Since the birth of the Yinyang Continent, the two races of Yin and Yang had been born and bred. The Yang Race possessed the attribute of 'goodness', and possessed all sorts of superpowers to defend their 'goodness'. The attribute of the Yin Clan was' evil '. Demons, demons, ghosts, and other creatures belonged to it. They wanted to enslave the Yang Clan and control the entire continent. A youth who had comprehended 'creating from nothing' from the 'Classic of Virtue' was not tolerated by the current Heavenly Dao and had his body destroyed. His soul, by chance and coincidence, was taken in by the Yinyang Continent and reborn into the body of an ordinary Yang Clan youth. None: "The Yang race is good, forsaken by the Evil God; the Yin race is evil, born of the Good God. Tell me what is evil and what is good? " Close]
A reconsideration of Chinese decadent (tuifei) poetry which argues that this poetry is not a marginal trend but rather a vital part of the Chinese literary tradition.
[New edition with full colour artwork and edited text is now available at https://play.google.com/store/books/details/Wu_Cheng_en_Journey_to_the_West?id=QcpoDwAAQBAJ] Journey to the West is one of the greatest treats in Chinese literature. A fantastic tale of the Buddhist monk Xuanzang as he travels west in search of Buddhist sutras with his three disciples, it has entertained readers for more than four centuries with the trials and tribulations strewn on the pilgrims?? path. Readers, young and old, have loved the central character the Monkey King for his mischief and magical powers. This compact classic relates how Sun Wukong comes into existence in the Mountain of Flowers and Fruit, and how he acquires magical powers and uses them for mischief before putting them to good use at the service of Xuanzang who heads west to gather scriptures as instructed by the Tang emperor. Along the way, Xuanzang and company have to contend with the diabolical White Bone Spirit, the menacing Red Child and his fearsome parents, and a host of other spirits with nothing but evil on their mind. Witness Sun Wukong??s raw bravura as he takes them on by using his Fiery Eyes, Golden Cudgel, Sorsault Cloud and quick wits to good effect! Featuring lovable illustrations, rib-tickling twists and a galloping plot, this volume promises to leave you breathless with exhilaration.
Spanning some 7000 years, 'Chinese Sculpture' explores a beautiful and diverse world of objects, many of which have only come to light in the later half of the 20th century. The authors analyse and present, mostly in colour, some 500 examples of Chinese sculpture.
In this rare firsthand account of an individual's pursuit of sagehood, the early Ming dynasty scholar and teacher Wu Yubi chronicles his progress and his setbacks, as he strives to integrate the Neo-Confucian practices of self-examination and self-cultivation into everyday life. In more than three hundred entries, spanning much of his adult life, Wu paints a vivid picture, not only of the life of the mind, but also of the life of a teacher of modest means, struggling to make ends meet in a rural community. This volume features M. Theresa Kelleher's superb translation of Wu's journal, along with translations of more than a dozen letters from his personal correspondence. A general Introduction discusses Neo-Confucianism and the Ming dynasty, and includes biographical information that puts the main work in context. A substantial commentary on the journal discusses the obstacles and supports Wu encounters in pursuit of his goal, the conflict between discipline and restraint of the self and the nurturing and expanding of the self, Wu's successes and failures, and Wu’s role as a teacher. Also included are a map of the Ming dynasty, a pronunciation guide, a chronology of Chinese dynasties, a glossary of names, a glossary of book titles, and suggestions for further reading.
Wu Jing's eighth-century collection of dialogues between Emperor Taizong and his officials is a seminal work in Chinese literature addressing core themes of East Asian thinking about the politics of power. This accessible translation will be indispensable for students of East Asian and international political thought.
As a former British colony (1842-1997) and then a Special Administrative Region (from 1997 onwards) practicing the One Country Two Systems policy with the People's Republic of China, Hong Kong has witnessed at all times how relations are formed, dissolved and refashioned amidst changing powers, identities and narratives, given that the decisions that had moved the city in the past were not made upon the consensus of the local population. In its post-handover, post-hangover years, the 2014 Umbrella Movement and the 2019 Anti-Extradition Bill Protests among other events have revealed the multiple appearances and connotations of Hong Kong's local. At the intersections between real-life events, cultural production and consumption, the book is an interdisciplinary study that extracts and examineslocal relations through the lens of the things and places that stand or that have once stood for Hong Kong's local. With cultural icons as an agency, the book offers lessons to learn from the city by opening up manifold postcolonial perspectives to confront and interrogate the volatile experiences in the new millennia - unprecedented since the Cold War era - shared by Hong Kong and other regions. After all, what does it mean, or take, to live in the contemporary world when the local, global and national are constantly given new meanings?
This book analyzes the secure problems of cyber-physical systems from both the adversary and defender sides. Targeting the challenging security problems of cyber-physical systems under malicious attacks, this book presents some recent novel secure state estimation and control algorithms, in which moving target defense scheme, zero-sum game-theoretical approach, reinforcement learning, neural networks, and intelligent control are adopted. Readers will find not only the valuable secure state estimation and control schemes combined with the approaches aforementioned, but also some vital conclusions for securing cyber-physical systems, for example, the critical value of allowed attack probability, the maximum number of sensors to be attacked, etc. The book also provides practical applications, example of which are unmanned aerial vehicles, interruptible power system, and robot arm to validate the proposed secure algorithms. Given its scope, it offers a valuable resource for undergraduate and graduate students, academics, scientists, and engineers who are working in this field.
Chinese poetry has a long history of interaction with the visual arts. Classical aesthetic thought held that painting, calligraphy, and poetry were cross-fertilizing and mutually enriching. What happened when the Chinese poetic tradition encountered photography, a transformative technology and presumably realistic medium that reshaped seeing and representing the world? Shengqing Wu explores how the new medium of photography was transformed by Chinese aesthetic culture. She details the complex negotiations between poetry and photography in the late Qing and early Republican eras, examining the ways traditional textual forms collaborated with the new visual culture. Drawing on extensive archival research into illustrated magazines, poetry collections, and vintage photographs, Photo Poetics analyzes a wide range of practices and genres, including self-representation in portrait photography; gifts of inscribed photographs; mass-media circulation of images of beautiful women; and photography of ghosts, immortals, and imagined landscapes. Wu argues that the Chinese lyrical tradition provided rich resources for artistic creativity, self-expression, and embodied experience in the face of an increasingly technological and image-oriented society. An interdisciplinary study spanning literary studies, visual culture, and media history, Photo Poetics is an original account of media culture in early twentieth-century China and the formation of Chinese literary and visual modernities.
A Panoramic View of Chinese Culture is an accessible introduction to the beautiful, vibrant world of Chinese customs, history, and civilization. Written for English speakers, with simplified Chinese translations of key words, the text invites students of China and the Chinese language to engage with the text in new and interesting ways. Covering everything from history, philosophy, and religion, to sports, cuisine, and medicine, A Panoramic View of Chinese Culture covers a vast array of topics with elegance and ease.
1500 years ago, General Xuanyuan died on the battlefield. In order to meet her several times in the cycle of reincarnation, Princess Nalan Shui had paid any price to establish her own country of corpses, and she had sealed herself in an ancient tomb. 1500 years later, a youth with the same appearance as General Xuanyuan opened the ancient tomb to solve the tragic case of the Hu family village, but he fell into a conspiracy ... The truth of eternal life, the love that spans thousands of years, everything is in the legend of Corpse Country.
This is the first book-length study of panegyric poetry—yingzhao shi or poetry presented to imperial rulers—in the Chinese tradition. Examining poems presented during the Wei-Jin Nanbeichao, or early medieval period (220–619), Fusheng Wu provides a thorough exploration of the sociopolitical background against which these poems were written and a close analysis of the formal conventions of the poems. By reconstructing the human drama behind the composition of these poems, Wu shows that writing under imperial command could be a matter of grave consequence. The poets' work could determine the rise and fall of careers, or even cost lives. While panegyric poetry has been largely dismissed as perfunctory and insincere, such poems reveal much about the relations between monarchs and the intellectuals they patronized and also compels us to reexamine the canonical Chinese notion of poetic production as personal, spontaneous expression.
This book discusses uncertain threats, which are caused by unknown attacks based on unknown vulnerabilities or backdoors in the information system or control devices and software/hardware. Generalized robustness control architecture and the mimic defense mechanisms are presented in this book, which could change “the easy-to-attack and difficult-to-defend game” in cyberspace. The endogenous uncertain effects from the targets of the software/hardware based on this architecture can produce magic “mimic defense fog”, and suppress in a normalized mode random disturbances caused by physical or logic elements, as well as effects of non-probability disturbances brought by uncertain security threats. Although progress has been made in the current security defense theories in cyberspace and various types of security technologies have come into being, the effectiveness of such theories and technologies often depends on the scale of the prior knowledge of the attackers, on the part of the defender and on the acquired real-timing and accuracy regarding the attackers’ behavior features and other information. Hence, there lacks an efficient active defense means to deal with uncertain security threats from the unknown. Even if the bottom-line defense technologies such as encrypted verification are adopted, the security of hardware/software products cannot be quantitatively designed, verified or measured. Due to the “loose coupling” relationship and border defense modes between the defender and the protected target, there exist insurmountable theoretical and technological challenges in the protection of the defender and the target against the utilization of internal vulnerabilities or backdoors, as well as in dealing with attack scenarios based on backdoor-activated collaboration from both inside and outside, no matter how augmented or accumulated protective measures are adopted. Therefore, it is urgent to jump out of the stereotyped thinking based on conventional defense theories and technologies, find new theories and methods to effectively reduce the utilization of vulnerabilities and backdoors of the targets without relying on the priori knowledge and feature information, and to develop new technological means to offset uncertain threats based on unknown vulnerabilities and backdoors from an innovative perspective. This book provides a solution both in theory and engineering implementation to the difficult problem of how to avoid the uncontrollability of product security caused by globalized marketing, COTS and non-trustworthy software/hardware sources. It has been proved that this revolutionary enabling technology has endowed software/hardware products in IT/ICT/CPS with endogenous security functions and has overturned the attack theories and methods based on hardware/software design defects or resident malicious codes. This book is designed for educators, theoretical and technological researchers in cyber security and autonomous control and for business technicians who are engaged in the research on developing a new generation of software/hardware products by using endogenous security enabling technologies and for other product users. Postgraduates in IT/ICT/CPS/ICS will discover that (as long as the law of “structure determines the nature and architecture determines the security is properly used), the problem of software/hardware design defects or malicious code embedding will become the swelling of Achilles in the process of informationization and will no longer haunt Pandora’s box in cyberspace. Security and opening-up, advanced progressiveness and controllability seem to be contradictory, but there can be theoretically and technologically unified solutions to the problem.
It is a rare book about a Chinese woman's metamorphosis through cultural conflicts in love adventures. It contains five chapters. Chapter One, "Searching for the Music of the Soul", captures the amorous encounter of two professors on a California campus. It is deeply psychological and thrilling in the vortex of self-contradictions of the protagonist concerning a woman's quest for friendship, love, and self-identity. Chapter Two, "On the Wings," registers the narrator's first quixotic but promising adventures in America. Chapter Three, "An Ugly Duckling's Swan Song", reveals her culture shocks, agonies and setbacks on American campuses as a graduate student and her rebellious childhood in China with her father as a figure of communist authority and traditional patriarchy. Chapter Four, "Sex =/=Love?", shows how the protagonist Yun, a female Don Juan, embarks on the road to spiritual liberation through the separation of sex from love. In the final chapter, "A Separate Utopia", Yun has gone through purgation in the hell of East-West value conflicts. Does she find a utopia of her own?
The progress of philanthropy has marked important milestones for civilization. The prosperity of the internet in China has been a great catalyzer for charity and has attracted worldwide attention. This book is the work of Charles Chen Yidan, "the Father of China's internet philanthropy". It is based on the long-term research and practices of Tencent Research and Tencent Foundation. It reviews the recent history of internet-based charity during the past 20 years. It provides a first-time comprehensive review and study of internet-based charity from different dimensions, including the nature of internet-based charity, typical innovations and practices at homeand abroad, as well as future prospects for integrating new technology and charity. It offers important insights into the transformation of many charitable organizations, the regulatory approach of governments toward these organizations, and the development of future society. This book contains not only a large set of the latest data from foreign countries but also exclusive interviews of many industry experts, including the directors of online charity platforms and chairmen of typical charitable organizations. It provides valuable references and is highly recommendedfor enterprises, organizations, and authorities thatwant to understand and promote the advancement of philanthropy in China. "-- Book jacket.
Chuang Tzu's first three chapters are arranged into free verse (in Chinese, in the original word order) and translated, nearly word-for-word, with extensive critical glosses vis-a-vis over fifty Chinese, Japanese, and Western commentators. The exegetical, philosophical, and contemporary implications of these chapters are then meditated upon. Here, in Chuang Tzu's world, all strivings are a play, parodying stories and arguments; each plays off of and refers to the others. Chuang Tzu lived during the third and fourth centuries B.C. Historically, he is the foremost spokesman for Taoism and its legendary founder, Lao Tzu. It was mainly due to the influence of Chuang Tzu that Indian Buddhism was transformed in China into Ch'an into the unique vehicle we usually call by its Japanese name, Zen. This is the most thorough presentation to date of the Chuang Tzu's poetic beauty, philosophical insights, and unity.
Daoist taijiquan adheres to roundness, the circular symbolizing movement and exercise, and the key to opening the mysterious life gate, onto to a better path, each day fulfilled and joyous. Zhang Sanfeng Taijiquan amongst all forms is unique, practicing in only one singular direction, following the rotation of the earth, the direction of the winds, the turning of the stars, and the shapes of the planets. The universe is vast and unknown, but according to Yijing, the universe itself is round. By observing and practicing Daoist taijiquan, the roundness of the universe is then integrated, the self its reflection, becoming one"--
TianGan (Heavenly Stems) and DiZhi (Earthly Branches), commonly abbreviated to GanZhi, originated in the ancient Chinese cosmological sciences and is a complex calendrical system which was created to codify the patterns of life and of the universe itself. The ten symbols of Gan express the Yin or Yang perspective of Five Elements and embody the Way of Heaven. The 12 symbols of Zhi, made manifest in the 12 animals of the Chinese zodiac, hold the root of each Element and embrace the Way of Earth. This set of study cards beautifully presents the key characteristics of each of the 22 GanZhi symbols, making it a unique learning tool and reference guide. The Chinese character of each Stem or Branch is shown, and for calligraphers and those who want to draw the characters correctly the stroke order is clearly illustrated on separate cards. This accessible learning tool offers essential information on the fundamental building blocks upon which Chinese classical texts, classical Chinese medicine, Fengshui, Chinese astrology, traditional Chinese cosmology, Qigong, Neigong, Taiji, and other inner cultivation practices are built. These cards provide a key starting point for the beginning student and offer invaluable information for the seasoned practitioner to deepen their practice. A companion book (9781848191518), also published by Singing Dragon, is available.
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