This book is a monograph of cultural economics of a new concept, artist–enterprises. It explores various dimensions that artists embody, i.e., aesthetic, critical, messianic, and economic ones, and screens the multiple challenges faced by the artist–enterprises in terms of pricing, funding, and networking in the Digital Age. It shows how these artist–enterprises are at the core of the contemporary creative industries. Even when they are on their own, artists have to demonstrate or manage a variety of skills, sign contracts both in the early and later stages of their activities, and also maintain relationships and networks that enable them to attain their artistic and economic goals. They are no longer simply entrepreneurs managing their own skills but are the enterprises themselves. The artist–enterprises thus find themselves at the confluence of two dynamics of production—artistic and economic: artistic because they invent new expressions and meanings; and economic because these expressions must be supported by monetary values on the market. The artistic dynamic is part of a long process of artistic enhancement and only an artist can say whether it has reached the point of presentation or equilibrium. The economic dynamic is dependent on the constant endorsement of artists' works by the market to ensure their survival as artist–enterprises. The tension created by this disparity is further aggravated by another tension: the need to overcome a number of risks so that artist–enterprises can progress. This book will be of special interest to artists, managers, students, professionals, and researchers in the fields of the arts, creativity, economics, and development. The author is Emeritus Professor at the University Paris I Panthéon-Sorbonne.
The hydrogen Lyman-alpha line is of utmost importance to many fields of astrophysics. This UV line being conveniently redshifted with distance to the visible and even near infrared wavelength ranges, it is observable from the ground, and provides the main observational window on the formation and evolution of high redshift galaxies. Absorbing systems that would otherwise go unnoticed are revealed through the Lyman-alpha forest, Lyman-limit, and damped Lyman-alpha systems, tracing the distribution of baryonic matter on large scales, and its chemical enrichment. We are living an exciting epoch with the advent of new instruments and facilities, on board of satellites and on the ground. Wide field and very sensitive integral field spectrographs are becoming available on the ground, such as MUSE at the ESO VLT. The giant E-ELT and TMT telescopes will foster a quantum leap in sensitivity and both spatial and spectroscopic resolution, to the point of being able, perhaps, to measure directly the acceleration of the Hubble flow. In space, the JWST will open new possibilities to study the Lyman-alpha emission of primordial galaxies in the near infrared. As long as the Hubble Space Telescope will remain available, the UV-restframe properties of nearby galaxies will be accessible to our knowledge. Therefore, this Saas-Fee course appears very timely and should meet the interest of many young researchers.
The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.
Modern fashion photography was born when three brothers, Parisian postcard photographers, shifted their lenses to the upper echelon of French society in the early twentieth century. As impromptu portraits of beautiful women in inimitable finery at racecourses, resorts, and cafs began to appear in magazines, courant designers such as Chanel, Herms, and Madeleine Vionnet rushed to send their models to posh watering holes to be photographed with the beau monde. The first-ever showcase of 300 rich black and white Seberger images, this luxe collection is a must-have for fashionistas, Francophiles, and vintage clothing enthusiasts. Elegance recalls a bygone era of glamour, and illuminates the candid beginnings of a now highly stylized photographic form.
This book is about France's security policy during François Mitterand's presidency which was dominated by the end of the Cold War and the German unification. The author examines the successive layers of French security policy and analyses its nature, essence and success. The focus of the book is on France's independence in security matters and the role of France in European security policy.
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