Longlisted, Man Booker International Prize, 2018 Six-time Winner of the China Times Open Book Award and ‘Author of the Year’, Eslite Bookstore A writer embarks on an epic quest in search of his missing father’s stolen bicycle and soon finds himself caught up in the strangely intertwined stories of Lin Wang, the oldest elephant who ever lived, the soldiers who fought in the jungles of South-East Asia during the Second World War and the secret worlds of the butterfly handicraft makers and antique bicycle fanatics of Taiwan. The Stolen Bicycle is both a majestic historical novel and a profound, startlingly intimate meditation on memory, family and home. Award-winning novelist Wu Ming-Yi is also an artist, designer, photographer, literary professor, butterfly scholar, environmental activist, traveller and blogger, and is widely considered the leading writer of his generation in his native Taiwan. A long-time resident of Taipei, Darryl Sterk has interests in Taiwan’s local literature and indigenous cultures. He translated the first of Wu Ming-Yi’s novels to be published in English, The Man with the Compound Eyes. Taiwan Literary Award, 2015 (Taiwan) China Times Open Book Award (Six-time winner, including 2015) (Taiwan) Eslite Bookseller Award for Author of the Year, 2015 (Taiwan) Dream of the Red Chamber Award, Judge Recommendation 2016 (Hong Kong) UDN Grand Literary Award, 2016 (Taiwan) Publishers Weekly International Hot Book Properties, 2015 Turnaround Favourite Fiction of 2017 ‘A work of astonishing energy, in which Wu beautifully touches on loss, life and death, fate and destiny, establishing emotional connections between memory and objects, and between the natural world and war... a novel that provides comfort and reconciliation from a wounded past.’ Thinking Taiwan ‘The novel, inspired by his love for bicycles and Taiwanese history, brings readers back to a simpler time when life moved more slowly and people spent more time face-to-face with friends and neighbors. Riding a bike allowed people to appreciate and digest the details of the world around them.’ Taipei Times ‘A profoundly moving novel, such is the power of words and depth of feeling by Taiwanese author Wu Ming-Yi...He turns events into linguistic gold with his poetic, dreamlike language.’ Good Reading ‘A visionary ride through flame-scorched lands and machine-clutching trees and metamorphoses into metal and earth..."World is crazier and more of it than we think,/Incorrigibly plural", Louis MacNeice wrote...Multiply that by 10 or so and you get some sense of Wu’s astonishing, often-affecting kaleidoscope.’ NZ Listener ‘Unusual insights and vividly observed detail abound in this witty and sensitive story.’ Toowoomba Chronicle ‘Beautifully written and beautifully translated. . . . [Ming-Yi] guides us to see the entirety of experience as bumping flotsam in an unending ocean of life colliding and making a mess of things or making something new. . . . Lyric, simple, soft, the story crests and recedes and comes back again.’ The Bloomington Sun-Current ‘Offering a heady dose of realism, surrealism, and magic realism, with several shots of allegory, award-winning Chinese author Wu [Ming-Yi] offers a work for ‘literary fiction’ readers, but not in the snobbish sense. It’s really for any curious, intelligent reader.’ STARRED review, Library Journal ‘The authors uses conversation, flashbacks of memory, war diaries, memoir and voice recordings to create a network of literary tributaries in bringing together this ambitious, far-reaching narrative that touches so many unique aspects of Taiwan’s history, culture, development and influences.’ Word by Word
This innovative book uses the lens of cultural history to examine the development of medicine in Qing dynasty China. Focusing on the specialty of "medicine for women"(fuke), Yi-Li Wu explores the material and ideological issues associated with childbearing in the late imperial period. She draws on a rich array of medical writings that circulated in seventeenth- to nineteenth-century China to analyze the points of convergence and contention that shaped people's views of women's reproductive diseases. These points of contention touched on fundamental issues: How different were women's bodies from men's? What drugs were best for promoting conception and preventing miscarriage? Was childbirth inherently dangerous? And who was best qualified to judge? Wu shows that late imperial medicine approached these questions with a new, positive perspective.
Mary and Ingrid are sisters who were born and brought up in China but now reside in the United States. Mary is the older of the two; seemingly a devoted wife, mother, and churchgoer. Yet she is tormented by adultery, a grudge toward her parents, and her despair at work. Her estranged sister Ingrid has never settled for anything; she prefers her bohemian friends’ culture to her own, and is haunted by her college boyfriend’s tragic death. When their widowed mother travels to the United States for the first time, they can’t avoid a family get-together. Amid all it stirs up, it becomes clear that the uneasy relationship between the sisters has roots deeper than either had ever acknowledged—and extends to their parents and their homeland. Stretching from mid-century China to the United States at the turn of the millennium, Beautiful as Yesterday explores issues of identity, of family and friendship, love and loss. Written in beautifully crafted prose, this is a penetrating exploration of what it means to belong, and the impact of history and memories on one’s life.
Longlisted, Man Booker International Prize, 2018 Six-time Winner of the China Times Open Book Award and ‘Author of the Year’, Eslite Bookstore A writer embarks on an epic quest in search of his missing father’s stolen bicycle and soon finds himself caught up in the strangely intertwined stories of Lin Wang, the oldest elephant who ever lived, the soldiers who fought in the jungles of South-East Asia during the Second World War and the secret worlds of the butterfly handicraft makers and antique bicycle fanatics of Taiwan. The Stolen Bicycle is both a majestic historical novel and a profound, startlingly intimate meditation on memory, family and home. Award-winning novelist Wu Ming-Yi is also an artist, designer, photographer, literary professor, butterfly scholar, environmental activist, traveller and blogger, and is widely considered the leading writer of his generation in his native Taiwan. A long-time resident of Taipei, Darryl Sterk has interests in Taiwan’s local literature and indigenous cultures. He translated the first of Wu Ming-Yi’s novels to be published in English, The Man with the Compound Eyes. Taiwan Literary Award, 2015 (Taiwan) China Times Open Book Award (Six-time winner, including 2015) (Taiwan) Eslite Bookseller Award for Author of the Year, 2015 (Taiwan) Dream of the Red Chamber Award, Judge Recommendation 2016 (Hong Kong) UDN Grand Literary Award, 2016 (Taiwan) Publishers Weekly International Hot Book Properties, 2015 Turnaround Favourite Fiction of 2017 ‘A work of astonishing energy, in which Wu beautifully touches on loss, life and death, fate and destiny, establishing emotional connections between memory and objects, and between the natural world and war... a novel that provides comfort and reconciliation from a wounded past.’ Thinking Taiwan ‘The novel, inspired by his love for bicycles and Taiwanese history, brings readers back to a simpler time when life moved more slowly and people spent more time face-to-face with friends and neighbors. Riding a bike allowed people to appreciate and digest the details of the world around them.’ Taipei Times ‘A profoundly moving novel, such is the power of words and depth of feeling by Taiwanese author Wu Ming-Yi...He turns events into linguistic gold with his poetic, dreamlike language.’ Good Reading ‘A visionary ride through flame-scorched lands and machine-clutching trees and metamorphoses into metal and earth..."World is crazier and more of it than we think,/Incorrigibly plural", Louis MacNeice wrote...Multiply that by 10 or so and you get some sense of Wu’s astonishing, often-affecting kaleidoscope.’ NZ Listener ‘Unusual insights and vividly observed detail abound in this witty and sensitive story.’ Toowoomba Chronicle ‘Beautifully written and beautifully translated. . . . [Ming-Yi] guides us to see the entirety of experience as bumping flotsam in an unending ocean of life colliding and making a mess of things or making something new. . . . Lyric, simple, soft, the story crests and recedes and comes back again.’ The Bloomington Sun-Current ‘Offering a heady dose of realism, surrealism, and magic realism, with several shots of allegory, award-winning Chinese author Wu [Ming-Yi] offers a work for ‘literary fiction’ readers, but not in the snobbish sense. It’s really for any curious, intelligent reader.’ STARRED review, Library Journal ‘The authors uses conversation, flashbacks of memory, war diaries, memoir and voice recordings to create a network of literary tributaries in bringing together this ambitious, far-reaching narrative that touches so many unique aspects of Taiwan’s history, culture, development and influences.’ Word by Word
When a tsunami sends a massive island made entirely of trash crashing into the Taiwanese coast, two very different people—an outcast from a mythical island and a woman on the verge of suicide—are united in ways they never could have imagined. Here is the English-language debut of a new and exciting award-winning voice from Taiwan, who has written an “astonishing” novel (The Independent) that is at once fantasy, reality, and dystopian environmental saga. Fifteen-year-old Atile’i—a native of Wayo Wayo, an island somewhere in the Pacific—has come of age. Following the custom of his people, he is set adrift as a sacrifice to the Sea God but, unlike those who have gone before him, Atile’i is determined to defy precedent and survive. His chances seem slim, but just as it appears that hope is lost, Atile’i comes across a sprawling trash vortex floating in the ocean and climbs onto it. Meanwhile, on the east coast of Taiwan, Alice, a college professor, is overcome with grief. Her husband and son are missing, having disappeared while hiking in the mountains near their home. Alice is so distraught that she decides to end her own life. But her plans are interrupted by a violent storm that causes the trash vortex to collide with the Taiwanese coast, bringing Atile’i along with it. Alice and Atile’i subsequently form an unlikely friendship that helps each of them come to terms with what they have lost. Together they set out to uncover the mystery of Alice’s lost family, following their footsteps into the mountains. Intertwined with Alice and Atile’i’s story are the lives of others affected by the tsunami, from environmentalists to Taiwan’s indigenous peoples—and, of course, the mysterious man with the compound eyes. A work of lyrical beauty that combines magical realism and environmental fable, The Man with the Compound Eyes is an incredible story about the bonds of family, the meaning of love, and the lasting effects of human destruction.
When a tsunami sends a massive island made entirely of trash crashing into the Taiwanese coast, two very different people—an outcast from a mythical island and a woman on the verge of suicide—are united in ways they never could have imagined. Here is the English-language debut of a new and exciting award-winning voice from Taiwan, who has written an “astonishing” novel (The Independent) that is at once fantasy, reality, and dystopian environmental saga. Fifteen-year-old Atile’i—a native of Wayo Wayo, an island somewhere in the Pacific—has come of age. Following the custom of his people, he is set adrift as a sacrifice to the Sea God but, unlike those who have gone before him, Atile’i is determined to defy precedent and survive. His chances seem slim, but just as it appears that hope is lost, Atile’i comes across a sprawling trash vortex floating in the ocean and climbs onto it. Meanwhile, on the east coast of Taiwan, Alice, a college professor, is overcome with grief. Her husband and son are missing, having disappeared while hiking in the mountains near their home. Alice is so distraught that she decides to end her own life. But her plans are interrupted by a violent storm that causes the trash vortex to collide with the Taiwanese coast, bringing Atile’i along with it. Alice and Atile’i subsequently form an unlikely friendship that helps each of them come to terms with what they have lost. Together they set out to uncover the mystery of Alice’s lost family, following their footsteps into the mountains. Intertwined with Alice and Atile’i’s story are the lives of others affected by the tsunami, from environmentalists to Taiwan’s indigenous peoples—and, of course, the mysterious man with the compound eyes. A work of lyrical beauty that combines magical realism and environmental fable, The Man with the Compound Eyes is an incredible story about the bonds of family, the meaning of love, and the lasting effects of human destruction.
This book tells the story of Chinese Zen master Yinyuan's journey from China to Japan amid the turmoil of the Manchu conquest of China. Despite tremendous difficulties, he persuaded the Shogun to build for him a new monastery (Manpukuji) in Kyoto and founded his own tradition called Obaku"--
From the first sets of photographic records made by Western travelers to doctored portraits of Chairman Mao and the avant-garde photographic performances of the post–Cultural Revolution era, photography in China has followed divergent paths. In this book, Wu Hung explores the multiple histories of photographic production in China, using them to tell a larger story about China’s shifting sociopolitical contexts and the different agendas, technologies, and aesthetics that have helped define its arts. At the center of the book is a large question: how has photography represented China and its people, its collective history and memory as well as the diversity of Chinese artists who have striven for creative expression? To address this question, the author offers an in-depth study of selected photographers, themes, and movements in Chinese photography from 1860 to the present, covering a wide range of genres, including portraiture, photojournalism, architectural and landscape photography, and conceptual photography. Beautifully illustrated, this book offers a multifaceted and in-depth analysis of an important photographic history.
In previous life, in order to save his sister, Su Ye volunteered to sacrifice for the gods of nine heavens. He did not expect that all this is the man's trick to let him die in vain. Su Ye had learned the truth, was unacceptable for a moment, and died with hatred.At the moment Su Ye in the previous life died , another young boy named Su Ye crossed over him. At a dangerous time between life and death, He replaced the previous Su Ye to start a new life.He inadvertently obtained a book of martial arts, gained a spcial power, and used this power to escape out of chaos. Since then, he has relied on this cheat book to improve his ability through cultivation, to avenge Su Ye of the previous life.As a soul that from another world came through, he eventually dominated the world!☆About the Author☆Wu Yue Chu Ba, a well-known online novelist. He has a wealth of creative experience and has authored many novels, most of them are fantasy types. His novels have deeply attracted most readers.一句话
This book aims to evaluate and improve the state of charge (SOC) and state of health (SOH) of automotive lithium-ion batteries. The authors first introduce the basic working principle and dynamic test characteristics of lithium-ion batteries. They present the dynamic transfer model, compare it with the traditional second-order reserve capacity (RC) model, and demonstrate the advantages of the proposed new model. In addition, they propose the chaotic firefly optimization algorithm and demonstrate its effectiveness in improving the accuracy of SOC and SOH estimation through theoretical and experimental analysis. The book will benefit researchers and engineers in the new energy industry and provide students of science and engineering with some innovative aspects of battery modeling.
Provides detailed descriptions of organic, inorganic, and hybrid solar cells and the latest developments in the quest to produce low-cost, long-lasting solar cells What will it take to transform solar energy from an important alternative source to a truly competitive and, perhaps, dominant one? Lower cost and longer life. Organic, Inorganic, and Hybrid Solar Cells: Principles and Practice provides in-depth information on the three types of existing solar cells, giving readers a good foundation for evaluating the technologies with the most potential for competing with energy from fossil fuels. Featuring a Foreword written by Nobel Peace Prize co-winner Dr. Woodrow W. Clark, this timely and comprehensive guide: Focuses on the realization of low-cost and long-life solar cells study and applications Reviews the properties of inorganic materials, primarily semiconductors Explores the electrical and optical properties of organic materials Discusses the interfacing of organic and inorganic materials: compatibility of deposition, the adhesion problem, formation of surface states, and band-level realignment Provides a detailed description of organic-inorganic hybrid solar cells, from the basic principles to practical devices Introduces a sandwiched structure for hybrid solar cells, which combines a far lower production cost than inorganic solar cells while stabilizing and extending the life of organic material far beyond that of organic solar cells Organic, Inorganic, and Hybrid Solar Cells: Principles and Practice is a first-rate professional reference for electrical engineers and important supplemental reading for graduate students in related areas of study.
This innovative book uses the lens of cultural history to examine the development of medicine in Qing dynasty China. Focusing on the specialty of "medicine for women"(fuke), Yi-Li Wu explores the material and ideological issues associated with childbearing in the late imperial period. She draws on a rich array of medical writings that circulated in seventeenth- to nineteenth-century China to analyze the points of convergence and contention that shaped people's views of women's reproductive diseases. These points of contention touched on fundamental issues: How different were women's bodies from men's? What drugs were best for promoting conception and preventing miscarriage? Was childbirth inherently dangerous? And who was best qualified to judge? Wu shows that late imperial medicine approached these questions with a new, positive perspective.
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