In an underwater cavern off the coast west of Marseille are the first human engravings known to man. Among them is a crude drawing of a three-fingered hand, which has long puzzled archaeologists. Is it a hunting signal? A mystic sign invoking the spirits? Or is it, as many believe, evidence of ritual mutilation in a Shamanistic world? "The Hunter" evidently believes the latter. Driven by inhuman voices to maim and kill, he severs the body parts of his victims--and signs his savagery with a print of a three-fingered hand. Commandant Michel de Palma, of the Marseille murder squad, heads to the university in Aix-en-Provence to investigate further, but the clique of pre-history professors he encounters are as hard to unravel as the meaning of the cave-drawing itself. As he gets closer to the truth, the group of academics close ranks. Slowly and alone, de Palma begins pursuing a mystery that dates back to the Ice age. The First Fingerprint introduces a policeman as polished as he is brutal, as charming as he is deceptive. Michel de Palma, called "the Baron" by his colleagues, knows the dark underside of the city of Marseille as do none of his rivals. But his enemies are everywhere: in the crime-infested sinks of the suburbs; in the sleek and squalid bars of the old quarter; even in the police ranks themselves.
For centuries the ceremonial order of the Knights of the Tarasque have met to bear the effigy of a mythical beast through the Provencal town of Taracson. But one summer's night the ceremony is broken by a gruesome discovery: a mutilated body found at the feet of the effigy, apparently torn apart by enormous teeth and claws. Can the monster of legend be more than just myth? The case draws an unwilling Michel de Palma, of the Marseille murder squad, into the dark heart of a Provence where mythology and untold history are part of everyday life. As more dismembered corpses continue to appear, de Palma falls into a world colored by murky financial intrigues and the tortured history of post-occupation France. It's a world where de Palma's uninvited investigations could soon see him in mortal danger.
When Commandant Michel de Palma follows an anonymous tip-off to a gated mansion by the coast, he finds a body whose face is obscured by a fearsome tribal mask, beneath it a mysterious wound that could not have been caused by a bullet. Surrounded by scores of masks and painted skulls, de Palma hears the haunting strains of a primal flute from the floors above. With few leads to go on, de Palma delves into an account of the murdered doctor's voyage to Papua New Guinea seventy years earlier, accompanied by a fellow amasser of Oceanic art, Robert Ballancourt. As the doctor's attractive but distant granddaughter offers de Palma further insights into her grandfather's second life as an intrepid collector, he and his team stumble upon an art-smuggling ring working out of Marseilles' dilapidated docks. But when his chief suspect is found dead, killed by the same method as Dr. Delorme, even de Palma begins to wonder whether the bodies on his hands are the victims of spirits intent on revenge. The rituals of Papuan warriors and headhunters-whose traditional way of life endured until deep into the twentieth century-form the intriguing backdrop to The Voice of the Spirits, another subtle yet satisfying novel from one of France's most original and thought-provoking crime writers.
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