From January 2021, Woon Tai Ho started to meet PN Balji for breakfast every Monday morning. What began as casual catchup between two friends developed into a weekly two, three-hour session, and ultimately this book. From an arranged marriage to fatherhood and now grand-fatherhood, nothing is more important to Balji than family. But in today’s Singapore, youngsters prefer to stay single, or forego having children. Family, the most crucial social institution is under threat. Running parallel to the narrative on family is a bold and critical view of the political transition crisis in Singapore. From Lee Kuan Yew to Goh Chok Tong, and now Lee Hsien Loong, what happens after the third-generation leaders? The PAP has always been decisive, efficient and forward looking, is the current fourth generation leaders up to par as the city state faces its biggest crisis since independence? At 73, Balji has been a journalist under the administrations of all three Prime Ministers and lived through the major milestones of Singapore. His perspectives are insightful and also brutal, but always thorough and original. His is a bold and independent mind, “My views are always pro-Singapore, but not necessarily pro-government or pro-opposition,” he quips. Transition: The Story of PN Balji is a 40-year perspective of the changing social, economic and political life of a city state seen through the discerning eye of a veteran journalist, and how his own life has reacted and transformed with it. Whether it is the institution of family or the institution of state, the book captures the unrelenting views of thinking mind who is waist-deep into his second act.
From January 2021, Woon Tai Ho started to meet PN Balji for breakfast every Monday morning. What began as casual catchup between two friends developed into a weekly two, three-hour session, and ultimately this book. From an arranged marriage to fatherhood and now grand-fatherhood, nothing is more important to Balji than family. But in today’s Singapore, youngsters prefer to stay single, or forego having children. Family, the most crucial social institution is under threat. Running parallel to the narrative on family is a bold and critical view of the political transition crisis in Singapore. From Lee Kuan Yew to Goh Chok Tong, and now Lee Hsien Loong, what happens after the third-generation leaders? The PAP has always been decisive, efficient and forward looking, is the current fourth generation leaders up to par as the city state faces its biggest crisis since independence? At 73, Balji has been a journalist under the administrations of all three Prime Ministers and lived through the major milestones of Singapore. His perspectives are insightful and also brutal, but always thorough and original. His is a bold and independent mind, “My views are always pro-Singapore, but not necessarily pro-government or pro-opposition,” he quips. Transition: The Story of PN Balji is a 40-year perspective of the changing social, economic and political life of a city state seen through the discerning eye of a veteran journalist, and how his own life has reacted and transformed with it. Whether it is the institution of family or the institution of state, the book captures the unrelenting views of thinking mind who is waist-deep into his second act.
Soul of Ink: Lim Tze Peng at 100 pays tribute to the remarkable achievement of artistic renaissance at 100. It traces the lean beginnings of Lim Tze Peng's early years, relives the times of controversy over the artist's innovations in Chinese calligraphy, and celebrates his breakthroughs. Throughout the book, attention is paid to Lim Tze Peng the man, the foundation of everything that is admirable about Lim Tze Peng the artist. It looks at the man behind the art, and how art has given life to him and his family.Farmer, teacher, principal, and artist, Lim Tze Peng counts Lee Man Fong, Cheong Soo Pieng, and Liu Kang as his mentors. These men, like the others from the pioneering generation of Nanyang artists, are no longer around. Lim Tze Peng remains standing, a witness to and player in Singapore's art history since the 1940s.His life started late; everything got going only after the ripe old age of 80. A Cultural Medallion winner at 82 and a Meritorious Service recipient at 95, Lim Tze Peng is used to the twists and turns of life and has been trained by experience to endure the vagaries of fate. You could describe his art as the art of perseverance. The works he produces these days need to be seen to be believed. Bigger, bolder, and boasting far more colour than ever before, his art is as invigorating as that of a young man, whilst embodying the soul of a sage.At the heart of this book is the word 'soul'. What pushes a man at the age of 100 to continue breaking new ground in his life's work? How has he been able to surprise not just the art community but himself?This is Woon Tai Ho's second book on a Singaporean artist. His first, To Paint a Smile, is about the artist Tan Swie Hian.
Dusk is that brief period of the day before nightfall. But when a rainbow appears after dusk, it is special, almost a divine apparition. The phenomenon, though rare, is not science fiction. Rainbows do appear after dusk. This unusual story is a celebration of mind over matter, life over death, and love over fear. Rainbow after Dusk builds on Soul of Ink to continue telling the Lim Tze Peng story, shifting the focus to the artist's most important works, starting with his Kampong series, to Chinatown, and then his all-important Singapore River works. Told with brushes and paints, the colours used in the narrative give his story a unique visual power. In many ways, his works act as a record of the life and time of a Singapore that no longer exists. Through honest and sometimes heart-wrenching interviews, the artist tells his own life story through his artwork.But the centenarian is not one to just reminisce. This book also looks at how this artist forces himself into the present and now. When his mobility is compromised, when he can no longer paint on location, his active and creative mind takes over. The subjects stay the same, but the approach to these subjects is entirely conceptual and imaginary. No longer a prisoner to what lies before him, he allows his mind to remember and see in vivid colours. More important, he releases the mind to his heart. He wants his audience to feel what he paints, not just see what is before them.
Normal 0 false false false EN-SG ZH-CN X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:SimSun; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} When a talented young artist captures the attention of the art world, forces beyond her control align. Power plays pit money, ideals and families against the inner workings of a competitive and closed art world. In his debut fiction, Woon Tai Ho gives us an insider's look into the creative world he knows well. Set in modern-day Singapore, and drifting between worlds, Riot Green tells a gripping tale that draws on rich Chinese traditions and beliefs. It puts the spotlight on the institution of family, the jade of green that is supposed to protect us, but can prove to be a riot of heartaches and secrets. It is a story of ties that bind and those that divide. Like an abstract painting that buffers the obvious, the story unravels deftly to show love and conspiracies, harmony and conflict, chaos and order.
Koh Seow Chuan likes to see his life as a continuous painting, and himself as the painter. An Unfinished Canvas is about a unique individual who sees life as just that — a canvas that is never finished. This book traces his remarkable life from the age of four, following his journey as a stamp collector, national swimmer, architect and art collector. In all his endeavours, he reached the very top on a global field. The book makes clear how he lived and continues to live his life guided by two principles, his strong belief in the power of knowledge and the power of teamwork, which he found and followed relatively early in his life. Through stamps, he saw what knowledge could do for him academically and how it would always put him in a position of strength in whatever he did later in life. But it is in his absolute embrace of the power of teamwork that sees him succeeding in project after project. People see in him a leader they rarely see in the world of architecture, the leader who insists on we over I, group glory over personal glory. The architecture firm he founded, DP Architects, is more than 50 years old — and is now one of the biggest in the world. In his 80s now, he reminds us that his canvas is still unfinished.
How does a certified accountant become an artist? How did the world of finance instruct his art to make him the unlikely artist that he is today? How has his art been able to bring so much joy to Singaporeans and foreigners alike? Art of Joy unravels the fascinating story of Yip Yew Chong, from the moment his ability to draw was spotted in kindergarten, his early humble years in Chinatown, the strong bond with his mother, grandmother and aunt, to his marriage, children and corporate success.This book tells the story of planning for one's second act, and how that can be more successful and more fulfilling than the first. Few know that Yip only started painting murals in 2015, or that he only devoted himself to his craft full-time in 2018. Yip's success in painting came only after his success in the world of finance, but painting was his first love. He cradled this love through his corporate life, never letting go, and switched to paint full time only when he was ready. The art of joy is also the art of knowing what makes us and keeps us happy, and how that happiness is shown and shared.
Crisis communications and crisis management are terms often used in the corporate world but rarely understood. In the era of social media, crisis is compounded by the entry of a loud and often powerful player, the public. “We have a problem” is the first book written in Asia about contemporary corporate crisis. The title is as much a declaration of crisis as the book is a collective wisdom of solutions to unfortunate yet common events that happen to big and small businesses. The book uses five local and five foreign case studies to illustrate crisis communications and management at its worst and at its best. Creator of Today newspaper PN Balji, founder of Channel NewsAsia Woon Tai Ho, social media guru Keith Nakamura, and litigation lawyer Eugene Quah reveal the most important secrets and strategies used to rescue companies in crisis, and discuss the opportunities lost by those who did not understand the value of speed and sincerity in this digital age. Why is deleting a crisis post on social media a bad idea? Why is it important to empower every member of your staff to prepare for crisis? This team of writers know how to win, not just in the court of law, but also in the court of public opinion. Learn why it is prudent to get your holding statements endorsed by your legal team before a crisis happens. And what emergency action you must take when netizens snap compromising photographs of your backend production, whether it is repacking soya bean milk and labelling as “freshly prepared” or naming buns after a recently deceased head of state. And then, how do you say sorry in action, not in words? A tale of two Tonys, the CEO of AirAsia and the CEO of BP: how was Tony Fernandes a leader, and why was Tony Hayward not. “We have a problem” is the protection you need for your business reputation in this digital age. Skilfully managing the perception of a crisis determines the difference between a company’s life and death, because in the pitched battle between perception and reality, perception always wins.
Malaria is a potentially life-threatening disease that affects millions worldwide, especially in Sub-Saharan Africa. The recent emergence and spread of multidrug resistance in parts of Southeast Asia prompts the urgent need for novel and effective therapy against the disease. Medicinal Plants and Malaria: Applications, Trends, and Prospects highlig
Soul of Ink: Lim Tze Peng at 100 pays tribute to the remarkable achievement of artistic renaissance at 100. It traces the lean beginnings of Lim Tze Peng's early years, relives the times of controversy over the artist's innovations in Chinese calligraphy, and celebrates his breakthroughs. Throughout the book, attention is paid to Lim Tze Peng the man, the foundation of everything that is admirable about Lim Tze Peng the artist. It looks at the man behind the art, and how art has given life to him and his family.Farmer, teacher, principal, and artist, Lim Tze Peng counts Lee Man Fong, Cheong Soo Pieng, and Liu Kang as his mentors. These men, like the others from the pioneering generation of Nanyang artists, are no longer around. Lim Tze Peng remains standing, a witness to and player in Singapore's art history since the 1940s.His life started late; everything got going only after the ripe old age of 80. A Cultural Medallion winner at 82 and a Meritorious Service recipient at 95, Lim Tze Peng is used to the twists and turns of life and has been trained by experience to endure the vagaries of fate. You could describe his art as the art of perseverance. The works he produces these days need to be seen to be believed. Bigger, bolder, and boasting far more colour than ever before, his art is as invigorating as that of a young man, whilst embodying the soul of a sage.At the heart of this book is the word 'soul'. What pushes a man at the age of 100 to continue breaking new ground in his life's work? How has he been able to surprise not just the art community but himself?This is Woon Tai Ho's second book on a Singaporean artist. His first, To Paint a Smile, is about the artist Tan Swie Hian.
Over sessions which lasted two to three hours each time, every week for half a year, George Yeo met and mused over a wide range of topics with writer Woon Tai Ho and research assistant Keith Yap. Speaking from notes, he began with himself and his hope for Singapore, and then spanned over a wide range of subjects -- from the importance of human diversity and Singapore's reflection within itself of the world, to history, politics, economics, philosophy, taijigong and religion. He gives his views on India, China, ASEAN, Europe, the US and other parts of the world, and how Singapore's history and destiny are connected to all of them. The style is conversational and anecdotal.George Yeo: Musings is exactly that -- musings. Some themes recur throughout the book which reflect his view of life. But there is no grand theory. He does not expect all of his reflections to be of interest to everyone, but he hopes that everyone will find something of interest.This is the third of a three-part series.
Over sessions which lasted two to three hours each time, every week for half a year, George Yeo met and mused over a wide range of topics with writer Woon Tai Ho and research assistant Keith Yap. Speaking from notes, he began with himself and his hope for Singapore, and then spanned over a wide range of subjects -- from the importance of human diversity and Singapore's reflection within itself of the world, to history, politics, economics, philosophy, taijigong and religion. He gives his views on India, China, ASEAN, Europe, the US and other parts of the world, and how Singapore's history and destiny are connected to all of them. The style is conversational and anecdotal.George Yeo: Musings is exactly that -- musings. Some themes recur throughout the book which reflect his view of life. But there is no grand theory. He does not expect all of his reflections to be of interest to everyone, but he hopes that everyone will find something of interest.This is the first of a three-part series.
Musings 1 and Musings 2 are available as a set hereOver sessions which lasted two to three hours each time, every week for half a year, George Yeo met and mused over a wide range of topics with writer Woon Tai Ho and research assistant Keith Yap. Speaking from notes, he began with himself and his hope for Singapore, and then spanned over a wide range of subjects -- from the importance of human diversity and Singapore's reflection within itself of the world, to history, politics, economics, philosophy, taijigong and religion. He gives his views on India, China, ASEAN, Europe, the US and other parts of the world, and how Singapore's history and destiny are connected to all of them. The style is conversational and anecdotal.George Yeo: Musings is exactly that -- musings. Some themes recur throughout the book which reflect his view of life. But there is no grand theory. He does not expect all of his reflections to be of interest to everyone, but he hopes that everyone will find something of interest.This is the second of a three-part series.
Over sessions which lasted two to three hours each time, every week for half a year, George Yeo met and mused over a wide range of topics with writer Woon Tai Ho and research assistant Keith Yap. Speaking from notes, he began with himself and his hope for Singapore, and then spanned over a wide range of subjects - from the importance of human diversity and Singapore's reflection within itself of the world, to history, politics, economics, philosophy, taijigong and religion. He gives his views on India, China, ASEAN, Europe, the US and other parts of the world, and how Singapore's history and destiny are connected to all of them. The style is conversational and anecdotal--Backcover.
How does a certified accountant become an artist? How did the world of finance instruct his art to make him the unlikely artist that he is today? How has his art been able to bring so much joy to Singaporeans and foreigners alike? Art of Joy unravels the fascinating story of Yip Yew Chong, from the moment his ability to draw was spotted in kindergarten, his early humble years in Chinatown, the strong bond with his mother, grandmother and aunt, to his marriage, children and corporate success.This book tells the story of planning for one's second act, and how that can be more successful and more fulfilling than the first. Few know that Yip only started painting murals in 2015, or that he only devoted himself to his craft full-time in 2018. Yip's success in painting came only after his success in the world of finance, but painting was his first love. He cradled this love through his corporate life, never letting go, and switched to paint full time only when he was ready. The art of joy is also the art of knowing what makes us and keeps us happy, and how that happiness is shown and shared.
Dusk is that brief period of the day before nightfall. But when a rainbow appears after dusk, it is special, almost a divine apparition. The phenomenon, though rare, is not science fiction. Rainbows do appear after dusk. This unusual story is a celebration of mind over matter, life over death, and love over fear. Rainbow after Dusk builds on Soul of Ink to continue telling the Lim Tze Peng story, shifting the focus to the artist's most important works, starting with his Kampong series, to Chinatown, and then his all-important Singapore River works. Told with brushes and paints, the colours used in the narrative give his story a unique visual power. In many ways, his works act as a record of the life and time of a Singapore that no longer exists. Through honest and sometimes heart-wrenching interviews, the artist tells his own life story through his artwork.But the centenarian is not one to just reminisce. This book also looks at how this artist forces himself into the present and now. When his mobility is compromised, when he can no longer paint on location, his active and creative mind takes over. The subjects stay the same, but the approach to these subjects is entirely conceptual and imaginary. No longer a prisoner to what lies before him, he allows his mind to remember and see in vivid colours. More important, he releases the mind to his heart. He wants his audience to feel what he paints, not just see what is before them.
Koh Seow Chuan likes to see his life as a continuous painting, and himself as the painter. An Unfinished Canvas is about a unique individual who sees life as just that — a canvas that is never finished. This book traces his remarkable life from the age of four, following his journey as a stamp collector, national swimmer, architect and art collector. In all his endeavours, he reached the very top on a global field. The book makes clear how he lived and continues to live his life guided by two principles, his strong belief in the power of knowledge and the power of teamwork, which he found and followed relatively early in his life. Through stamps, he saw what knowledge could do for him academically and how it would always put him in a position of strength in whatever he did later in life. But it is in his absolute embrace of the power of teamwork that sees him succeeding in project after project. People see in him a leader they rarely see in the world of architecture, the leader who insists on we over I, group glory over personal glory. The architecture firm he founded, DP Architects, is more than 50 years old — and is now one of the biggest in the world. In his 80s now, he reminds us that his canvas is still unfinished.
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