This volume contains the major result of the work undertaken by the international research group "Transfer of Movables" which belonged to the Study Group on a European Civil Code. It covers the most important aspects of the law of property in movables, such as the transfer of ownership based on the transferor's right and the good faith acquisition of ownership. The suggested black letter provisions are accompanied by extensive explanatory comments and comparative notes providing information on the existing rules of the EU Member States. As compared to Book VIII of the DCFR, this volume contains additional and partly revised national notes, extended comments, translations of the black letter rules and adapted registers. The "Principles of European Law" are published in co-operation with Oxford University Press and Staempfli (Switzerland).
In this definitive biography, Wolfgang Hildesheimer demythologizes Mozart, revealing him as a flawed and puzzling human being, but a matchless artist. Hildesheimer's fresh approach to the music itself, his telling quotations from Mozart's letters (Mozart was one of the greatest and most outrageous of letter writers), and his sympathetic but unsentimental insights make this a remarkably readable portrait of one of the most popular composers of all time. Book jacket.
This book constitutes the refereed proceedings of the 6th International Conference on Logic Programming and Nonmonotonic Reasoning, LPNMR 2001, held in Vienna, Austria in September 2001. The 22 revised full papers and eleven system descriptions presented with five invited papers were carefully reviewed and rigorously selected. Among the topics addressed are computational logic, declarative information extraction, model checking, inductive logic programming, default theories, stable logic programming, program semantics, incomplete information processing, concept learning, declarative specification, Prolog programming, many-valued logics, etc.
Comparative research in the area of property law is gaining importance. Against the background of the current discussion of developing model rules, aimed at facilitating European private law harmonisation, and of ongoing law reform projects in a number of EU Member States, this volume addresses key issues in the field of the transfer of corporeal movable property.
Harrowing, moody, and supremely powerful, "The Hothouse", first published in 1953, stands among the finest novels written in postwar Germany. Largely unrecognized beyond Germany during his lifetime, Koeppen sought to make sense of German life amid the vast political and social reconstruction of the war-ravaged nation.
Wolfgang Pauli was not only a Nobel laureate and one of the creators of modern physics, but also eminent philosopher of modern science. In his essays he writes about space, time and causality, symmetry and the exclusion principle, but also about the role of the unconscious in modern science.
Spiritual seekers throughout history have sought illumination through solitary contemplation. In the Christian tradition, medieval England stands out for its remarkable array of hermits, recluses, and spiritual outsiders, from Cuthbert Godric of Fichale and Christina of Markyate to Richard Rolle, Julian of Norwich, and Margery Kempe. In The Secret Within, Wolfgang Riehle offers the first comprehensive history of English medieval mysticism in decades, one that will appeal to anyone fascinated by mysticism as a phenomenon of religious life. In considering the origins and evolution of the English mystical tradition, Riehle begins in the twelfth century with the revival of eremitical mysticism and the early growth of the Cistercian Order in the British Isles. He then focuses in depth on the great mystics of the fourteenth and fifteenth centuries: Richard Rolle (the first great English mystic), the anonymous author of The Cloud of Unknowing, Walter Hilton, Margery Kempe, and Julian of Norwich. Riehle carefully grounds his narrative in the broader spiritual landscape of the Middle Ages, pointing out both prior influences dating back to Late Antiquity and corresponding developments in mysticism and theology on the Continent. He discusses the problem of possible differences between male and female spirituality and the movement of popularizing mysticism in the late Middle Ages. Filled with fresh insights, The Secret Within will be welcomed especially by teachers and students of medieval literature as well as by those engaged in historical, theological, philosophical, cultural, even anthropological and comparative studies of mysticism.
Don Giovanni is one of Mozart's most popular and enduringly fascinating works. E.T.A. Hoffmann described it as the "e;opera of all operas"e;. This edition begins with a discussion of its comic elements by Michael F. Robinson. An overall view of the score is given by David Wyn Jones, showing how Mozart maintained dramatic momentum over its two acts and giving an overview of the dramatic pacing and orchestration in some of the most important scenes. Christopher Raeburn concludes the commentary with an engaging portrait of Lorenzo Da Ponte, Mozart's "e;libertine librettist"e;, and his relationship with the composer.This guide contains more than thirty photographs covering performances of Don Giovanni to the present day, a detailed thematic analysis, the libretto in Italian with a facing literal translation, an up-to-date bibliography and a discography, as well as DVD and website guides.Contains:The 'Comic' Element in Don Giovanni, Michael F. RobinsonMusic and Action in Don Giovanni, David Wyn JonesLorenzo Da Ponte, Christopher RaeburnCharacterization in Don Giovanni, E.J. Dent, Brigid Brophy, Julian Rushton, Lawrence Lipking, Andrew Steptoe, George HallDon Giovanni: Libretto by Lorenzo da PonteDon Giovanni: English translation by Visiontext
This volume, a sequel to Form Miming Meaning (1999) and The Motivated Sign (2001), offers a selection of papers given at the Third International Symposium on Iconicity in Language and Literature (Jena 2001). The studies collected here present a number of new departures. Special consideration is given to the way non-linguistic visual and auditory signs (such as gestures and bird sounds) are represented in language, and more specifically in ‘signed’ language, and how such signs influence semantic conceptualization. Other studies examine more closely how visual signs and representations of time and space are incorporated or reflected in literary language, in fiction as well as (experimental) poetry. A further new approach concerns intermedial iconicity, which emerges in art when its medium is changed or another medium is imitated. A more abstract, diagrammatic type of iconicity is again investigated, with reference to both language and literature: some essays focus on the device of reduplication, isomorphic tendencies in word formation and on creative iconic patterns in syntax, while others explore numerical design in Dante and geometrical patterning in Dylan Thomas. A number of theoretically-oriented papers pursue post-Peircean approaches, such as the application of reader-response theory and of systems theory to iconicity.
A Dictionary of Anglo-American Proverbs & Proverbial Phrases Found in Literary Sources of the Nineteenth and Twentieth Centuries is a unique collection of proverbial language found in literary contexts. It includes proverbial materials from a multitude of plays, (auto)biographies of well-known actors like Britain's Laurence Olivier, songs by William S. Gilbert or Lorenz Hart, and American crime stories by Leslie Charteris. Other authors represented in the dictionary are Horatio Alger, Margery Allingham, Samuel Beckett, Lewis Carroll, Raymond Chandler, Benjamin Disraeli, Edward Eggleston, Hamlin Garland, Graham Greene, Thomas C. Haliburton, Bret Harte, Aldous Huxley, Sinclair Lewis, Jack London, George Orwell, Eden Phillpotts, John B. Priestley, Carl Sandburg, Harriet Beecher Stowe, Jesse Stuart, Oscar Wilde, and more. Many lesser-known dramatists, songwriters, and novelists are included as well, making the contextualized texts to a considerable degree representative of the proverbial language of the past two centuries. While the collection contains a proverbial treasure trove for paremiographers and paremiologists alike, it also presents general readers interested in folkloric, linguistic, cultural, and historical phenomena with an accessible and enjoyable selection of proverbs and proverbial phrases.
A fully annotated translation of the correspondence of Protestant leader Wolfgang Capito (1478-1541) for the years 1532-36, this volume provides crucial details on the evolution of Capito's thought and its contribution to the Reformation movement. This title was made Open Access by libraries from around the world through Knowledge Unlatched.
In this book, first published in 1987, Wolfgang Mieder follows the intriguing trail of some of the best known pieces of folk literature, tracing them from their roots to modern uses in advertising, journalism, politics, cartoons, and poetry. He reveals both the remarkable adaptability of these tales and how each variation reflects cultural and historical changes. Fairy tales, legends, folk songs, riddles, nursery rhymes, and proverbs are passed from generation to generation, changing both in form and meaning with each use. This book will be of interest to students of literature.
Acute heart failure is a potentially life threatening situation where correct, rapid therapy can save lives. Information from the latest research and studies has been used to update this text to bring the latest understanding of the pathophysiology together with a practical guide to diagnosis and management using an evidenced based approach. Since the first edition of Acute Heart Failure, this research has brought to light three important issues to be integrated into a second edition. First, the so-called “vascular heart failure” has been identified as a common and decisive mechanism provoking acute heart failure due to the coupling and interaction between the heart (right and left heart) and the large vessel systems (aorta and pulmonary artery). Second, the interaction and cross-talk between heart and kidneys, the so-called ‘cardiorenal syndrome’ has been identified as another feature of acute heart failure syndromes. Third, we have new knowledge and updated points of views about the development of pulmonary hypertension in patients suffering from heart failure, the group 2 of the classification system of pulmonary hypertension. These are all covered in this second edition. This revision to a seminal text is a valuable addition to any practitioner who treats patients with acute heart failure and wants a deeper understanding of the condition.
Following the great successes of Le nozze di Figaro and Don Giovanni, Cosi fan tutte was the last of the three operas that Mozart wrote with the librettist Lorenzo Da Ponte. Although well received at its premiere in Vienna in 1790, it was then largely neglected until the mid-twentieth century. Its comic, but deeply felt portrayal of the foibles of young people in love has since become recognized as perhaps the most sophisticated and perfect of all Mozart's operas.This guide contains articles that describe the genesis of the opera and the circumstances surrounding its first performances, a musical commentary which takes the reader through the opera's main themes and an overview of the ways in which it fell out of favour in the nineteenth century. A detailed description of its more recent performance history reflects how the work has now established a secure position in the repertory of opera houses throughout the world. The guide also includes sixteen pages of illustrations, a musical thematic guide, the full libretto with English translation, a discography, bibliography and DVD and website guides.Contains:The Making of Cosi fan tutte, Richard WigmoreThe Music of Cosi fan tutte, Julian RushtonCosi fan tutte: A Selective Performance History, Hugh CanningCosi fan tutte: Libretto by Lorenzo Da PonteCosi fan tutte: English translation by Jonathan Burton
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