This book explores the Daoist encounter with modernity through the activities of Chen Yingning (1880–1969), a famous lay Daoist master, and his group in early twentieth-century Shanghai. In contrast to the usual narrative of Daoist decay, with its focus on monastic decline, clerical corruption, and popular superstitions, this study tells a story of Daoist resilience, reinvigoration, and revival. Between the 1920s and 1940s, Chen led a group of urban lay followers in pursuing Daoist self-cultivation techniques as a way of ensuring health, promoting spirituality, forging cultural self-identity, building community, and strengthening the nation. In their efforts to renew and reform Daoism, Chen and his followers became deeply engaged with nationalism, science, the religious reform movements, the new urban print culture, and other forces of modernity. Since Chen and his fellow practitioners conceived of the Daoist self-cultivation tradition as a public resource, they also transformed it from an “esoteric” pursuit into a public practice, offering a modernizing society a means of managing the body and the mind and of forging a new cultural, spiritual, and religious identity.
Beginning soon after the implementation of the policies of the Great Leap Forward of 1958-1961, when the drive to collectivize and industrialize undermined the livelihoods of the vast majority of peasant workers, China’s Great Famine was the worst famine in human history. In addition to claiming more than 45 million lives, it also led to the destruction of agriculture, industry, trade, and every aspect of human life, leaving large parts of the Chinese countryside scarred forever by human-created environmental disasters. Drawing on previously closed archives that have since been made inaccessible again, Zhou Xun offers readers, for the first time in English, access to the most vital archival documentation of the famine. For some time to come this documentary history may be the only publication available that contains the most crucial primary documents concerning the fate of the Chinese peasantry between 1957 and 1962. It covers everything from collectivization and survival strategies, including cannibalism, to selective killing and mass murder.
This book provides a comprehensive introduction to the application of artificial intelligence in social computing, from fundamental data processing to advanced social network computing. To broaden readers’ understanding of the topics addressed, it includes extensive data and a large number of charts and references, covering theories, techniques and applications. It particularly focuses on data collection, data mining, artificial intelligence algorithms in social computing, and several key applications of social computing application, and also discusses network propagation mechanisms and dynamic analysis, which provide useful insights into how information is disseminated in online social networks. This book is intended for readers with a basic knowledge of advanced mathematics and computer science.
Lu Xun (1881–1936) is widely considered the greatest writer of twentieth-century China. Although primarily known for his two slim volumes of short fiction, he was a prolific and inventive essayist. Jottings under Lamplight showcases Lu Xun’s versatility as a master of prose forms and his brilliance as a cultural critic with translations of sixty-two of his essays, twenty of which are translated here for the first time. While a medical student in Tokyo, Lu Xun viewed a photographic slide that purportedly inspired his literary calling: it showed the decapitation of a Chinese man by a Japanese soldier, as Chinese bystanders watched apathetically. He felt that what his countrymen needed was a cure not for their physical ailments but for their souls. Autobiographical accounts describing this and other formative life experiences are included in Jottings, along with a wide variety of cultural commentaries, from letters, speeches, and memorials to parodies and treatises. Lu Xun was remarkably well versed in Chinese tradition and playfully manipulated its ancient forms. But he also turned away from historical convention, experimenting with new literary techniques and excoriating the “slave mentality” of a population paralyzed by Confucian hierarchies. Tinged at times with notes of despair, yet also with pathos, humor, and an unparalleled caustic wit, Lu Xun’s essays chronicle the tumultuous transformations of his own life and times, providing penetrating insights into Chinese culture and society.
What was the martial arts world? Sword lights, sword shadows, grudges and enmity, the love between a child and a girl, this was the martial arts world. People of the martial arts world were always involved in matters of the martial arts world, and wherever there were people, there would be people of the martial arts world. Humans were the martial arts world.
To this day, the perception persists that China was a civilization defeated by imperialist Britain's most desirable trade commodity, opium—a drug that turned the Chinese into cadaverous addicts in the iron grip of dependence. Britain, in an effort to reverse the damage caused by opium addiction, launched its own version of the "war on drugs," which lasted roughly sixty years, from 1880 to World War II and the beginning of Chinese communism. But, as Narcotic Culture brilliantly shows, the real scandal in Chinese history was not the expansion of the drug trade by Britain in the early nineteenth century, but rather the failure of the British to grasp the consequences of prohibition. In a stunning historical reversal, Frank Dikötter, Lars Laamann, and Zhou Xun tell this different story of the relationship between opium and the Chinese. They reveal that opium actually had few harmful effects on either health or longevity; in fact, it was prepared and appreciated in highly complex rituals with inbuilt constraints preventing excessive use. Opium was even used as a medicinal panacea in China before the availability of aspirin and penicillin. But as a result of the British effort to eradicate opium, the Chinese turned from the relatively benign use of that drug to heroin, morphine, cocaine, and countless other psychoactive substances. Narcotic Culture provides abundant evidence that the transition from a tolerated opium culture to a system of prohibition produced a "cure" that was far worse than the disease. Delving into a history of drugs and their abuses, Narcotic Culture is part revisionist history of imperial and twentieth-century Britain and part sobering portrait of the dangers of prohibition.
In the last decade, great advances have been made in fundamental research and in the applications of bioluminescence and chemiluminescence. These techniques have become vital tools for laboratory analysis. Bioluminescence imaging has emerged as a powerful new optical imaging technique, offering real-time monitoring of spatial and temporal progression of biological processes in living animals. Bioluminescence resonance energy transfer (BRET) methodology has also emerged as a powerful technique for the study of protein-protein interactions. Luciferase reporter gene technology facilitates monitoring of gene expression and is used to probe molecular mechanisms in the regulation of gene expression. Chemiluminescence detection and analysis have also found diverse applications in life science research; for example, chemiluminescent labels and substrates are now widely used in immunoassay and nucleic acid probe-based assays. The latest advances in this exciting field, from fundamental research to cutting-edge applications, are explored in this most recent volume of the biannual symposium series, the Proceedings of the 15th International Symposium on Bioluminescence and Chemiluminescence. The volume highlights advances in fundamental knowledge of luciferase-based bioluminescence, photoprotein-based bioluminescence, fundamental aspects and applications of chemiluminescence, luminescence imaging, fluorescence quantum dots and other inorganic fluorescent materials, phosphorescence and ultraweak luminescence, and instrumentation for measurement and imaging of luminescence.
Mr. Lin Wen had been married for almost two years, but his husband had never touched her. She could only silently endure her husband's indifference, her mother-in-law's difficulties, and Little San's sudden entrance into the inner circle. On her wedding anniversary, her husband finally turned around to spend the night in a luxury hotel with her. But when she woke up, she was horrified to find that the one sleeping beside her wasn't her husband, but an extraordinarily handsome and evil stranger! Since then, her world had been turned upside down. That man forcefully threatened, "From today onwards, you are my, Mu Si Zhe's, lover. You must be here whenever you are called!" "Let me go, I'm a married woman!" "You have already left this young master's mark, don't even think of escaping from me!" ... ....
Lu Xun (Lu Hsun) is arguably the greatest writer of modern China, and is considered by many to be the founder of modern Chinese literature. Lu Xun's stories both indict outdated Chinese traditions and embrace China's cultural richness and individuality. This volume presents brand-new translations by Julia Lovell of all of Lu Xun's stories, including 'The Real Story of Ah-Q', 'Diary of a Madman', 'A Comedy of Ducks', 'The Divorce' and 'A Public Example', among others. With an afterword by Yiyun Li.
This book is the first monograph in the field of uniqueness theory of meromorphic functions dealing with conditions under which there is the unique function satisfying given hypotheses. Developed by R. Nevanlinna, a Finnish mathematician, early in the 1920's, research in the field has developed rapidly over the past three decades with a great deal of fruitful results. This book systematically summarizes the most important results in the field, including many of the authors' own previously unpublished results. In addition, useful skills and simple proofs are introduced. This book is suitable for higher level and graduate students who have a basic grounding in complex analysis, but will also appeal to researchers in mathematics.
This pathbreaking book offers the first in-depth study of Chinese labor activism during the momentous upheaval of the Cultural Revolution. Arguing that labor was working at cross purposes, the authors explore three distinctive and different forms of working-class protest: rebellion, conservatism, and economism. Drawing upon a wealth of heretofore inaccessible archival sources, the authors probe the divergent political, psychocultural, and socioeconomic strains within the Shanghai labor movement, convincingly illustrating the complexity of working-class politics in contemporary China. }This pathbreaking book offers the first in-depth study of Chinese labor activism during the momentous upheaval of the Cultural Revolution. The authors explore three distinctive forms of working-class protest: rebellion, conservatism, and economism. Labor, they argue, was working at cross-purposes through these three modes of militancy promoted by different types of leaders with differing agendas and motivations. Drawing upon a wealth of heretofore inaccessible archival sources, the authors probe the divergent political, psychocultural, and socioeconomic strains within the Shanghai labor movement. As they convincingly illustrate, the multiplicity of worker responses to the Cultural Revolution cautions against a one-dimensional portrait of working-class politics in contemporary China. }
Practical Chinese reader, with fifty lessons in its Book I and Book II, has been prepared for use with foriegn learners in a course of elementary Chinese. It may also be used by foreigners who wish to teach themselves modern Chinese"--Introduction
The essays included in this Capturing Chinese Reader are some of the best from revolutionary China. Reading the great literature of Lu Xun, Hu Shi, Zhu Ziqing, Zhou Zuoren, and Lin Yutang is essential for a comprehensive understanding of Chinese history, and literature. Due to its complex writing system, Chinese is one of the most difficult languages in the world. Full literacy of Chinese requires a working knowledge of three to four thousand Chinese characters and breaking into reading Chinese literature is a daunting task. Capturing Chinese Stories: Prose and Poems by Revolutionary Chinese Authors presents some of the most influential works of modern Chinese literature as a comprehensive tool to help students of Chinese read Chinese literature in its original form. Footnotes highlight the more difficult vocabulary and pinyin is provided for the entire text. There is no need to constantly consult a dictionary or to look up difficult characters by radical. Historical events, people, and places are explained throughout. The text used in this book is in simplified characters. - Full story unabridged in simplified Chinese - Pinyin for the entire text - Definitions for difficult vocabulary - Historical explanations and summaries - Author illustrations - Free MP3s read by two native speakers Free audio files of Capturing Chinese Stories: Prose and Poems by Revolutionary Chinese Authors are also included with the purchase of this book and are available for download from the publisher's website. The audio files include both a woman and male speaker. (coming soon)
Lu Xun (Lu Hsun) is arguably the greatest writer of modern China, and is considered by many to be the founder of modern Chinese literature. Lu Xun's stories both indict outdated Chinese traditions and embrace China's cultural richness and individuality. This volume presents brand-new translations by Julia Lovell of all of Lu Xun's stories, including 'The Real Story of Ah-Q', 'Diary of a Madman', 'A Comedy of Ducks', 'The Divorce' and 'A Public Example', among others. With an afterword by Yiyun Li.
A collection of essays by Lu Xun, one of the most influential figures of modern Chinese literature. In this classic and beautiful collection, Lu Xun recounts the stories of his childhood and youth in Shaoxing, China. A revolutionary thinker and writer, and one of the architects of the May 4th Movement, his stories reveal the beauty, joy, and struggle of life in early twentieth-century China.
To this day, the perception persists that China was a civilization defeated by imperialist Britain's most desirable trade commodity, opium—a drug that turned the Chinese into cadaverous addicts in the iron grip of dependence. Britain, in an effort to reverse the damage caused by opium addiction, launched its own version of the "war on drugs," which lasted roughly sixty years, from 1880 to World War II and the beginning of Chinese communism. But, as Narcotic Culture brilliantly shows, the real scandal in Chinese history was not the expansion of the drug trade by Britain in the early nineteenth century, but rather the failure of the British to grasp the consequences of prohibition. In a stunning historical reversal, Frank Dikötter, Lars Laamann, and Zhou Xun tell this different story of the relationship between opium and the Chinese. They reveal that opium actually had few harmful effects on either health or longevity; in fact, it was prepared and appreciated in highly complex rituals with inbuilt constraints preventing excessive use. Opium was even used as a medicinal panacea in China before the availability of aspirin and penicillin. But as a result of the British effort to eradicate opium, the Chinese turned from the relatively benign use of that drug to heroin, morphine, cocaine, and countless other psychoactive substances. Narcotic Culture provides abundant evidence that the transition from a tolerated opium culture to a system of prohibition produced a "cure" that was far worse than the disease. Delving into a history of drugs and their abuses, Narcotic Culture is part revisionist history of imperial and twentieth-century Britain and part sobering portrait of the dangers of prohibition.
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