When the cultivator teleported to the city, he relied on the superpower of his hands to become the most amazing celebrity agent and to create his own star! Sister Ao Jiao, silly loli, mature goddess, do you want to become beautiful? Want money? Want to be a star? Go straight to the point, Brother!
Women and Gender in Chinese Martial Arts Films of the New Millennium, by Ya-chen Chen, is an excavation of underexposed gender issues focusing mainly on contradictory and troubled feminism in the film narratives. In the cinematic world of martial arts films, one can easily find representations of women of Ancient China released from the constraints of patriarchal social order to revel in a dreamlike space of their own. They can develop themselves, protect themselves, and even defeat or conquer men. This world not only frees women from the convention of foot-binding, but it also "unbinds" them in terms of education, critical thinking, talent, ambition, opportunities to socialize with different men, and the freedom or right to both choose their spouse and decide their own fate. Chen calls this phenomenon "Chinese cinematic martial arts feminism." The liberation is never sustaining or complete, however; Chen reveals the presence of a glass ceiling marking the maximal exercise of feminism and women's rights which the patriarchal order is willing to accept. As such, these films are not to be seen as celebrations of feminist liberation, but as enunciations of the patriarchal authority that suffuses "Chinese cinematic martial arts feminism." The film narratives under examination include Crouching Tiger, Hidden Dragon (directed by Ang Lee); Hero (Zhang Yimou); House of the Flying Daggers (Zhang Yimou); Seven Swords (Tsui Hark); The Promise (Chen Kaige); The Banquet (Feng Xiaogang); and Curst of the Golden Flower (Zhang Yimou). Chen also touches upon the plots of two of the earliest award-winning Chinese martial arts films, A Touch of Zen and Legend of the Mountain, both directed by King Hu.
A number of Taiwanese scholars gate-kept, filtered, selected, and strategized to transfer Luce Irigaray’s, Hélène Cixous’s, and Julia Kristeva’s French feminist theories into their own national context by exerting their cross-lingual and cross-cultural academic power in the 1990s. They also reshaped, localized, acculturated, marketed, and Taiwanized these French feminist theories, which was essential for Taiwanese academia. According to French feminist literary theories, écriture féminine (“feminine writing”) refers to women’s own written self-expression used to escape from the patriarchal language system. Beginning with a description of the acculturation of French feminist literary theories, this book highlights how women’s own spoken voices or autobiographical written expressions appear in Taiwanese cinematic works when the camera is compared to the cinematic pen. It analytically digest the écriture féminine of parler-femme in the Taiwanese films The Butcher’s Wife, Taste of Life, Sex Appeal, and Ghosted.
A comprehensive guide to efficiently scavenge multi-energies from the surrounding environment to power some electronic devices and realize self-powered sensing! With the advantages of high-integration level, low cost, and high-conversion efficiency, hybridized nanogenerators have many potential applications in multi-energy scavenging and sensor fields. This book offers a comprehensive review of the design, performance, and applications of hybridized and coupled nanogenerators. The author a noted expert on the topic explores the various new hybridized and multi-effects coupled nanogenerators. The book examines the current approaches of improving electric generation performance and offers an introduction to the applications of hybridized nanogenerators in energy harvesting and sensing. This technology has proven to be highly applicable in multi-energy scavenging and self-powered sensor fields. This book includes: Examines the potential applications of hybridized and coupled nanogenerators in multi-energy scavenging and sensor fields Covers the principles of device design Explores the most current approaches to improve performance Reviews various multi-effects coupled nanogenerators and their potential applications Written for materials scientists, engineering scientists, electronics engineers, bioengineers, sensor developers, and sensor industry professionals, This book is a guide to hybridized and coupled nanogenerators that achieve the maximum utilization of multi-type and stable energies.
Using interviews, newspaper articles, online texts, official documents, and national surveys, Lei shows that the development of the public sphere in China has provided an unprecedented forum for citizens to organize, influence the public agenda, and demand accountability from the government.
Where do we go when we die? In Frances Ya-Chu Cowhig’s dark and dazzling 410[GONE], that all depends on how you play the game. The stakes couldn’t be higher when a young woman goes in search of her lost brother in the Land of the Dead—a dominion ruled by the Chinese Goddess of Mercy and the Monkey King, where time is suspended, and an arcade dance console holds the key to transmigration. On this fantastical journey into the underworld, a sister and brother must face the ultimate question: If there is no love without pain, what does it mean to love?
Democracy on Trial is an attempt to begin to negotiate the problem of writing about and understanding democracy and social movements in Taiwan, and what they can tell us about a place and country that for me is both home and the field, an object of study and yet also an area of hope and engagement. "Democracy on Trial is as impressive for its conceptual sophistication as it is for its ethnographic depth. Chuang’s personal experiences and engagement with the movements he describes and analyzes bring to life the wealth of documentary and ethnographic data. The study should be of interest not just to Taiwan scholars and readers, but also those interested in issues of democracy in China and East Asia, the politics of TaiwanPRC relations, and social movement scholars and activists."y Arif Dirlik, Author of Culture and History in Postrevolutionary China: The Perspective of Global Modernity.
Her good father suddenly had a heart attack and became a vegetable. Her boyfriend went into a car accident during the wedding banquet and was unconscious, and she told him that the culprit in her life would kill the person closest to her. In one night, she became a jinx that everyone avoided, became the topic of gossip, and she was annulled by her grandmother. "Mr. Xin, why did you marry a jinx and go home? You're not afraid that I'll kill you." "What a coincidence, I was fated to die as well. It just so happens that we both have to bear the consequences.
In the English-language publication market, this book is one of the earliest, and perhaps the first academic book focusing on Taiwanese women and gender issues from the late Qing Dynasty to the twenty-first century. It features the interrelations between cultural trends and women in Taiwan. In most current Western research and academic institution, Taiwanese studies deals with modern Taiwan since the Qing Dynasty or the Opium War to the contemporary era, and usually belongs to the division of Chinese studies or modern Chinese studies in the overall area of Asian studies. Historically and socioculturally, however, cultural dimensions in Taiwan are not exactly the same as those in mainland China and Hong Kong. This book sets itself apart by providing a bird's-eye view of gender issues impacted by diverse cultures in Taiwan from the Japanese colonial era to the present century.
Ya-Hui Cheng examines the emergence of popular music genres – jazz, rock, and hip-hop – in Chinese society, covering the social underpinnings that shaped the development of popular music in China and Taiwan, from imperialism to westernization and from modernization to globalization. The political sensitivities across the strait have long eclipsed the discussion of these shared sonic intimacies. It was not until the rise of the digital age, when entertainment programs from China and Taiwan reached social media on a global scale, that audiences realized the existence of this sonic reciprocation. Analyzing Chinese pentatonicism and popular songs published from 1927 to the present, this book discusses structural elements in Chinese popular music to show how they aligned closely with Chinese folk traditions. While the influences from Western genres are inevitable under the phenomenon of globalization, Chinese songwriters utilized these Western inspirations to modernize their musical traditions. It is a sensitivity for exhibiting cultural identities that enabled popular music to present a unique Chinese global image while transcending political discord and unifying mass cultures across the strait.
How could it be possible? A little mouse won the race against all other animals and gave his name to the very first year. In the Eastern world, this well-known little story tells how the twelve animals were chosen of each year. Why is the first year called Mouse, and why are cats always the enemies of the mice?
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