The two texts presented here are reconstructions of 4th-century chronicles which exist only in ancient translations or in surviving histories. The first text, Chronici canones of Eusebius of Caesarea, is one of the most influential texts of the period but it only survives in two translations and in numerous fragments recorded in other histories. The final part has to be almost completely reconstructed. The second chronicle, The Continuatio Antiochiensis Eusebii , is a history of Antioch between AD 325 and 350 which has to be reconstructed from obscure sources. The reconstructions are presented in Greek with English translations and are accompanied by lengthy commentaries which analyse the value of the reconstruction process.
The two texts presented here are reconstructions of 4th-century chronicles which exist only in ancient translations or in surviving histories. The first text, Chronici canones of Eusebius of Caesarea, is one of the most influential texts of the period but it only survives in two translations and in numerous fragments recorded in other histories. The final part has to be almost completely reconstructed. The second chronicle, The Continuatio Antiochiensis Eusebii , is a history of Antioch between AD 325 and 350 which has to be reconstructed from obscure sources. The reconstructions are presented in Greek with English translations and are accompanied by lengthy commentaries which analyse the value of the reconstruction process.
The Chronicle was written in Syriac in the second half of the 6th century by an author designated here as Pseudo-Zachariah Rhetor. It draws heavily on the Historia ecclesiastica of Zacharias, Bishop of Mytilene, with whom the Chronicle's author became conflated.
Although Witold Gombrowicz’s unique, idiosyncratic writings include a three-volume Diary, this voluminous document offers few facts about his early life in Poland before his books were banned there and he went into voluntary exile. Polish Memories—a series of autobiographical sketches Gombrowicz composed for Radio Free Europe during his years in Argentina in the late 1950s—fills the gap in our knowledge. Written in a straightforward way without his famous linguistic inventions, the book presents an engaging account of Gombrowicz’s childhood, youth, literary beginnings, and fellow writers in interwar Poland and reveals how these experiences and individuals shaped his seemingly outlandish concepts about the self, culture, art, and society. In addition, the book helps readers understand the numerous autobiographical allusions in his fiction and brings a new level of understanding and appreciation to his life and work.
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