which means that an active black market has sprung up—a market controlled by legendary gangsters such as Al Capone. Supplies must be secretly shipped from France to its outpost in Saint-Pierre, Newfoundland. This dangerous and illegal trade involves aviators flying primitive sea planes—aviators such as Bessie the "Black Angel," whose mixed heritage also makes her the target of the flourishing Ku Klux Klan. Based on the historical figure of Bessie Coleman, she flies in the face of injustice, prejudice, and discrimination.
The appearance of a young storyteller with a unique voice is cause for celebration. This memorable debut from Booker prize winner Martel, originally published in 1993, was hailed for its power and elegance on both sides of the Atlantic. Dealing with such themes as storytelling and illness, war and music, death and bureaucracy, science and sex, these tales are moving and thought-provoking, as inventive in form as they are timeless in content. They display that startling mix of dazzle and depth that have made Yann Martel an international phenomenon. This edition features three of the stories from the original edition, including the remarkable novella The Facts Behind the Helsinki Roccamatios, which won the prestigious Journey Prize, as well as three stories never before published in Britain. As a collection it looks set to further Martel's reputation as one of the most interesting writers working in the world today.
Destiny can take many shapes. For Henry, a writer struggling to finish a book about the Holocaust, it arrives in the form of a puzzling envelope from a stranger. The envelope takes him into a taxidermist's workshop. Filled with lovingly preserved animals from all corners of the globe, this place is unlike anywhere he has ever been. Among the hundreds of stuffed animals are Beatrice and Virgil: a monkey and a donkey – they are also the characters in a play the taxidermist is writing. When taxidermist asks Henry for help with the play, he is drawn in. But what is this play actually about? What have the animals suffered at the hands of the author? Who is he? And what does he really want from Henry? With the imaginative reach and spirit that helped Life of Pi delight over seven million readers around the world, Beatrice and Virgil asks profound questions about violence, kindness, and the power of stories to change us.
At last! An astonishing and original new novel by the author of Life of Pi. -- A famous author receives a mysterious letter from a man who is a struggling writer but also turns out to be a taxidermist, an eccentric and fascinating character who does not kill animals but preserves them as they lived, with skill and dedication -- among them a howler monkey named Virgil and a donkey named Beatrice ... -- From the Hardcover edition.
A compendium of 101 book recommendations from Booker Prize–winning author Yann Martel (Life of Pi) to Prime Minister Stephen Harper—each with an accompanying letter, together probing the question: what sort of mind, nourished by what, do we want our leaders to have? Politely and unfailingly, every two weeks for almost four years, Yann Martel sent Canadian Prime Minister Stephen Harper a book and accompanying letter. He completed the project in 2011 with 101 book recommendations. Now, from the mailbox of the Prime Minister’s Office to your bookshelf comes a list of essential reading for all Canadians. This largely one-sided correspondence from the “loneliest book club in the world” (Stephen Harper never personally responded to Yann Martel’s gifts) is a valuable compendium for bibliophiles and those who follow the Canadian political scene. Smart, subversive, signed, sealed, and now available to you . . . even if your address is not 80 Wellington Street.
Destiny can take many shapes. For Henry, a writer struggling to finish a book about the Holocaust, it arrives in the form of a puzzling envelope from a stranger. The envelope takes him into a taxidermist's workshop. Filled with lovingly preserved animals from all corners of the globe, this place is unlike anywhere he has ever been.
A fascinating look at the state and fate of caribou in North America, along with the millennia-long practice of reindeer herding in Finland, Russia, and Mongolia. Within a few days of his arrival from Kenya to the western Canadian prairie city of Saskatoon, Saskatchewan, wildlife veterinarian Jerry Haigh discovered that caribou and reindeer are one and the same species: wild caribou in North America, wild reindeer in Eurasia. In time, Jerry's interest and research into this dynamic species grew beyond the borders of the northern boreal forests of North American, and he became fascinated with the way they were tamed by ancient peoples and the folklore about the animals' origins, including that of the modern Christmas story about Rudolph and his red nose. Reindeer Reflections recounts Jerry Haigh's travels and research in the arctic tundra and northern forests of North America, working among the Sami of Finland, and getting to know the nomadic Tsaatan herders in the foothills of the Sayan mountains of Mongolia. This decades-long journey to uncover how this unique species of deer has been woven into the lives of people scattered across the northern hemisphere examines the changes, mostly collapses, in population numbers of both wild and domestic caribou, along with the effects of climate change, poaching, and disease, from Alaska to Siberia, as well as the impact of COVID-19 on the lives of the people he has met along the way.
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