Mathletics shows readers how to use simple mathematics to analyze a range of statistical and probability-related questions in professional baseball, basketball, football, soccer, lacrosse, and golf, and in sports gambling. The authors describe the mathematical methods that top coaches and managers use to evaluate players and improve team performance, and give math enthusiasts the practical tools they need to enhance their understanding and enjoyment of their favorite sports - and maybe even gain the outside edge to winning bets. Mathletics blends fun and challenging math problems with sports stories of actual games, teams, and players, along with personal anecdotes from Winston's work as a sports consultant. The book includes easy-to-read tables and illustrations to illuminate the techniques and ideas presented, and all the necessary mathematical concepts - such as arithmetic, basic statistics and probability, and Monte Carlo simulations - are fully explained in the examples. The revised edition will include about 75 pages of revised text and roughly 40 new figures. The book will include updates to the data and inclusion of more recent players and teams throughout all the chapters. It will also include new chapters on soccer, lacrosse, and golf, as well as new findings on regression, game theory, and optimization"--Publisher's description.
Marcus Garvey, Claude McKay, Claudia Jones, C.L.R. James, Stokely Carmichael, Louis Farakhan-the roster of immigrants from the Caribbean who have made a profound impact on the development of radical politics in the United States is extensive. In this magisterial and lavishly illustrated work, Winston James focuses on the twentieth century's first waves of immigrants from the Caribbean and their contribution to political dissidence in America. This diligently researched, wide-ranging and sophisticated book will be welcomed by all those interested in the Caribbean and its migrs, the Afro-American current within America's radical tradition, and the history, politics, and culture of the African diaspora.
In How to Lose the Hounds Celeste Winston explores marronage—the practice of flight from and placemaking beyond slavery—as a guide to police abolition. She examines historically Black maroon communities in the Maryland suburbs of Washington, DC, that have been subjected to violent excesses of police power from slavery until the present day. Tracing the long and ongoing historical geography of Black freedom struggles in the face of anti-Black police violence in these communities, Winston shows how marronage provides critical lessons for reimagining public safety and community well-being. These freedom struggles take place in what Winston calls maroon geographies—sites of flight from slavery and the spaces of freedom produced in multigenerational Black communities. Maroon geographies constitute part of a Black placemaking tradition that asserts life-affirming forms of community. Winston contends that maroon geographies operate as a central method of Black flight, holding ground, and constructing places of freedom in ways that imagine and plan a world beyond policing.
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
White people are the benefactors of the ill-gotten gains by their ancestors through slavery, and land grabs/theft of the Americas and Australia. The insidious slave trade and slavery machinery saw the sweat and bloodshed of black people and Red Indians who were and still are the true Israelites, according to Jeremiah 14:2 (KJV), Jeremiah 8:21 (KJV), Song of Solomon 1:5 (KJV), Job 30:30 (KJV), and Lamentation 4:8 (KJV). The so-called African Americans and the blacks from Latin America and West Indies, Red Indians, Aborigines, and some of the blacks in Africa are the true Israelites, according to Deuteronomy 28:68 (KJV), not the so-called white Jews in Israel today. They are just imposters, or should I say in a more polite tone, they are converts who adopted the religion of Judaism, not the true Israelites according to the Bible. Yes, it does matter; such truth always matters. That is why it was hidden from us, and our schools will never teach you that truth because it serves the status quo. What I am talking about is written in the Tanakh, the so-called white Jewish Bible. This is the greatest secret of the centuries, revealed by God himself to his people. Do not hate the messenger but the Creator who sent the messenger. Do not believe me; do your own research. Thanks be to Jah, the Most High God, that most of us can read and write in this generation. We should use that gift wisely and not take it for granted. Do your own research; the Bible tells us to seek and we shall find. When I started, I did not expect to find out that Israelites are blacks, Aborigines, and Red Indians. It was a shock to me, but I could not deny the facts, Gods facts.
This text examines the complex forces pushing and constraining technological developments in cinema. It contests the view that technological advance is simply the result of scientific progress. Rather, the author argues that social forces control the media technology agenda at every stage.
To the generation of Americans who lived through it, the Second World War was the defining event of the twentieth century, and the defining events of that war were played out in the year 1942"--Publisher website (September 2007).
Over the last 60 years, more has been done in Oakland to reform policing than any other American city-and yet, Oakland has failed to reign in the tendencies of its police to prey upon, rather than protect, its communities. Why is this, and what does it mean both for Oakland, and for America? THE RIDERS COME OUT AT NIGHT will be the first authoritative account of the Oakland Police Department's troubling history of violence, secrecy, and mismanagement, and the city's unfulfilled promise to implement constitutional policing. By examining cases of police violence and corruption in one of America's most iconic cities, the Polk Award-winning investigative duo, Ali Winston & Darwin BondGraham, illustrate why criminal justice reform has proven an elusive goal for the entire nation. Their investigation will introduce readers to "The Riders," a band of corrupt cops running riot through the city, and to Keith Batt, a "fresh out of the academy" rookie assigned to patrol with the Riders. Winston & BondGraham deftly maneuver between the worlds of intransigent police culture to City Hall, where a lack of political will to see through reforms (and local prosecutors who failed to hold officers accountable) conspire to keep these cycles of brutality in place. Through never-before-seen reporting and interviews, the authors paint a portrait of a city-and nation-in crisis, and the steps needed to finally, once and for all, effectively address policing in the Unites States"--
Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's fully revised and updated A History of Horror is still the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels. In covering the last decade, this new edition includes coverage of the resurgence of the genre, covering the swath of new groundbreaking horror films directed by women, Black and queer horror films, and a new international wave in body horror films. A History of Horror explores how the horror film fits into the Hollywood studio system, how the distribution and exhibition of horror films have changed in a post-COVID world, and how its enormous success in American and European culture expanded globally over time. Dixon examines key periods in the horror film-in which the basic precepts of the genre were established, then banished into conveniently reliable and malleable forms, and then, after collapsing into parody, rose again and again to create new levels of intensity and menace. A History of Horror, supported by rare stills from classic films, brings over sixty timeless horror films into frightfully clear focus, zooms in on today's top horror Web sites, and champions the stars, directors, and subgenres that make the horror film so exciting and popular with contemporary audiences.
While the black experience in America has been told in many ways, it has seldom, if ever, been substantially addressed from the play, recreation, and leisure perspective. That is the primary intent of Black Recreation: A Historical Perspective. Leisure and recreation activities are an important measure of quality of life--of happiness, wealth, and health. Historical interpretation, accurately presented, can help give individuals a better sense of identity--of who they are and how far they have come. Both minority and majority readers will benefit from broad-based analysis of the recreational activities and effects they had on American culture as a whole.
For many years, Leonard A. Ford, formerly Chairman of the Division of Science and Mathematics at Mankato State College, Minnesota, devised "chemical magic" shows for a series of college science fairs. In response to many requests, he compiled a volume of over 100 novel demonstrations from those shows. The book soon became one of the most widely used manuals in the field. Its tricks, mystifying and often spectacular, were designed not only to amuse and entertain an audience but to stimulate an interest in scientific principles. Now, with this revised and enlarged republication of Dr. Ford's classic guide, students at both high school and college levels can learn to perform a wide variety of entertaining and educational chemical magic. Here is a dazzling array of stunts and demonstrations dealing with gas liberation, color changes, fires and combustion, smoke and vapors, polymerization, specific gravity, crystallization and precipitation, and many other chemical processes. Professor Ford provides clear and careful explanations for creating cold fire, a disappearing flame and dust explosions; dissolving a glass in water; turning water to milk and back again to water; producing mysterious balloons, heavy air, and magical eggs; and carrying out scores of other intriguing "tricks" with materials available in almost any school laboratory, supply house, or home. Training and experience in handling chemicals are required for the performance of these demonstrations. Dr. Ford outlines directions and safety precautions for each trick. In addition, he supplies helpful suggestions for a line of "patter" to use during performances. Newly revised and updated by Professor E. Winston Grundmeier, this absorbing and unusual book will be welcomed by science educators at the high school and college levels as well as by sponsors of youth and church groups, service clubs, science fairs, and other organizations.
Contending that cultural producion gives voice to racism, the authors--anthropologists Carol Tator and Frances Henry and attorney Winston Mattis--here examine how six controversial Canadian cultural events have given rise to a newly empowered radical or critical multiculturalism.
A provocative new history of how the news media facilitated the Reagan Revolution and the rise of the religious Right. After two years in the White House, an aging and increasingly unpopular Ronald Reagan looked like a one-term president, but in 1983 something changed. Reagan spoke of his embattled agenda as a spiritual rather than a political project and cast his vision for limited government and market economics as the natural outworking of religious conviction. The news media broadcast this message with enthusiasm, and white evangelicals rallied to the president’s cause. With their support, Reagan won reelection and continued to dismantle the welfare state, unraveling a political consensus that stood for half a century. In Righting the American Dream, Diane Winston reveals how support for Reagan emerged from a new religious vision of American identity circulating in the popular press. Through four key events—the “evil empire” speech, AIDS outbreak, invasion of Grenada, and rise in American poverty rates—Winston shows that many journalists uncritically adopted Reagan’s religious rhetoric and ultimately mainstreamed otherwise unpopular evangelical ideas about individual responsibility. The result is a provocative new account of how Reagan together with the press turned America to the right and initiated a social revolution that continues today.
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