This impressive and original study is one of the first books to combine mainstream sociology with feminism in exploring the subject of the professions and power. This is an important addition to the corpus of feminist scholarship... It provides fresh insights into the way in which male power has been used to limit the employment aspirations of women in the middle classes. - Rosemary Crompton, University of Kent
Elizabeth Grant has stood at the helm of her beauty empire for more than sixty years, regaling admirers with personal stories, notably one event that nearly killed her. When a German rocket dropped soundlessly from the sky on a peaceful Sunday in wartime London, its impact and resultant bomb blast damage took her down, damaged her face and rendered her almost deaf in one ear. A young makeup artist at Ellstree Studios, she thought herself so repulsively scarred, she could no longer face acting luminaries like Vivien Leigh, Margaret Leighton, and Robert Taylor with any degree of confidence. "I honestly thought my life was over," Elizabeth says. But as readers will learn, she easily has more than nine lives. From that misfortune came salvation. With Elizabeth you will sense a wealth of wisdom and experience lurking beneath her self-deprecating wit. A more profound history - one that had lain hidden for decades - was waiting to be unearthed. Revealing the multiple sides of Elizabeth was a painstaking labour of love, and one of our most rewarding journeys. Little by little, she emerged from self-imposed shadows with shocking and disturbing accounts of her nightmarish childhood. Years of abuse and neglect had spawned crushing self-doubt, yet she soldiered on, nursing a remarkable will to survive at any cost - even daring to reach for the unreachable. The Elizabeth Grant story spins a cinematic voyage on three continents, through Heaven and Hell. Compelling, tragic, wistful and humourous, it charts a unique woman's determination to overcome every boulder in her path. Her survival is a raw and powerful testament to human perseverance and her ultimate success provides inspiration that transcends time.
This edited volume focuses on the problematic engendering of classical and contemporary sociological theory, addressing questions such as: How were the foundations of sociological theory shaped by an implicit masculinity? Did classical sociology simply reflect or actively construct theories of sexual difference? How were alternative accounts of the social suppressed in sociology's founding moments? Feminist interventions in sociology are still seen as marginal to sociological theorizing. This collection challenges this truncated vision of sociological theory. In part one, contributors interrogate the classical canon, exposing the masculinist assumptions that saturate the conceptual scaffolding of sociology. In part two, contributors consider the long-standing and problematic relationship between sociology and feminism, retrieving voices marginalized within or excluded from canonical constructions of sociological theory. In part three, contributors engage with key contemporary debates, explicitly engendering accounts of the social. Engendering the Social is unique in that it not only critically interrogates sociological theory from a feminist perspective, but also embarks on a politics of reconstruction, working creatively at the interface of feminist and sociological theory to induce a more adequate conceptualisation of the social. This is a key text for undergraduate and postgraduate students in sociology, social theory and feminist theory.
This impressive and original study is one of the first books to combine mainstream sociology with feminism in exploring the subject of the professions and power. This is an important addition to the corpus of feminist scholarship... It provides fresh insights into the way in which male power has been used to limit the employment aspirations of women in the middle classes. - Rosemary Crompton, University of Kent
Apartheid's Festival highlights the conflicts and debates that surrounded the 1952 celebration of the 300th anniversary of the landing of Jan Van Riebeeck and the founding of Cape Town, South Africa. Taking place at the height of the apartheid era, the festival was viewed by many as an opportunity for the government to promote its nationalist, separatist agenda in grand fashion. Leslie Witz's fine-grained examination of newspapers, brochures, pamphlets, and advertising materials reveals the expectations of the festival planners as well as how the festival was engineered, historical figures were reconstructed, and the ANC and other anti-apartheid organizations mounted opposition to it. While laying open the darker motives of the apartheid regime, Witz shows that the production of local history is part of a global process forged by the struggle between colonialism and resistance. Readers interested in South Africa, representations of nationalism, and the making of public history will find Apartheid's Festival to be an important study of a society in transition.
Is the position of women in the workplace changing? In addressing the broad range of issues raised by this question, Gender, Careers and Organisations engages in diverse contemporary debates about economic and organisational restructuring, human agency and strategy, embodiment and sexuality. Drawing on original empirical research into contemporary British banking, nursing and local government, the book both contributes to a reformulation of current debates and to the development of theoretical perspectives on gender, careers and organisations.
Unsettled History examines South African society and the construction and presentation of its public pasts, from Nelson Mandela’s release from prison in 1990 to South Africa’s hosting of the 2010 FIFA World Cup ®. Conventionally represented as a time of rectifying the silences and distortions of settler history through inclusion and recovery, the focus here instead is on the shifts in processes and locations of historicizing and the unsettled state of categories of framing history in post-apartheid South Africa. This era saw fundamental transformations in the order of knowledge: from the academy to the public; from popular history to public history; from history-as-lesson to history-as-forum. Leslie Witz, Gary Minkley, and Ciraj Rassool take the reader to sites of historical production in which complex ideas about pasts are invoked, and navigate a path toward understanding the agencies of image-making and memory production. This volume is the outcome of the authors’ intensive collaborative research and engagement over twenty-five years on questions including the production and performance of apartheid history; the cultural politics of social history; South Africa’s Truth and Reconciliation Commission and practices of orality; tourism as an arena of image-making and historical construction; museums as sites of heritage production for a new South Africa; photographs, archival meanings, and the construction of the social documentary; and the centenary commemorations of the South African War and the making of race. The authors not only witnessed many of these instances of history-making but were also participants in their constitution.
Museums flourished in post-apartheid South Africa. In older museums, there were renovations on the go, and at least fifty new museums opened. Most sought to depict violence and suffering under apartheid and the growth of resistance. These unlikely journeys are tracked as museums became a primary setting for contesting histories. From the renowned Robben Island Museum to the almost unknown Lwandle Migrant Labour Museum, the author demonstrates how an institution concerned with the conservation of the past is simultaneously a site for changing history.
This book attempts to let the universal Upanisadic knowledge and experience of Divinity and reality emerge from the original texts and make it accessible to a broader western oriented audience.The book is in text commentary format and uses the method of p
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