Ever since she met him at school five years ago, she had always regarded him as the true love of her life. The man had been kind to her, too, and said he would take care of her for the rest of his life, and that they would be married next month. Was this the love Gu Chengze had for her?
She was a woman who had been forced into a corner. No matter what danger she faced, she would always be able to escape. He was a meticulous and aloof person with a strong background. When they met, all her little tricks were in plain sight. In the face of such a powerful 'fat sheep', should Mu Xingyue run or continue to kill him? Mu Xinyue: "Oh, I'm buying!" Who could kill him? Of course it was to escape! Feng Royal Chen: You want to run? Treat me like a sheep, since I'm here, don't even think about leaving. Mu Xingyue: You're a sheep with wolf skin! Ah, you wolf in sheep's clothing!
Jin Xiaoyu was a female detective who liked to make money freely. "The guy who got off the rails and caught Third Young Master Hedonist, but didn't want to make an error in his actions. He accidentally messed with the famous mafia lord, Mu Linfeng, and started her journey towards sorrow." Hahahaha... You said you were a detective, how could there be such a stupid detective? " Jin Xiao Yu angrily faced a certain someone's mocking. Only then did he realize that he had been tricked. He angrily threw away the gun in his hand. "You freak, you actually tricked me!" "Yeah, I'm just toying with you. Not only that, I'm going to sleep with you too." Damn scoundrel, let go of me ... "Mmm mmm mmm ...
Ye Shaoqiu had been pushed into a cliff by someone in retaliation, but because of this, he benefited from his misfortune and obtained the legacy of ancient times. From then on, they started to treat the illness and save the people. It was an inspiring story of a skilled chivalrous doctor.
This book mainly focuses on the close relationship between Chinese dialects and Chinese culture. It reveals,on the one hand, a long, rich and splendid Chinese culture from the perspective of Chinese dialects; on the other hand, it unveils the evolution, the development of Chinese dialects as well as their diversity and charm at the cultural angle. By combining the study of Chinese dialects with that of the history of Chinese culture, the author attempts to explore the cultural background of Chinese dialects’ formation and evolution,and at the same time, the author attempts to view Chinese dialects as the key access to find solutions to related questions appeared in the history of Chinese culture. Thus, it not only opens a new research scope for the Chinese dialectology, but it also finds a new path for the study of cultural history. The book is the first of its kind to create the concept of cultural linguistics, which leads to a new era of combined research on both language and culture.
This book argues that political persuasion expanded in early imperial China through diverse written genres, and that what ancient Chinese called wenti jingwei, or genre networks, provides the central means to understand rhetoric and government at the time.
Winner, CCCC Outstanding Book Award Until recently, American composition scholars have studied writing instruction mainly within the borders of their own nation, rarely considering English composition in the global context in which writing in English is increasingly taught. Writing in the Devil’s Tongue challenges this anachronistic approach by examining the history of English composition instruction in an East Asian country. Author Xiaoye You offers scholars a chance to observe how a nation changed from monolingual writing practices to bilingual writing instruction in a school setting. You makes extensive use of archival sources to help trace bilingual writing instruction in China back to 1862, when English was first taught in government schools. Treating the Chinese pursuit of modernity as the overarching theme, he explores how the entry of Anglo-American rhetoric and composition challenged and altered the traditional monolithic practice of teaching Chinese writing in the Confucian spirit. The author focuses on four aspects of this history: the Chinese negotiation with Anglo-American rhetoric, their search for innovative approaches to instruction, students’ situated use of English writing, and local scholarship in English composition. Unlike previous composition histories, which have tended to focus on institutional, disciplinary, and pedagogical issues, Writing in the Devil’s Tongue brings students back to center stage by featuring several passages written by them in each chapter. These passages not only showcase rhetorical and linguistic features of their writings but also serve as representative anecdotes that reveal the complex ways in which students, responding to their situations, performed multivalent, intercultural discourses. In addition, You moves out of the classroom and into the historical, cultural, and political contexts that shaped both Chinese writing and composing practices and the pedagogies that were adopted to teach English to Chinese in China. Teachers, students, and scholars reading this book will learn a great deal about the political and cultural impact that teaching English composition has had in China and about the ways in which Chinese writing and composition continues to be shaped by rich and diverse cultural traditions and political discourses. In showcasing the Chinese struggle with teaching and practicing bilingual composition, Writing in the Devil’s Tongue alerts American writing scholars and teachers to an outdated English monolingual mentality and urges them to modify their rhetorical assumptions, pedagogical approaches, and writing practices in the age of globalization.
The book depicts a unique historical and cultural phenomenon, the philosophy of Chinese moral education, in an attempt to capture the essence of Chinese culture. While tracing the historical journey of this philosophy, the book rearranges and interprets the conceptual frameworks concerning moral education in various Chinese philosophical schools and religions. In so doing, it summarizes the ideas of human relations, man and nature, cosmology, moral virtues, and educational approaches, posing intriguing questions about how they have influenced Chinese characteristics, social norms, and value orientations. In particular, the book brings up discussions on the culture of family and state, the challenges that the philosophy had encountered in early modern and present China, as well as the prospect of regeneration of the philosophy and its significance for our world today. This is the book to read if you want to have a deep understanding about China and its belief and educational system.
This book reveals the significant differences between Chinese and western culture: the epistemology and values originated from Pre-qin Period and from ancient Greek culture, as well as keeping social stability and subsistence. Despite the hierarchy is the essence of structural properties of human society, the continental civilization of the ancient Chinese agrarian economy is different from the Marine civilization of the economy of ancient Egypt, ancient India, ancient Babylon, ancient Greek and Roman from the perspective of touch point of thinking driven by material and linear way of thinking dominated by the visual horizon. In other words, the way of people’s survival is vital to the formation of thinking modes. Therefore, from the very beginning of China's social labor division, the naturally formed, mutual beneficial exchange relationships were distorted. There did not exist equality, mutual benefit and equivalent exchange generated in the soil of the civilized social relations. So, equality is key to explore Chinese humanities and human rights. In 81 B.C., the central government of the Han Dynasty held the discussion about state monopoly of salt and iron as well as cargo policy, price control, currency circulation and alcohol selling etc. Although under the name of the discussion of salt and iron, it was a summary of experiences and lessons of politics, economy, culture, diplomacy and military etc. from Shang, Zhou and Qin Dynasties. The discussion is an unprecedented one of Confucianism vs Legalism in the ancient Chinese social superstructure, which reflects the vitality of Chinese gentleman, namely, the inherited claim by the Pre-qin Confucius, Mencius and Zhuangzi of restraining the powerful while helping the weak. From then on, the thoughts of Confucius, Mencius and Zhuangzi were established as the leading in the Chinese traditional culture. But in the after two thousand years in the Chinese history there was no jump in the course of politics, economy, ideology and culture. In other words, the dawn of civilization such as freedom of speech and thought appeared in Shang, Zhou and Han Dynasties never ever appeared.
The 82 exhibits in this unprecedented exhibition of ancient lacquerwares are selected from the superb collection of the Hubei Provincial Museum, illustrating the various production techniques and decorative styles of lacquerwares of the Warring States to the Han periods. Includes 4 scholarly essays on the styles, musical instruments, the qiagin and zanxi techniques, and the conservation of technology of ancient lacquerware.
Ever since she met him at school five years ago, she had always regarded him as the true love of her life. The man had been kind to her, too, and said he would take care of her for the rest of his life, and that they would be married next month. Was this the love Gu Chengze had for her?
She was a woman who had been forced into a corner. No matter what danger she faced, she would always be able to escape. He was a meticulous and aloof person with a strong background. When they met, all her little tricks were in plain sight. In the face of such a powerful 'fat sheep', should Mu Xingyue run or continue to kill him? Mu Xinyue: "Oh, I'm buying!" Who could kill him? Of course it was to escape! Feng Royal Chen: You want to run? Treat me like a sheep, since I'm here, don't even think about leaving. Mu Xingyue: You're a sheep with wolf skin! Ah, you wolf in sheep's clothing!
Jin Xiaoyu was a female detective who liked to make money freely. "The guy who got off the rails and caught Third Young Master Hedonist, but didn't want to make an error in his actions. He accidentally messed with the famous mafia lord, Mu Linfeng, and started her journey towards sorrow." Hahahaha... You said you were a detective, how could there be such a stupid detective? " Jin Xiao Yu angrily faced a certain someone's mocking. Only then did he realize that he had been tricked. He angrily threw away the gun in his hand. "You freak, you actually tricked me!" "Yeah, I'm just toying with you. Not only that, I'm going to sleep with you too." Damn scoundrel, let go of me ... "Mmm mmm mmm ...
Winner, CCCC Outstanding Book Award Until recently, American composition scholars have studied writing instruction mainly within the borders of their own nation, rarely considering English composition in the global context in which writing in English is increasingly taught. Writing in the Devil’s Tongue challenges this anachronistic approach by examining the history of English composition instruction in an East Asian country. Author Xiaoye You offers scholars a chance to observe how a nation changed from monolingual writing practices to bilingual writing instruction in a school setting. You makes extensive use of archival sources to help trace bilingual writing instruction in China back to 1862, when English was first taught in government schools. Treating the Chinese pursuit of modernity as the overarching theme, he explores how the entry of Anglo-American rhetoric and composition challenged and altered the traditional monolithic practice of teaching Chinese writing in the Confucian spirit. The author focuses on four aspects of this history: the Chinese negotiation with Anglo-American rhetoric, their search for innovative approaches to instruction, students’ situated use of English writing, and local scholarship in English composition. Unlike previous composition histories, which have tended to focus on institutional, disciplinary, and pedagogical issues, Writing in the Devil’s Tongue brings students back to center stage by featuring several passages written by them in each chapter. These passages not only showcase rhetorical and linguistic features of their writings but also serve as representative anecdotes that reveal the complex ways in which students, responding to their situations, performed multivalent, intercultural discourses. In addition, You moves out of the classroom and into the historical, cultural, and political contexts that shaped both Chinese writing and composing practices and the pedagogies that were adopted to teach English to Chinese in China. Teachers, students, and scholars reading this book will learn a great deal about the political and cultural impact that teaching English composition has had in China and about the ways in which Chinese writing and composition continues to be shaped by rich and diverse cultural traditions and political discourses. In showcasing the Chinese struggle with teaching and practicing bilingual composition, Writing in the Devil’s Tongue alerts American writing scholars and teachers to an outdated English monolingual mentality and urges them to modify their rhetorical assumptions, pedagogical approaches, and writing practices in the age of globalization.
Jin Xiaoyu was a female detective who liked to make money freely. "The guy who got off the rails and caught Third Young Master Hedonist, but didn't want to make an error in his actions. He accidentally messed with the famous mafia lord, Mu Linfeng, and started her journey towards sorrow." Hahahaha... You said you were a detective, how could there be such a stupid detective? " Jin Xiao Yu angrily faced a certain someone's mocking. Only then did he realize that he had been tricked. He angrily threw away the gun in his hand. "You freak, you actually tricked me!" "Yeah, I'm just toying with you. Not only that, I'm going to sleep with you too." Damn scoundrel, let go of me ... "Mmm mmm mmm ...
Ever since she met him at school five years ago, she had always regarded him as the true love of her life. The man had been kind to her, too, and said he would take care of her for the rest of his life, and that they would be married next month. Was this the love Gu Chengze had for her?
In his previous life, he was a drop in the ocean, ordinary and ordinary. In this life, he was the Emperor who had awoken from his slumber in the Azure Sea Breeze. With the Sea God's Divine Spark, Li Qiangdi faced the endless sea and couldn't help but feel at a loss. 3000 years later, in the era of the Divine Nuo, nearly three-quarters of the Earth's land mass had turned into a vast sea, with the Sea God's Temple standing tall! As for him, he was a deep sea mermaid ... This article is a warm pamper
In his previous life, he was a drop in the ocean, ordinary and ordinary. In this life, he was the Emperor who had awoken from his slumber in the Azure Sea Breeze. With the Sea God's Divine Spark, Li Qiangdi faced the endless sea and couldn't help but feel at a loss. 3000 years later, in the era of the Divine Nuo, nearly three-quarters of the Earth's land mass had turned into a vast sea, with the Sea God's Temple standing tall! As for him, he was a deep sea mermaid ... This article is a warm pamper
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