After being in love for three years, Baiyue Xi found out that her marriage was actually a scam. When her husband and mother-in-law caused her to lose her family and leave her with no other choice. Li Fengxian suddenly appeared strong in her life. Satisfy me, he said. I can help you get everything back. After a long period of love, she had conceived his flesh and blood, thinking that she could be happy for the rest of her life. However, he had suddenly disappeared. His body was nowhere to be seen. "Five years later, when they met again, she stood next to another man and smiled at him." Uncle, long time no see!
Wang Yunjie accidentally knew the director's secrets while he was revengeed by the director. However, he got blessed by misfortune and got a magic bracelet unexpectedly. This bracelet helped him to be the best doctor and any incurable diseases could be easily cured by him. His status rose so rapidly that those who used to underestimate him now had to start humble. His life was totally changed.☆About the Author☆Xiao Ya, an online novelist. She is good at writing urban novels especially about doctor. Her work Romantic Medical Saint in the City is developed in the profession of doctors, with her fluent writing telling the story of an intern doctor changing his life.
Some playwrights have a gift to amuse; Frances Ya-Chu Cowhig has a darker gift. Anyone with romantic notions of Chinese culture will be unsettled by the jagged, unsentimental portrait of modern urban China."(Chicago Reader) Poetic and devastating, sensuous and politically acute, Frances Ya-Chu Cowhig's China Plays explore the forces of global capital as they explode within the lives of everyday people in contemporary China. This volume collects together the three plays in the series, including Cowhig's exploration of the human cost of development in China's socialist market economy (The World of Extreme Happiness), of justice and revenge amidst ecological and economic catastrophe (Snow in Midsummer), and the tale of the trade in blood that brought the AIDS crisis to rural China (The King of Hell's Palace). In addition to Cowhig's plays, the volume includes a host of supplemental materials including an editorial preface and three (previously published) brief essays responding to each play by the editor, Joshua Chambers-Letson; a new introduction by theatre/performance scholar and dramaturg Christine Mok that explores the key themes in Cowhig's body of work; a summary discussion between Cowhig, Chambers-Letson, and Mok, on Cowhig's process and the political and aesthetic currents animating her work. The World of Extreme Happiness: "Fearless, zippily-paced, and satirical . . . Cowhig forces us down the long hard look path" (Independent) Snow in Midsummer: “Gripping and affecting... graceful and impassioned” (Times) The King of Hell's Palace: "A medical-scandal drama that we can't afford to ignore" (Telegraph)
When the Henan Ministry of Health begins paying citizens for blood plasma which is then sold to pharmaceutical companies, impoverished farmers in the province's remote villages sell blood to buy fertilizer, mend their houses and create a better life for their children. As corrupt health officials cut costs to maximize profits, safety standards are ignored, bringing potential catastrophe to China's most vulnerable population. Inspired by true events, this gripping drama explores the conflicts that arise when a community's greatest source of capital becomes their own bodies. Focusing on the personal repercussions of the cover-up, The King of Hell's Palace questions how political and medical decisions are made and how both a family and an entire country can look to recover from traumatic events.
Written by the founder of the field of carbon “quantum” dots (carbon dots) and related technology, this book outlines the principles of carbon dots and presents strong evidence for that small carbon nanoparticles and by extension carbon dots represent the nanoscale carbon allotrope at zero-dimension. Historical accounts of the inception and evolution of the carbon dots field are provided. Experimental approaches and techniques for the dot synthesis and some related major issues are discussed in detail. The photoexcited state properties, especially the bright and colorful photoluminescence emissions, and photoinduced redox characteristics of carbon dots are presented, and so are their advantages over semiconductor quantum dots as well as fullerenes. Carbon dots are also compared with “graphene quantum dots”, for which a unified mechanistic understanding is proposed. Finally, a broad range of applications of carbon dots and their derived hybrid nanostructures in biomedical, renewable energy, food and environmental safety, and other technologies are highlighted. The book concludes with a discussion on the excellent potential and opportunities for further research and development.
This book exclusively focuses on visible and under-the-table power struggles with regards to aspects of communities, connections, cultures, and communication related to Chinese language teaching in US higher education in the past two decades. As long as there are diverse communities in a society, conflicts between different groups of people become inevitable, and these lead, in turn, to power struggles. Once there are conflicts or power struggles among various communities, problematic subtleties about connections to different communities, as well as comparisons and contrasts of social varieties and cultural legacies, indubitably ensue.
When the cultivator teleported to the city, he relied on the superpower of his hands to become the most amazing celebrity agent and to create his own star! Sister Ao Jiao, silly loli, mature goddess, do you want to become beautiful? Want money? Want to be a star? Go straight to the point, Brother!
Translating Chinese Culture is an innovative and comprehensive coursebook which addresses the issue of translating concepts of culture. Based on the framework of schema building, the course offers helpful guidance on how to get inside the mind of the Chinese author, how to understand what he or she is telling the Chinese-speaking audience, and how to convey this to an English speaking audience. A wide range of authentic texts relating to different aspects of Chinese culture and aesthetics are presented throughout, followed by close reading discussions of how these practices are executed and how the aesthetics are perceived among Chinese artists, writers and readers. Also taken into consideration are the mode, audience and destination of the texts. Ideas are applied from linguistics and translation studies and each discussion is reinforced with a wide variety of practical and engaging exercises. Thought-provoking yet highly accessible, Translating Chinese Culture will be essential reading for advanced undergraduates and postgraduate students of Translation and Chinese Studies. It will also appeal to a wide range of language studies and tutors through its stimulating discussion of the principles and purposes of translation.
Ya-Hui Cheng examines the emergence of popular music genres – jazz, rock, and hip-hop – in Chinese society, covering the social underpinnings that shaped the development of popular music in China and Taiwan, from imperialism to westernization and from modernization to globalization. The political sensitivities across the strait have long eclipsed the discussion of these shared sonic intimacies. It was not until the rise of the digital age, when entertainment programs from China and Taiwan reached social media on a global scale, that audiences realized the existence of this sonic reciprocation. Analyzing Chinese pentatonicism and popular songs published from 1927 to the present, this book discusses structural elements in Chinese popular music to show how they aligned closely with Chinese folk traditions. While the influences from Western genres are inevitable under the phenomenon of globalization, Chinese songwriters utilized these Western inspirations to modernize their musical traditions. It is a sensitivity for exhibiting cultural identities that enabled popular music to present a unique Chinese global image while transcending political discord and unifying mass cultures across the strait.
Since the mid-2000s, public opinion and debate in China have become increasingly common and consequential, despite the ongoing censorship of speech and regulation of civil society. How did this happen? In The Contentious Public Sphere, Ya-Wen Lei shows how the Chinese state drew on law, the media, and the Internet to further an authoritarian project of modernization, but in so doing, inadvertently created a nationwide public sphere in China—one the state must now endeavor to control. Lei examines the influence this unruly sphere has had on Chinese politics and the ways that the state has responded. Using interviews, newspaper articles, online texts, official documents, and national surveys, Lei shows that the development of the public sphere in China has provided an unprecedented forum for citizens to influence the public agenda, demand accountability from the government, and organize around the concepts of law and rights. She demonstrates how citizens came to understand themselves as legal subjects, how legal and media professionals began to collaborate in unexpected ways, and how existing conditions of political and economic fragmentation created unintended opportunities for political critique, particularly with the rise of the Internet. The emergence of this public sphere—and its uncertain future—is a pressing issue with important implications for the political prospects of the Chinese people. Investigating how individuals learn to use public discourse to influence politics, The Contentious Public Sphere offers new possibilities for thinking about the transformation of state-society relations.
Shen Gua (1031–1095) is a household name in China, known as a distinguished renaissance man and the author of Brush Talks from Dream Brook, an old text whose remarkable “scientific” discoveries make it appear curiously ahead of its time. In this first book-length study of Shen in English, Ya Zuo reveals the connection between Shen’s life as an active statesman and his ideas, specifically the empirical stance manifested through his wide-ranging inquiries. She places Shen on the broad horizon of premodern Chinese thought, and presents his empiricism within an extensive narrative of Chinese epistemology.Relying on Shen as a searchlight, Zuo focuses in on how an individual thinker summoned conditions and concepts from the vast Chinese intellectual tradition to build a singular way of knowing. Moreover, her study of Shen provides insights into the complex dynamics in play at the dawn of the age of Neo-Confucianism and compels readers to achieve a deeper appreciation of the diversity in Chinese thinking.
This monograph presents new developments in multi-level decision-making theory, technique and method in both modeling and solution issues. It especially presents how a decision support system can support managers in reaching a solution to a multi-level decision problem in practice. This monograph combines decision theories, methods, algorithms and applications effectively. It discusses in detail the models and solution algorithms of each issue of bi-level and tri-level decision-making, such as multi-leaders, multi-followers, multi-objectives, rule-set-based, and fuzzy parameters. Potential readers include organizational managers and practicing professionals, who can use the methods and software provided to solve their real decision problems; PhD students and researchers in the areas of bi-level and multi-level decision-making and decision support systems; students at an advanced undergraduate, master’s level in information systems, business administration, or the application of computer science.
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