Shells, leafwork, picture frames, hummingbirds, wallpaper decorations, hems of clothing—such are the examples Kant's Critique of Judgment offers for a "free" and purely aesthetic beauty. Menninghaus's book demonstrates that all these examples refer to a widely unknown debate on the arabesque and that Kant, in displacing it, addresses genuinely "modern" phenomena. The early Romantic poetics and literature of the arabesque follow and radicalize Kant's move. Menninghaus shows parergonality and "nonsense" to be two key features in the spread of the arabesque from architecture and the fine arts to philosophy and finally to literature. On the one hand, comparative readings of the parergon in Enlightenment aesthetics, Kant, and Schlegel reveal the importance of this term for establishing the very notion of a self-reflective work of art. On the other hand, drawing on Kant's posthumous anthropological notebooks, Menninghaus extrapolates an entire Kantian theory of what it means to produce nonsense and why the Critique of Judgment defines genius precisely through the power (as well as the dangers) of doing so. Ludwig Tieck's 1797 rewriting of Charles Perrault's famous Bluebeard tale (1697) explicitly claims to be an "arabesque" book "without any sense and coherence." Menninghaus's close reading of this capricious narrative reveals a specifically Romantic—as opposed, say, to a Victorian or dadaistic—type of nonsense. Benjamin's as well as Propp's, Lévi-Strauss's, and Meletinskij's oppositions of myth and fairy tale lend additional credit to a Romantic poetics that inaugurates "universal poetry" while performing a bizarre trajectory through arabesque ornament, nonsense, parergonality, and the fairy tale.
“This international collaboration between air war historians is simply fantastic. . . . a deep-dive on the operations in a vast and very important theater of war.” —Air Classics During the final year of World War II, the defending Axis forces were steadily driven from southern skies by burgeoning Anglo-American power. This was despite the steady withdrawal of units to more demanding areas. This fifth volume of the series describes in detail the activities of the Allied tactical air forces in support of the armies on the ground as their opponents were steadily extracted from northern Italy and the Balkans for the final defense of the central European homeland. The book commences with coverage of the final fierce air-sea battles over the Aegean that preceded the advance northward to Rome and the ill-conceived British attempt to secure the Dodecanese islands following the armistice with Italy. The authors also deal fully and comprehensively with the advance northward following the occupation of Rome, and the departure of forces to support the invasion of France from the Riviera coast, coupled with the formation of a new Balkan Air Force in eastern Italy to pursue the German armies withdrawing from Yugoslavia and take possession of newly freed Greece. The effect of the creation within the same area of the US and RAF strategic forces to join the Allied Combined Bombing Offensive is also discussed. Includes photographs “Reflects the scope of a remarkable research effort and provides valuable detail that the reader is not going to find between two covers elsewhere.” —The NYMAS Review
20 July 1944 is usually associated with the bomb plot to murder Hitler. However, what distinguishes Colonel Stauffenberg’s plan from all others is that the attempt on the Führer’s life was only to be the initial stage of a full military coup d’état. The aim was to overthrow the murderous regime, and to end the war as soon as possible. The conspiracy has long been analyzed from political, social, religious, or moral points of view. This book asks what the military dimension of the plan was. What traditions in the German army were at work, how was planning and preparation done, and why did the plot fail eventually? What is more: how did the conspiracy affect the German armies created in East and West after World War II, and also the Austrian Army? As the politicians among the conspirators thought in categories of Imperial Germany or at least the Weimar Republic, the officers among them were conditioned by the Reichswehr. Yet, Stauffenberg and some others were also bright intellectuals who were willing to incorporate their war experience into their plans, rendering them surprisingly modern at times. The coup d’état had been planned as meticulously as circumstances in war-torn Berlin allowed. However, as most officers had foreseen, once it became public knowledge that Hitler had survived Stauffenberg’s bomb, army units refused to act. The myth surrounding the "Führer" effectively prevented any military action against him. Still, the failed uprising had its effects: the regime took the opportunity to tilt the balance of power further in favor of Himmler and his fiefdom (SS, Gestapo, Police), to the detriment of the army which Hitler felt was too reactionary anyway. The leadership of the West German Bundeswehr always saw the failed uprising as part of its tradition, but it took time for this attitude to percolate down to the rank and file. For decades, some of the former Wehrmacht soldiers viewed Stauffenberg and his friends as "traitors". The book is the first to approach this important event in German history from a specifically military point of view, and that results in some surprising new results.
This unique study of the theology of the book of Daniel examines the cultic motif within the book as it relates to space and time. Numerous references and allusions to cult are investigated with linguistic, literary, and contextual analyses. The findings are then related to the main theological themes of the book such as judgment, eschatology, kingdom, and worship. It is evident that the idea of cult plays a dominant role in Daniel, and that it demonstrates the intention of the author to present the issue of conflict of two opposing systems of cult and worship. For all who are interested in an exegesis of Daniel that pays dutiful attention to the theology of Daniel, The Cultic Motif in the Book of Daniel is a must-read.
Wir leben in einer Übergangszeit: Die unipolare Weltordnung unter hegemonialer Durchsetzungskraft der USA weicht einer multipolaren Ordnung. Diese neue Ordnung verfügt weder über einen umfassenden gesellschaftspolitischen Konsens noch basiert sie auf gefestigten Institutionen. Sie ist weitestgehend durch partikulare Interessen bestimmt. Deshalb müssen wir annehmen, dass sie kaum in der Lage sein wird, territoriale Sicherheit und friedliche Entwicklungsmöglichkeiten zu gewährleisten. In diesem Prozess scheint die Europäische Union, aber - mit Einschränkungen - auch Russland, zwischen China und die USA zu geraten.
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