A unnamed narrator, beset by nervous ailments, is again the readers' guide on a hair-raising journey through the past and across Europe, amid the restless literary ghosts of Kafka, Stendhal, and Casanova. Now in paperback, "Vertigo" is the marvelous first novel of W.G. Sebald, the acclaimed European writer.
W.G. Sebald completed this extraordinary and important -- and already controversial -- book before his untimely death in December 2001. On the Natural History of Destruction is W.G. Sebald’s harrowing and precise investigation of one of the least examined “silences” of our time. In it, the acclaimed novelist examines the devastation of German cities by Allied bombardment, and the reasons for the astonishing absence of this unprecedented trauma from German history and culture. This void in history is in part a repression of things -- such as the death by fire of the city of Hamburg at the hands of the RAF -- too terrible to bear. But rather than record the crises about them, writers sought to retrospectively justify their actions under the Nazis. For Sebald, this is an example of deliberate cultural amnesia; his analysis of its effects in and outside Germany has already provoked angry and painful debate. Sebald’s incomparable novels are rooted in meticulous observation; his essays are novelistic. They include his childhood recollections of the war that spurred his horror at the collective amnesia around him. There are moments of black humour and, throughout, the unmatched sensitivity of Sebald’s intelligence. This book is a vital study of suffering and forgetting, of the morality hidden in artistic decisions, and of both compromised and genuine heroics.
A final compilation of essays by the award-winning late author of Austerlitz explores the themes of the power of memory and personal history, the links between images in the arts and life, and the existence of ghosts in different places and artifacts. 25,000 first printing.
Unrecounted combines thirty-three of what W. G. Sebald called his "micropoems"--miniatures as unclassifiable as all of his works--with thirty-three exquisitely exact lithographs by one of his oldest friends, the acclaimed artist Jan Peter Tripp. The lithographs portray, with stunning precision, pairs of eyes--the eyes of Beckett, Borges, Proust Jasper Johns, Francis Bacon, Tripp, Sebald, Sebald's dog Maurice. Brief as haiku, the poems are epiphanic and anti-narrative. What the author calls "time lost, the pain of remembering, and the figure of death" here find a small home. The art and poems do not explain one another, but rather engage in a kind of dialogue. "The longer I look at the pictures of Jan Peter Tripp," Sebald comments in his essay, "the better I understand that behind the illusions of the surface, a dread-inspiring depth is concealed. It is the metaphysical lining of reality, so to speak.
Ostensiblya record of a journey on foot through coastal East Anglia," asRobert McCrum in the London Observer noted, The Rings ofSaturn "is also a brilliantly allusive study of England'simperial past and the nature of decline and fall, of loss and decay.. . . The Rings of Saturn is exhilaratingly, you might sayhypnotically, readable. . . . It is hard to imagine a stranger or morecompelling work." The Rings of Saturn - with its curiousarchive of photographs - chronicles a tour across epochs as well ascountryside. On his way, the narrator meets lonely eccentrics inhabitingtumble-down mansions and links them to Rembrandt's "Anatomy Lesson,"the natural history of the herring, a matchstick model of the Templeof Jerusalem, the travels of Sir Thomas Browne's skull, and the massivebombings of WWII. Cataloging change, oblivion, and memories, he connectssugar fortunes, Joseph Conrad, and the horrors of colonizing the BelgianCongo. The narrator finds threads which run from an abandoned bridgeover the River Blyth to the terrible dowager Empress Tzu Hsi and thesilk industry in Norwich. "Sebald," as The New Yorkerstated, "weaves his tale together with a complexity and historicalsweep that easily encompasses both truth and fiction." TheEmigrants (hailed by Susan Sontag as an "astonishing masterpiece-perfectwhile being unlike any book one has ever read") was "one ofthe great books of the last few years," as Michael Ondaatje noted:"and now The Rings of Saturn is a similar and as strangea triumph.
A unnamed narrator, beset by nervous ailments, is again the readers' guide on a hair-raising journey through the past and across Europe, amid the restless literary ghosts of Kafka, Stendhal, and Casanova. Now in paperback, "Vertigo" is the marvelous first novel of W.G. Sebald, the acclaimed European writer.
The Second World War affected the lives and shaped the experience of millions of individuals in Germany - soldiers at the front, women, children and the elderly sheltering in cellars, slave labourers toiling in factories, and concentration-camp prisoners and POWs clearing rubble in the Reich's devastated cities.Taking a 'history from below' approach, the volume examines how the minds and behaviour of individuals were moulded by the Party as the Reich took the road to Total War. The ever-increasing numbers of German workers conscripted into the Wehrmacht were replaced with forced foreign workers and slave labourers and concentration camp prisoners. The interaction in everyday life between German civilian society and these coerced groups is explored, as is that society>'s relationship to theHolocaust.From early 1943, the war on the home front was increasingly dominated by attack from the air. The role of the Party, administration, police, and courts in providing for the vast numbers of those rendered homeless, in bolstering civilian morale with 'miracle revenge weapons' propaganda, and in maintaining order in a society in disintegration is reviewed in detail.For society in uniform, the war in the east was one of ideology and annihilation, with intensified indoctrination of the troops after Stalingrad. The social profile of this army is analysed through study of a typical infantry division. The volume concludes with an account of the various forms of resistance to Hitler's regime, in society and the military, culminating in the failed attempt on his life in July 1944.
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