Son of Prick By: Xavier Joseph D’Marco & Diane C. D’Marco Xavier Joseph D’Marco was bullied by his father. He recalls in stark detail his first beating that took place when he was only five years old. Throughout his childhood, he, his mother, and two sisters were brutally attacked. At the age of eighteen, Xavier moved out of his home. Eventually, his parents divorced. Then, the remaining domestic abuse survivors were able to move to another home to continue their lives. As an adult, Xavier watched his young children bullied in their Catholic school. Xavier witnessed people at work being bullied and he himself had a two-year bullying encounter with a serial bully who just happened to be his direct supervisor. In Son of Prick, Xavier shares his experiences in searing detail. He describes these experiences with bullies – from his father, to his children at their school, and in the workplace. His powerful stories prove that bullies are everywhere. This book is a testament to his determination to make his own way in life and not continue the cycle of violence with his own children. This is a heartwarming story about triumph and survival that could have only taken place in this dangerous era.
Son of Prick By: Xavier Joseph D’Marco & Diane C. D’Marco Xavier Joseph D’Marco was bullied by his father. He recalls in stark detail his first beating that took place when he was only five years old. Throughout his childhood, he, his mother, and two sisters were brutally attacked. At the age of eighteen, Xavier moved out of his home. Eventually, his parents divorced. Then, the remaining domestic abuse survivors were able to move to another home to continue their lives. As an adult, Xavier watched his young children bullied in their Catholic school. Xavier witnessed people at work being bullied and he himself had a two-year bullying encounter with a serial bully who just happened to be his direct supervisor. In Son of Prick, Xavier shares his experiences in searing detail. He describes these experiences with bullies – from his father, to his children at their school, and in the workplace. His powerful stories prove that bullies are everywhere. This book is a testament to his determination to make his own way in life and not continue the cycle of violence with his own children. This is a heartwarming story about triumph and survival that could have only taken place in this dangerous era.
The great Renaissance artist Andrea del Sarto (1486–1530) rivals Leonardo da Vinci as one of history’s most accomplished draftsmen. Moving beyond the graceful elegance of his contemporaries, such as Raphael and Fra Bartolommeo, he brought unprecedented realism to his drawings through the rough and rustic use of chalk in his powerfully rendered life and compositional studies. With an immediacy few other Renaissance artists possess, del Sarto’s work has proven to be inspirational and compelling to later audiences, with admirers such as Degas and Redon. This lavishly illustrated book reveals del Sarto's dazzling inventiveness and creative process, presenting fifty core drawings on paper together with a handful of paintings. The first publication to look to del Sarto’s working practice through a close examination of his art from across all the world’s major collections, this volume analyzes new studies of his panel underdrawings as well. The depth and breadth of its research make this book an important contribution to the study of del Sarto and Florentine Renaissance workshop practice. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum from June 23 through September 13, 2015, and at the Frick Collection in New York from October 6, 2015, though January 10, 2016.
The gothic, particularly in its contemporary incarnations, is often constructed around largely disembodied concepts such as spectrality or the haunted. Body Gothic offers a counter-narrative that reinstates the importance of viscerality to the gothic mode. It argues that contemporary discourses surrounding our bodies are crucial to our understanding of the social messages in fictional mutilation and of the pleasures we may derive from it. This book considers a number of literary and cinematic movements that have, over the past three decades, purposely turned the body into a meaningful gothic topos. Each chapter in Body Gothic is dedicated to a different corporeal subgenre: splatterpunk, body horror, the new avant-pulp, the slaughterhouse novel, torture porn and surgical horror are all covered in its pages. Close readings of key texts by Clive Barker, Richard Laymon, Joseph D'Lacey, Matthew Stokoe, Tony White or Stanley Manly are provided alongside in-depth analyses of landmark films such as Re-Animator (1985), The Fly (1986), Saw (2004), Hostel (2005), The Human Centipede (2011) and American Mary (2012). Contents Introduction: From Gothic Bodies to Body Gothic Chapter 1 – Splatterpunk Chapter 2 – Body Horror Chapter 3 – The New Avant-Pulp Chapter 4 – The Slaughterhouse Novel Chapter 5 – Torture Porn Chapter 6 – Surgical Horror Conclusion: The Gothic and the Body Notes Works Cited Filmography
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