Infrastructure construction is society's cornerstone and economics' catalyst. Therefore, improving mobile machinery's efficiency and reducing their cost of use have enormous economic benefits in the vast and growing construction market. In this thesis, I envision a novel concept smart working site to increase productivity through fleet management from multiple aspects and with Artificial Intelligence (AI) and Internet of Things (IoT).
Infrastructure construction is society's cornerstone and economics' catalyst. Therefore, improving mobile machinery's efficiency and reducing their cost of use have enormous economic benefits in the vast and growing construction market. In this thesis, I envision a novel concept smart working site to increase productivity through fleet management from multiple aspects and with Artificial Intelligence (AI) and Internet of Things (IoT).
Published in China in 2010, Revolution and Its Narratives is a historical, literary, and critical account of the cultural production of the narratives of China's socialist revolution. Through theoretical, empirical, and textual analysis of major and minor novels, dramas, short stories, and cinema, Cai Xiang offers a complex study that exceeds the narrow confines of existing views of socialist aesthetics. By engaging with the relationship among culture, history, and politics in the context of the revolutionary transformation of Chinese society and arts, Cai illuminates the utopian promise as well as the ultimate impossibility of socialist cultural production. Translated, annotated, and edited by Rebecca E. Karl and Xueping Zhong, this translation presents Cai's influential work to English-language readers for the first time.
As the final volume of a multi-volume set on the Chinese language, this book studies the Western and Japanese influence on the lexicon of Modern Chinese, lexical developments in synonyms, idioms and proverbs in modern times, and lexical developments in contemporary times. This volume first introduces the influence of foreign cultures on the modern Chinese lexicon with an emphasis on loanwords from Japanese and Indo-European languages. It then discusses the synonyms, idioms, and proverbs of Modern Chinese, elucidating their evolution, sources, and composition. The final part centers on the development of the Chinese lexicon after the May Fourth Movement in 1919, marking the beginning of the contemporary phase of the Chinese language. The author analyzes trends and types of neologisms and loanwords and analyzes the blend of Mandarin and dialect words and the necessity of lexical standardization. Illustrated with abundant examples, this comprehensive groundwork on Chinese lexical history will be a must-read for scholars and students studying Modern Chinese language, linguistics, and especially for beginning learners of modern and contemporary Chinese lexicon.
In 17 BCE the Han dynasty archivist Liu Xiang presented to the throne a collection of some seven hundred items of varying length, mostly quasi-historical anecdotes and narratives, that he deemed essential reading for wise leadership. Garden of Eloquence (Shuoyuan), divided into twenty books grouped by theme, follows a tradition of narrative writing on historical and philosophical themes that began seven centuries earlier. Long popular in China as a source of allusions and quotations, it preserves late Western Han views concerning history, politics, and ethics. Many of its anecdotes are attributed to Confucius’s speeches and teachings that do not appear in earlier texts, demonstrating that long after Confucius’s death in 479 BCE it was still possible for new “historical” narratives to be created. Garden of Eloquence is valuable as a repository of items that originally appeared in other early collections that are no longer extant, and it provides detail on topics as various as astronomy and astrology, yin-yang theory, and quasi-geographical and mystical categories. Eric Henry’s unabridged translation with facing Chinese text and extensive annotation will make this important primary source available for the first time to Anglophone world historians.
He was reputed to be a war god of his generation. With just a single fist, he was able to stir up a storm in the heaven and earth, setting off waves upon waves of bloody winds. After he was hired by the beautiful CEO at a high price as his personal bodyguard, a new legend began to spread. Following closely were the cute little beauties, the seductive female killers, and the noble beauty CEO ...
Three years ago, Jiang Baoyan had died in a car accident. As a rising star of the rule of law and government had fallen, Gu Chengge, his fiancee, had been torn apart. Three years later, Jiang Bohua, the president of Golden Age, delivered a marriage contract to fulfill the engagement. Miss Gu tore the marriage contract: "I'm sorry, Mister Jiang, I can't agree." Mister Jiang brushed the ash off his fingertips, then said with a heavy voice while squinting his eyes, "Why?" Miss Gu gritted her teeth, "I'm the kef." "Heh ..." The man chuckled, his slender fingertips teasing her lower jaw. "It's okay, my wife.
Amid the turmoil of the Ming-Qing dynastic transition in seventeenth-century China, some intellectuals sought refuge in romantic memories from what they perceived as cataclysmic events. This volume presents two memoirs by famous men of letters, Reminiscences of the Plum Shadows Convent by Mao Xiang (1611–93) and Miscellaneous Records of Plank Bridge by Yu Huai (1616–96), that recall times spent with courtesans. They evoke the courtesan world in the final decades of the Ming dynasty and the aftermath of its collapse. Mao Xiang chronicles his relationship with the courtesan Dong Bai, who became his concubine two years before the Ming dynasty fell. His mournful remembrance of their life together, written shortly after her early death, includes harrowing descriptions of their wartime sufferings as well as idyllic depictions of romantic bliss. Yu Huai offers a group portrait of Nanjing courtesans, mixing personal memories with reported anecdotes. Writing fifty years after the fall of the Ming, he expresses a deep nostalgia for courtesan culture that bears the toll of individual loss and national calamity. Together, they shed light on the sensibilities of late Ming intellectuals: their recollections of refined pleasures and ruminations on the vagaries of memory coexist with political engagement and a belief in bearing witness. With an introduction and extensive annotations, Plum Shadows and Plank Bridge is a valuable source for the literature of remembrance, the representation of women, and the social role of intellectuals during a tumultuous period in Chinese history.
p style = ttext-index: 2em; "When the adopted daughter of the Shen family, who was acting as a pawn, married the Ye family's temporary successor, the tragedy might have begun. You intentionally seduced me while I was drunk? " "The man looked coldly at the woman and humiliated her." Do you think I'd take a fancy to a fake? " The man's mockery was like a knife, stabbing into Shen Qingxu's heart. Heh, so she was just a joke.
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