The British statesman, orator and author Winston Churchill served as prime minister twice, achieving legendary status for rallying the British people during World War II and leading the country from the brink of defeat to victory. In addition to his careers of soldier and politician, Churchill was a prolific writer, starting with war journalism charting his adventures in British India, at the Siege of Malakand, at Sudan during the Mahdist War and in Africa in the Second Boer War. He excelled as a writer of history, producing multi-volume studies of both World Wars and other grand subjects to critical acclaim. Many of his speeches and parliamentary answers were also published in pamphlets and collected editions. In 1953 Churchill was awarded the Nobel Prize in Literature ‘for his mastery of historical and biographical description as well as for brilliant oratory’. For the first time in publishing history, this eBook presents Churchill’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Churchill’s life and works * Concise introductions to the major texts * Churchill’s novel ‘Savrola’ and the rare short stories * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The complete non-fiction works and speech collections * Special chronological and alphabetical contents tables for the speeches * Easily locate the works you want to read * Includes Churchill’s autobiography * Features two biographies, including Kraus’ seminal study – discover Churchill’s incredible life * Ordering of texts into chronological order and genres CONTENTS: The Novel Savrola (1900) The Shorter Fiction Man Overboard (1898) If Lee Had Not Won the Battle of Gettysburg (1931) The Dream (1966) The Non-Fiction The Story of the Malakand Field Force (1898) The River War (1899) London to Ladysmith via Pretoria (1900) Ian Hamilton’s March (1900) Lord Randolph Churchill (1906) My African Journey (1908) The World Crisis I: 1911-1914 (1923) The World Crisis II: 1915 (1923) The World Crisis III: 1916-1918 (1927) The World Crisis IV: The Aftermath 1918-1922 (1929) The World Crisis V: The Eastern Front (1931) Thoughts and Adventures (1932) Marlborough I (1933) Marlborough II (1934) Marlborough III (1936) Marlborough IV (1938) Great Contemporaries (1937) The Second World War I: The Gathering Storm (1948) The Second World War II: Their Finest Hour (1949) The Second World War III: The Grand Alliance (1950) The Second World War IV: The Hinge of Fate (1950) The Second World War V: Closing the Ring (1951) The Second World War VI: Triumph and Tragedy (1953) Painting as a Pastime (1948) A History of the English-Speaking Peoples I: The Birth of Britain (1956) A History of the English-Speaking Peoples II: The New World (1956) A History of the English-Speaking Peoples III: The Age of Revolution (1957) A History of the English-Speaking Peoples IV: The Great Democracies (1958) The Speeches Introduction to Churchill the Orator Mr Brodrick’s Army (1903) For Free Trade (1906) Liberalism and the Social Problem (1909) The People’s Rights (1910) India (1931) Arms and the Covenant (1938) Step by Step (1936) Into Battle (1941) The Unrelenting Struggle (1942) The End of the Beginning (1943) Onwards to Victory (1944) The Dawn of Liberation (1945) Victory (1946) Secret Sessions Speeches (1946) The Sinews of Peace (1948) Europe Unite (1950) In the Balance (1951) Stemming the Tide (1953) The Unwritten Alliance (1961) Index of Speeches List of Speeches in Chronological Order List of Speeches in Alphabetical Order The Autobiography My Early Life (1930) The Biographies Winston Churchill: A Biography (1940) by René Kraus Mr. Churchill: A Portrait (1942) by Philip Guedalla
The British statesman, orator and author Winston Churchill served as prime minister twice, achieving legendary status for rallying the British people during World War II and leading the country from the brink of defeat to victory. In addition to his careers of soldier and politician, Churchill was a prolific writer, starting with war journalism charting his adventures in British India, at the Siege of Malakand, at Sudan during the Mahdist War and in Africa in the Second Boer War. He excelled as a writer of history, producing multi-volume studies of grand subjects to critical acclaim. Many of his speeches and parliamentary answers were also published in pamphlets and collected editions. In 1953 Churchill was awarded the Nobel Prize in Literature ‘for his mastery of historical and biographical description as well as for brilliant oratory’. This eBook presents Churchill’s collected works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Churchill’s life and works * Concise introductions to the major texts * Churchill’s novel ‘Savrola’ and the rare short stories * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Many non-fiction works and speech collections * Special chronological and alphabetical contents tables for the speeches * Includes the famous WWII speeches * Easily locate the works you want to read * Features a bonus biography – discover Churchill’s incredible life * Ordering of texts into chronological order and genres Please note: due to US copyright restrictions, some non-fiction works cannot appear in this edition. When new texts become available, they will be added to the eBook as a free update. CONTENTS: The Novel Savrola (1900) The Shorter Fiction Man Overboard (1898) If Lee Had Not Won the Battle of Gettysburg (1931) The Dream (1966) The Non-Fiction The Story of the Malakand Field Force (1898) The River War (1899) London to Ladysmith via Pretoria (1900) Ian Hamilton’s March (1900) Lord Randolph Churchill (1906) My African Journey (1908) The World Crisis I: 1911-1914 (1923) The World Crisis II: 1915 (1923) The World Crisis III: 1916-1918 (1927) Great Contemporaries (1937) Painting as a Pastime (1948) The Speeches Introduction to Churchill the Orator Mr Brodrick’s Army (1903) For Free Trade (1906) Liberalism and the Social Problem (1909) The People’s Rights (1910) India (1931) Arms and the Covenant (1938) Into Battle (1941) The Unrelenting Struggle (1942) The End of the Beginning (1943) Onwards to Victory (1944) The Sinews of Peace (1948) Europe Unite (1950) In the Balance (1951) Stemming the Tide (1953) The Unwritten Alliance (1961) Index of Speeches List of Speeches in Chronological Order List of Speeches in Alphabetical Order The Biography Mr. Churchill: A Portrait (1942) by Philip Guedalla
The magnificent history of Britain by the legendary statesman and winner of the Nobel Prize in Literature, now condensed in one volume. A History of the English-Speaking Peoples stands as one of Winston S. Churchill's most extraordinary literary works. Begun during the “wilderness years” when he was out of government, first published in 1956 after his leadership through the darkest days of World War II had cemented his place in history, and completed when Churchill was in his eighties, it remains to this day a compelling and vivid account. This one-volume abridged edition of Churchill’s major work makes accessible to readers the full sweep of his magisterial chronicle.
An authoritative survey of the history of English-speaking peoples throughout the world combines intriguing, closely observed biographical profiles—of Alfred the Great, Victoria, Joan of Arc, Lincoln, and other notables—with an account of the key events and issues of the era. The narrative commences fifty-five years before the birth of Christ, when Julius Caesar famously “turned his gaze upon Britain,” and concludes in the year 1900. The beginnings of Parliament, the Church, and the monarchy are all analyzed alongside this comprehensive abridgment.
What 1970s Hollywood filmmaker influenced Quentin Tarantino? How have contemporary Japanese horror films inspired Takashi Shimizu, director of the huge box office hit The Grudge? What is it like to be an African American director in the twenty-first century? The answers to these questions, along with many more little-known facts and insights, can be found in Film Talk, an in-depth, behind-the-scenes look at filmmaking from the 1940s to the present. In eleven intimate and revealing interviews, contemporary film directors speak frankly about their work-their successes and their disappointments, their personal aspirations, struggles, relationships, and the politics that affect the industry. A medley of directors including those working in pop culture and documentary, as well as feminist filmmakers, social satirists, and Hollywood mavericks recount stories that have never before been published. Among them are Monte Hellman, the auteur of the minimalist masterpiece Two-Lane Blacktop; Albert Maysles, who with his late brother David, created some of the most important documentaries of the 1960s, including Salesman and The Beatles: What's Happening?; Robert Downey Sr., whose social satires Putney Swope and Greaser's Palace paved the way for a generation of filmmakers; Bennett Miller, whose film Capote won an Academy Award in 2005; and Jamie Babbit, a lesbian crossover director whose low-budget film But I'm a Cheerleader! became a mainstream hit. The candid conversations, complimented by more than fifty photographs, including many that are rare, make this book essential reading for aspiring moviemakers, film scholars, and everyone interested in the how movies are made and who the fascinating individuals are who make them.
A Brief History of Comic Book Movies traces the meteoric rise of the hybrid art form of the comic book film. These films trace their origins back to the early 1940s, when the first Batman and Superman serials were made. The serials, and later television shows in the 1950s and 60s, were for the most part designed for children. But today, with the continuing rise of Comic-Con, they seem to be more a part of the mainstream than ever, appealing to adults as well as younger fans. This book examines comic book movies from the past and present, exploring how these films shaped American culture from the post-World War II era to the present day, and how they adapted to the changing tastes and mores of succeeding generations.
In this thrilling narrative history of the Civil War’s most strategically important campaign, Winston Groom describes the bloody two-year grind that started when Ulysses S. Grant began taking a series of Confederate strongholds in 1861, climaxing with the siege of Vicksburg two years later. For Grant and the Union it was a crucial success that captured the Mississippi River, divided the South in half, and set the stage for eventual victory. Vicksburg, 1863 brings the battles and the protagonists of this struggle to life: we see Grant in all his grim determination, Sherman with his feistiness and talent for war, and Confederate leaders from Jefferson Davis to Joe Johnston to John Pemberton. It is an epic account by a masterful writer and historian.
Film stocks are vanishing, but the iconic images of the silver screen remain -- albeit in new, sleeker formats. Today, viewers can instantly stream movies on televisions, computers, and smartphones. Gone are the days when films could only be seen in theaters or rented at video stores: movies are now accessible at the click of a button, and there are no reels, tapes, or discs to store. Any film or show worth keeping may be collected in the virtual cloud and accessed at will through services like Netflix, Hulu, and Amazon Instant. The movies have changed, and we are changing with them. The ways we communicate, receive information, travel, and socialize have all been revolutionized. In Streaming, Wheeler Winston Dixon reveals the positive and negative consequences of the transition to digital formatting and distribution, exploring the ways in which digital cinema has altered contemporary filmmaking and our culture. Many industry professionals and audience members feel that the new format fundamentally alters the art, while others laud the liberation of the moving image from the "imperfect" medium of film, asserting that it is both inevitable and desirable. Dixon argues that the change is neither good nor bad; it's simply a fact. Hollywood has embraced digital production and distribution because it is easier, faster, and cheaper, but the displacement of older technology will not come without controversy. This groundbreaking book illuminates the challenges of preserving media in the digital age and explores what stands to be lost, from the rich hues of traditional film stocks to the classic movies that are not profitable enough to offer in streaming formats. Dixon also investigates the financial challenges of the new distribution model, the incorporation of new content such as webisodes, and the issue of ownership in an age when companies have the power to pull purchased items from consumer devices at their own discretion. Streaming touches on every aspect of the shift to digital production and distribution. It explains not only how the new technology is affecting movies, music, books, and games, but also how instant access is permanently changing the habits of viewers and influencing our culture.
Over the last 60 years, more has been done in Oakland to reform policing than any other American city-and yet, Oakland has failed to reign in the tendencies of its police to prey upon, rather than protect, its communities. Why is this, and what does it mean both for Oakland, and for America? THE RIDERS COME OUT AT NIGHT will be the first authoritative account of the Oakland Police Department's troubling history of violence, secrecy, and mismanagement, and the city's unfulfilled promise to implement constitutional policing. By examining cases of police violence and corruption in one of America's most iconic cities, the Polk Award-winning investigative duo, Ali Winston & Darwin BondGraham, illustrate why criminal justice reform has proven an elusive goal for the entire nation. Their investigation will introduce readers to "The Riders," a band of corrupt cops running riot through the city, and to Keith Batt, a "fresh out of the academy" rookie assigned to patrol with the Riders. Winston & BondGraham deftly maneuver between the worlds of intransigent police culture to City Hall, where a lack of political will to see through reforms (and local prosecutors who failed to hold officers accountable) conspire to keep these cycles of brutality in place. Through never-before-seen reporting and interviews, the authors paint a portrait of a city-and nation-in crisis, and the steps needed to finally, once and for all, effectively address policing in the Unites States"--
In this book, Wheeler Winston Dixon argues that 21st-century mainstream filmmaking is increasingly and troublingly dominated by "synthetic cinema." He details how movies over the last two decades have fundamentally abandoned traditional filmmaking values through the overwhelming use of computer generated imagery, digital touch ups for the actors, and extensive use of green screen technology that replace sets and location shooting. Combined with the shift to digital cinematography, as well as the rise of comic book and franchise cinema, the temptation to augment movies with lavish, computer generated spectacle has proven irresistible to both directors and audiences, to the point that, Dixon argues, 21st-century commercial cinema is so far removed from the real world that it has created a new era of flawless, fake movies.
The former Prime Minister and Nobel Prize–winning author chronicles Britain’s World War II experience from the aftermath of WWI to July 1945. The classic one-volume abridgment of Winston Churchill’s landmark history of World War II. At once a personal account and a magisterial history, The Second World War remains Churchill's literary masterpiece.
In a unique and perceptive look at the future of cinema, Wheeler Winston Dixon explores the possible effects of the digital age on the production and exhibition of films. Although Hollywood will seek to retain its dominance over the global presentation of entertainment, Dixon argues, a new vision of international access—a democracy of images—will finally inform the future structure of cinema in the twenty-first century.
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