A Classical Tibetan Reader answers a long-standing need for well chosen readings to accompany courses in classical Tibetan language. Professor Bentor has built her Tibetan reader out of time-tested selections from texts that she has worked with while teaching classical Tibetan over the past twenty years. She has assembled here a selection of Tibetan narratives, organized to introduce students of the language to complex material gradually, and to arm them with ample reference materials in the form of glossaries customized to individual readings. Instructors will find this reader an invaluable tool for preparing lesson plans and providing high-quality reading material to their students. Students, too, will find the selections contained in the reader engaging. Even novice readers of Tibetan will feel welcomed and encouraged, thanks to the author's astute judgment of student capacity.
A Classical Tibetan Reader answers a long-standing need for well chosen readings to accompany courses in classical Tibetan language. Professor Bentor has built her Tibetan reader out of time-tested selections from texts that she has worked with while teaching classical Tibetan over the past twenty years. She has assembled here a selection of Tibetan narratives, organized to introduce students of the language to complex material gradually, and to arm them with ample reference materials in the form of glossaries customized to individual readings. Instructors will find this reader an invaluable tool for preparing lesson plans and providing high-quality reading material to their students. Students, too, will find the selections contained in the reader engaging. Even novice readers of Tibetan will feel welcomed and encouraged, thanks to the author's astute judgment of student capacity.
The present work is an investigation of the Indo-Tibetan ritual for consecrating images, stûpas, books and temples. It is based on a thorough examination of the relevant Tibetan textual material contained in Tantras, commentaries, ritual manuals and explanatory works on consecration. As rituals are meant to be performed, this textual study is combined with observations of performances and interviews with performers. The book opens with a general discussion of certain principles of tantric rituals and the foundations of Indo-Tibetan consecration. The main part focuses on a specific performance of the ritual in a Tibetan monastery located in the Kathmandu Valley. This volume contributes to the often neglected field of Indo-Tibetan Buddhist rituals. It is concerned with the sacred nature of objects for worship as well as with the main Buddhist tantric transformation into a chosen tantric Buddha.
The present work is an investigation of the Indo-Tibetan ritual for consecrating images, stûpas, books and temples. It is based on a thorough examination of the relevant Tibetan textual material contained in Tantras, commentaries, ritual manuals and explanatory works on consecration. As rituals are meant to be performed, this textual study is combined with observations of performances and interviews with performers. The book opens with a general discussion of certain principles of tantric rituals and the foundations of Indo-Tibetan consecration. The main part focuses on a specific performance of the ritual in a Tibetan monastery located in the Kathmandu Valley. This volume contributes to the often neglected field of Indo-Tibetan Buddhist rituals. It is concerned with the sacred nature of objects for worship as well as with the main Buddhist tantric transformation into a chosen tantric Buddha.
This study of the Indo-Tibetan ritual of rendering religious objects sacred concerns one of the fundamental Buddhist tantric processes of transformation into a chosen tantric Buddha. It provides a general discussion of the ritual as well as detailed analyses of each ritual step in the composite present-day consecration.
Over 700 items are featured in this bibliography which attempts to provide a comprehensive listing in chronological sequence of Tibetan-language works belonging to the typical historical genres that have evolved between the 11th century and the present. As well as dates and details of composition or publication, authorship and title, there are also references to the secondary literature in other languages.
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