In A Medicated Empire, Timothy M. Yang explores the history of Japan's pharmaceutical industry in the early twentieth century through a close account of Hoshi Pharmaceuticals, one of East Asia's most influential drug companies from the late 1910s through the early 1950s. Focusing on Hoshi's connections to Japan's emerging nation-state and empire, and on the ways in which it embraced an ideology of modern medicine as a humanitarian endeavor for greater social good, Yang shows how the industry promoted a hygienic, middle-class culture that was part of Japan's national development and imperial expansion. Yang makes clear that the company's fortunes had less to do with scientific breakthroughs and medical innovations than with Japan's web of social, political, and economic relations. He lays bare Hoshi's business strategies and its connections with politicians and bureaucrats, and he describes how public health authorities dismissed many of its products as placebos at best and poisons at worst. Hoshi, like other pharmaceutical companies of the time, depended on resources and markets opened up, often violently, through colonization. Combining global histories of business, medicine, and imperialism, A Medicated Empire shows how the development of the pharmaceutical industry simultaneously supported and subverted regimes of public health at home and abroad.
The Completion of a Poem is the first book-length translation of Yang Mu’s poetics. In eighteen letters addressed to young poets, Yang Mu discusses essential questions regarding the definition of poetry, a poet’s growth, the importance of nature and friendship, the choice of subject, the process of creation and publication, and relationships between poet and society, identity and history, and poetry and truth. Using a comparative approach, Yang Mu draws on literary resources from Chinese and Western traditions to expound his views, and this helps to nurture in young poets a vision of world poetry that connects different but equally inspiring expressions of humanity. In style and in theme, this book is a companion piece to Rilke’s Letters to a Young Poet and Goethe’s Dichtung und Wahrheit. "Yang Mu is not only one of the greatest living poets and essayists in the Chinese language, he is also an erudite scholar, deeply versed in both Chinese and Western poetic traditions from antiquity to our modern age. In his eighteen letters to young poets, which serve as his Ars Poetica, he emphasizes that the creation of true poetry requires that insight and knowledge are paired with personal integrity and high moral standing. Yang Mu’s letters are often illuminated by exquisite landscape essays of great lyrical intensity which show his facility to allow manifestations of the outer world to reveal inner states of mind. This excellent translation by Lisa Wong deserves to be read by all who consider that poetry matters." Göran Malmqvist, Swedish Academy
It all began with a dream. A young woman saw a white tiger leap into her lap. It was both auspicious and unlucky -- her son, the fortune-teller said, would grow up with no brothers, and his father's health would be endangered by his birth. That son, however, would have a distinguished career, after going through many misfortunes and dangers. The dream was prophetic. The child was his mother's only male child and his father died of illness when the boy was only five. He grew up during the wartime and period of political turmoil in China, passing through many troubles, and he has had a very distinguished career. He is Yang Xianyi, renowned scholar, translator and interpreter of Chinese and Western literature. This delightful memoir of Yang Xianyi gives a candid and entertaining account of himself as a lighthearted and mischievous young man who immersed himself in the learning of European culture, ancient and modern, when he studied at Oxford in the 1930s. But it is also the illuminating self-portrait of a deeply patriotic intellectual living in a China under the throes of change, giving rare insight into the survival of a courageous, witty and principled individual during the harsh century of Chinese liberation.
The different chapters not only provide excellent overviews into the development of essential discoveries in plant biology, they also help the reader to better understand the background, current status and future direction of the research in each of the areas covered".Journal of Plant Physiology, 2001
As the second volume of a two-volume set on Chinese narratology, this title investigates the quintessential characteristics of the Chinese narrative style, with a focus on image and perspective. The first chapter introduces two opposing concepts of perspective: “focalization” and “blind spot,” to connect “perspective” with traditional aesthetics, highlighting the mutual relation of the nonexistent and the existent. The author believes that both the narrator and perspective are central to the narrative forms and strategies adopted by Chinese writers and that study of the narrator and perspective is integral to understanding the cultural, aesthetic, and philosophical connotations of the narrative text and the spiritual world of the author. Drawing on perceptual phenomenology, the chapter on image broadens the extant knowledge of “image” and points out that image narration is unique to Chinese narratology and central to Chinese aesthetics. The final chapter illustrating the achievements of influential critics of classical Chinese novels, proving that these critics have contributed to the canonization of the genuine masterpieces of Chinese narrative literature. The book is a must-read for scholars and students interested in narrative theory, Chinese culture and literature, and dialogue between Chinese and Western narratological studies.
A Record of Buddhist Monasteries in Lo-yang (the Lo-Yang ch'ieh-lan chi) is a major document of Chinese history and literature. This translation of the sixth- century A.D. classic describes the main Buddhist monasteries and nunneries of Lo-yang and the political, economic, and social conditions at a time when that city was the capital of the Northern Wei Dynasty. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
As the first volume of a two-volume set on Chinese narratology, this title introduces the cultural fundamentals that nurture Chinese literary works and investigates the structure and time of Chinese narrative. In the introductory chapter, the author examines the intrinsic association between Chinese writers’ narrative techniques and China’s cultural background by putting forward a Principle of Duixing to facilitate the study of those techniques and three steps to revisit Chinese narrative. Based on Western narrative theories and a close reading of outstanding Chinese literary classics, the volume focuses on structure and time in Chinese narrative. The first part on structure (jiegou) identifies five essential themes to analyze the dual dynamic structure of Chinese narrative. In terms of aspects of time, the author demonstrates how the holistic view of time and space in the Chinese tradition influences the chronological framework of narratives and shapes the outset of a story. The book is a must-read for scholars and students interested in narrative theory, Chinese culture and literature, and the dialogue between Chinese and Western narratological studies.
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