This book examines leaders of the seemingly intractable conflict between Israel and its Palestinian neighbors. It takes as an intellectual target of opportunity six Israeli prime ministers, asking why some of them have persisted in some hard-line positions but others have opted to become peacemakers. This book argues that some leaders do change, and above all it explains why and how such changes come about. This book goes beyond arguing simply that "leaders matter" by analyzing how their particular belief systems and personalities can ultimately make a difference to their country's foreign policy, especially toward a long-standing enemy. Although no hard-liner can stand completely still in the face of important changes, only those with ideologies that have specific components that act as obstacles to change and who have an orientation toward the past may need to be replaced for dramatic policy changes to take place.
Explores 'peace communication' among children in Israel-Palestine to assess structural outcomes for peace, and illuminate causes for conflict intractability.
Women have been present on the Israeli screen since its inception, but have never held a central role in the narrative. The first canonical Israeli woman filmmaker, Michal Bat Adam, released her first feature film Moments in 1979, that focused on a friendship between women, a theme unexplored until then in Israeli cinema, and it is today considered as the film that opened a way for female Israeli filmmakers to realize their experiences were worth telling. Since then there has been an increasing number of female Israeli filmmakers, primarily since the turn of the Millenium. A World Apart: Contemporary Israeli Women’s Cinema is a book that explores the contributions of female Israeli filmmakers to contemporary Israeli cinema, providing an introductory background both historically and theoretically and an in-depth analysis of films produced in the 21st century. The book is divided into two parts: "Recurrent Themes and Expressions of Vulnerability in Israeli Women's Cinema" which discusses various issues in Israeli women's cinema, and "Leading Female Auteurs in Contemporary Israeli Cinema", which focuses on leading female filmmakers. The book aims to provide a comprehensive presentation and historical contextualization of contemporary Israeli women's cinema. The book is written for students and researchers in film, media, gender issues and related areas, yet employs a straightforward language that can be understood by a broader readership.
Learn intervention strategies to counter the effects of terrorism In the twenty-first century, terrorism has become an international scourge whose effect devastates individuals, weakens societies, and cripples nations. The Trauma of Terrorism: Sharing Knowledge and Shared Care, An International Handbook and Shared Care provides a compreh
“A complex and fascinating portrait of Israel . . . .an engaging book that combines anthropology, culture, and history.” —Anita Shapira, author of Ben-Gurion: Father of Modern Israel At once an ecological phenomenon and a cultural construction, the desert has varied associations within Zionist and Israeli culture. In the Judaic textual tradition, it evokes exile and punishment, yet is also a site for origin myths, the divine presence, and sanctity. Secular Zionism developed its own spin on the duality of the desert as the romantic site of Jews’ biblical roots that inspired the Hebrew culture, and as the barren land outside the Jewish settlements in Palestine, featuring them as an oasis of order and technological progress within a symbolic desert. Yael Zerubavel tells the story of the desert from the early twentieth century to the present, shedding light on romantic-mythical associations, settlement and security concerns, environmental sympathies, and the commodifying tourist gaze. Drawing on literary narratives, educational texts, newspaper articles, tourist materials, films, popular songs, posters, photographs, and cartoons, Zerubavel reveals the complexities and contradictions that mark Israeli society’s semiotics of space in relation to the Middle East, and the central role of the “besieged island” trope in Israeli culture and politics.
This book highlights the need for a shift from thinking in terms of memories of traumatic events, to changeable modes of remembrance. The call for a fundamental change in approaches to commemorative remembrance is exemplified in literature written by the internationally acclaimed writer, Etgar Keret. Considered the most influential Israeli voice of his generation, Keret’s storytelling is in congruence with postmodern thinking. Through transferring remembrance of the Holocaust from stagnant Holocaust commemoration—museums and commemorative ceremonies—to unconventional settings, such as youngsters playing soccer or being forced to venture outdoors in a COVID-19 pandemic environment, Keret’s storytelling ushers in a unique approach to coping with remembrance of historical catastrophes. The book is a valuable resource for students and scholars interested in pursuing the subjects of Etgar Keret’s artistry, and literature written in a post modern, post Holocaust milieu about personal and collective traumatic remembrance.
As Yael Allweil reveals in her fascinating book, housing has played a pivotal role in the history of nationalism and nation building in Israel-Palestine. She adopts the concept of ‘homeland’ to highlight how land and housing are central to both Zionism and Palestinian nationalism, and how the history of Zionist and Palestinian national housing have been inseparably intertwined from the introduction of the Ottoman Land Code in 1858 to the present day.
Yael Dayan, novelist daughter of the legendary Moshe Dayan and? a public figure with a long and illustrious political career behind her, looks back at her life, scrutinizing it without illusions. Once a desirable, free-spirited young woman and a successful author, she lived with the sense that she held the world in the palm of her hand. And the world adulated both her and the young state she came from. She was an officer in the Israel Defense Force, the daughter of a renowned general, a successful writer—Death Had Two Sons, A Soldier’s Diary: Sinai 1967—much in demand on the lecture tour, and a star of the gossip columns. Now in her 70s, she admits with touching honesty to missing both the vibrant 20-something she was, and the sober woman she became—a fierce political activist and parliamentarian for the left, a fighter for justice, women’s rights and peace. Having resigned her last public position, she must reconcile herself to being a mentor, a participant instead of a leader, yet remaining center-stage on the Peace Camp scene. The narrator’s warm, intimate voice and her rich intellect, as well as her insights, make for a powerful reading experience.
When people discuss food in Israel, their debates ask politically charged questions: Who has the right to falafel? Whose hummus is better? But Yael Raviv’s Falafel Nation moves beyond the simply territorial to divulge the role food plays in the Jewish nation. She ponders the power struggles, moral dilemmas, and religious and ideological affiliations of the different ethnic groups that make up the “Jewish State” and how they relate to the gastronomy of the region. How do we interpret the recent upsurge in the Israeli culinary scene—the transition from ideological asceticism to the current deluge of fine restaurants, gourmet stores, and related publications and media? Focusing on the period between the 1905 immigration wave and the Six-Day War in 1967, Raviv explores foodways from the field, factory, market, and kitchen to the table. She incorporates the role of women, ethnic groups, and different generations into the story of Zionism and offers new assertions from a secular-foodie perspective on the relationship between Jewish religion and Jewish nationalism. A study of the changes in food practices and in attitudes toward food and cooking, Falafel Nation explains how the change in the relationship between Israelis and their food mirrors the search for a definition of modern Jewish nationalism.
Since 1967, more than 60,000 Jewish-Americans have settled in the territories captured by the State of Israel during the Six Day War. Comprising 15 percent of the settler population today, these immigrants have established major communities, transformed domestic politics and international relations, and committed shocking acts of terrorism. They demand attention in both Israel and the United States, but little is known about who they are and why they chose to leave America to live at the center of the Israeli-Palestinian conflict. In this deeply researched, engaging work, Sara Yael Hirschhorn unsettles stereotypes, showing that the 1960s generation who moved to the occupied territories were not messianic zealots or right-wing extremists but idealists engaged in liberal causes. They did not abandon their progressive heritage when they crossed the Green Line. Rather, they saw a historic opportunity to create new communities to serve as a beacon—a “city on a hilltop”—to Jews across the globe. This pioneering vision was realized in their ventures at Yamit in the Sinai and Efrat and Tekoa in the West Bank. Later, the movement mobilized the rhetoric of civil rights to rebrand itself, especially in the wake of the 1994 Hebron massacre perpetrated by Baruch Goldstein, one of their own. On the fiftieth anniversary of the 1967 war, Hirschhorn illuminates the changing face of the settlements and the clash between liberal values and political realities at the heart of the Israeli-Palestinian conflict.
In this memoir, an Israeli woman born on a kibbutz recounts her childhood there and examines the movement’s effects on the nation. The kibbutz is one of the greatest stories in Israeli history. These collective settlements have been written about extensively over the years: The kibbutz has been the subject of many sociological studies, and has been praised as the only example in world history of entire communities attempting, voluntarily, to live in total equality. But there’s a dark side to the kibbutz, which has been criticized in later years, mainly by children who were raised in these communities, as an institution which victimized its offspring for the sake of ideology. In this spare and lucid memoir, Neeman—a child of the kibbutz—draws on the collective memory of hundreds of thousands of Israelis who grew up in a kibbutz during their height and who intimately share their memories with her. We Were the Future is more than merely a compelling personal account of growing up in the kibbutz movement; it is an unstintingly honest examination of the perils of pioneering and a new lens through which to see the history of Israel. Praise for We Were the Future “An eye-opening look at a fascinating era in Israeli history and what happens when a child is part of a sociopolitical experiment.” —Kirkus Review “Readers curious about life on a kibbutz in the 1960s will love this poetic autobiography. Readers who have never wondered about life on a kibbutz should read this book anyway, as they will be well rewarded. . . . The history of the movement and [Neeman’s] own kibbutz are deftly woven together, and readers come away with a sense of this not as merely an autobiography of an individual woman but as the story of the hopes, dreams, and struggles of an entire movement. A spare, and startling book.” —Christine Engel, Booklist “A highly recommended introduction to the kibbutz movement.” —Library Journal “Both beautifully lyric and devastatingly illuminating.” —The Times of Israel
“A complex and fascinating portrait of Israel . . . .an engaging book that combines anthropology, culture, and history.” —Anita Shapira, author of Ben-Gurion: Father of Modern Israel At once an ecological phenomenon and a cultural construction, the desert has varied associations within Zionist and Israeli culture. In the Judaic textual tradition, it evokes exile and punishment, yet is also a site for origin myths, the divine presence, and sanctity. Secular Zionism developed its own spin on the duality of the desert as the romantic site of Jews’ biblical roots that inspired the Hebrew culture, and as the barren land outside the Jewish settlements in Palestine, featuring them as an oasis of order and technological progress within a symbolic desert. Yael Zerubavel tells the story of the desert from the early twentieth century to the present, shedding light on romantic-mythical associations, settlement and security concerns, environmental sympathies, and the commodifying tourist gaze. Drawing on literary narratives, educational texts, newspaper articles, tourist materials, films, popular songs, posters, photographs, and cartoons, Zerubavel reveals the complexities and contradictions that mark Israeli society’s semiotics of space in relation to the Middle East, and the central role of the “besieged island” trope in Israeli culture and politics.
Because Israel has endured perennial armed conflict, its national agenda places overriding importance on national security and family life. At the same time, Israel is a democracy that fosters equality for all its citizens. Thus Israeli women are caught in a dilemma: whether to show allegiance to the national cause or to raise the banner of feminism and focus on women's rights. This book presents a broad perspective on the political life of Israeli women, both Jewish and non-Jewish. It is the first book to explore Israeli women's political participation, political identity, and political organizations, as well as public policy toward women. Situating Israel in a comparative theoretical framework, Yael Yishai focuses on the enduring tension between women's drive for power and their desire to belong and integrate from within.
In Between Feminism and Orthodox Judaism, Yael Israel-Cohen offers an analysis of the activism and identity of women considered at the forefront of the feminist challenge to Orthodoxy. Through a look at women’s battle over synagogue ritual and the ordination of women rabbis, an intricate and complex picture of identity, resistance, and religious change is revealed. Some of the central questions that Yael Israel-Cohen explores are: How do modern Orthodox women strategize to implement feminist changes? How do they deal with what at least on the surface seem to be conflicting allegiances? How do they perceive their role as agents of change and what are the ramifications of their activism for how we understand the boundaries of Orthodoxy more generally? "Between Feminism and Orthodox Judaism represents an interpretive study at its finest. It is well-written, theoretically sophisticated, and grounded within the literature. I highly recommend this book for scholars and nonscholars alike who are interested in studies of women’s resistance in conservative settings." Faezeh Bahreini, University of South Florida, Tampa
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