Producing Dance integrates the entire creative team in dance production, creating a toolbox for success for all involved. It offers guidance in creating collaborative performances in both traditional and nontraditional spaces and covers evaluation, reflection, and opportunities for growth.
How 7 Transformational Events in 1776 Paved the Way for Today's Post-Christian West With dizzying social transformations in everything from gender to social justice, it may seem like there's never been a more tumultuous period in history. But a single year in the late 18th century saw a number of influential transformations—or even revolutions—that changed the social trajectory of the Western world. By understanding how those events influenced today's cultural landscape, Christians can more effectively bear witness to God's truth in a post-Christian age. In Remaking the World, Andrew Wilson highlights 7 major developments from the year 1776—globalization, the Enlightenment, the Industrial Revolution, the Great Enrichment, the American Revolution, the rise of post-Christianity, and the dawn of Romanticism—and explains their relevance to social changes happening today. Carefully examining key documents and historical figures, Wilson demonstrates how a monumental number of political, philosophical, economical, and industrial changes in the year of America's founding shaped the modern West into a "WEIRDER" society: Western, Educated, Industrialized, Rich, Democratic, Ex-Christian, and Romantic. This thoroughly researched yet accessible book offers a unique historical perspective on modern views of family, government, religion, and morality—giving Christians the historical lens they need to understand today's post-Christian trends and respond accordingly. Relevant Cultural and Historical Analysis: Skillfully connects key ideas and events from the past to the present Comprehensive: Examines important developments from 1776, including the American Revolution, Thomas Paine's Common Sense, Edward Gibbon's The History of the Decline and Fall of the Roman Empire; James Watt's steam engine; Adam Smith's Wealth of Nations; and Immanuel Kant's Critique of Pure Reason Informative: Covers key historical figures, including John Adams, Edmund Burke, and David Hume Biblical: Equips and encourages readers to share the gospel in a post-Christian world A Great Resource for Pastors, Scholars, and Readers of Carl Trueman's The Rise and Triumph of the Modern Self
Having destabilized dominant assumptions about the nature of religion, there is now a need to develop new ways of thinking about this ever-present phenomenon in global politics. This book outlines a new approach to understanding religion and its relationship with politics in the West and globally for International Relations.
This book, a sensuous evocation of images of the reclining nude, claims a female-identified pleasure in looking. Agnès Varda, Catherine Breillat, and Nan Goldin are re-imagining images of female beauty, display, (auto)eroticism, and intimacy. The reclining nude is compelling, for female-identified artists in the ethically adventurous, politically complex feminist issues it engages.
Shortlisted for the PQ Best Publication Award in Performance Design & Scenography 2023 In this book practitioner and researcher Louise Ann Wilson examines the expanding field of socially engaged scenography and promotes the development of scenography as a distinctive type of applied art and performance practice that seeks tangible, therapeutic, and transformative real-world outcomes. It is what Christopher Baugh calls 'scenography with purpose'. Using case studies drawn from the body of site-specific walking-performances she has created in the UK since 2011, Wilson demonstrates how she uses scenography to emplace challenging, marginalizing or 'missing' life-events into rural landscapes – creating a site of transformation – in which participants can reflect upon, re-image and re-imagine their relationship to their circumstances. Her work has addressed terminal illness and bereavement, infertility and childlessness by circumstance, and (im)mobility and memory. These works have been created on mountains, in caves, along coastlines and over beaches. Each case-study is supported by evidential material demonstrating the effects and outcomes of the performance being discussed. The book reveals Wilson's creative methodology, her application of three distinct strands of transdisciplinary research into the site/landscape, the subject/life-event, and with the people/participants affected by it. She explains the 7 'scenographic' principles she has developed, and which apply theories and aesthetics relating to land/scape art and walking and performance practices from Early Romanticism to the present day. They are underpinned by the concept of the feminine 'material' sublime, and informed by the attentive, autotopographic, therapeutic and highly scenographic use of walking and landscape found in the work of Dorothy Wordsworth and her female contemporaries. Case studies include Fissure (2011), Ghost Bird (2012), The Gathering (2014), Warnscale (2015), Mulliontide (2016), Dorothy's Room (2018) and Women's Walks to Remember: 'With memory I was there' (2018-2019).
Utilizing ethnographic and archaeological data and an updated paradigm derived from the best features of cultural ecology and ecological anthropology, this extensively illustrated book addresses over fifteen South American adaptive systems representing a broad cross section of band, village, chiefdom, and state societies throughout the continent over the past 13,000 years.Indigenous South Americans of the Past and Present presents data on both prehistoric and recent indigenous groups across the entire continent within an explicit theoretical framework. Introductory chapters provide a brief overview of the variability that has characterized these groups over the long period of indigenous adaptation to the continent and examine the historical background of the ecological and cultural evolutionary paradigm. The book then presents a detailed overview of the principal environmental contexts within which indigenous adaptive systems have survived and evolved over thousands of years. It discusses the relationship between environmental types and subsistence productivity, on the one hand, and between these two variables and sociopolitical complexity, on the other. Subsequent chapters proceed in sequential order that is at once evolutionary (from the least to the most complex groups) and geographical (from the least to the most productive environments)?around the continent in counterclockwise fashion from the hunter-gatherers of Tierra del Fuego in the far south; to the villagers of the Amazonian lowlands; to the chiefdoms of the Amazon v¿ea and the far northern Andes; and, finally, to the chiefdoms and states of the Peruvian Andes. Along the way, detailed presentations and critiques are made of a number of theories based on the South American data that have worldwide implications for our understanding of prehistoric and recent adaptive systems.
Liliana Wilson’s art of resistance and protest, dissidence and dreams, consistently calls attention to injustice. Wilson belongs to a group of Chilean artists who were intimately shaped by the political turmoil and repression in Chile in the 1970s and 1980s and who have become self-exiled artists working outside of Chile but who are still tied to the political period and to its issues and concerns. From a working class family that struggled financially, Wilson nonetheless was able to study law, which facilitated her successful immigration to the United States in 1977. She moved to Texas and in Austin found a cultural oasis that permitted her art to blossom. Now, after some thirty years of artistic work in Texas, she is recognized as a major Latina artist, whose influence extends beyond US borders. A crusader for justice and against oppression, she paints and draws in various media and has become an inspiration for younger artists concerned with not only political repression and inequality but also individual fear and despair. Ofrenda: Liliana Wilson’s Art of Dissidence and Dreams highlights some of Wilson’s most representative works, accompanied by biographical background and scholarly interpretation.
An exploration of the development of a contextualized Roman Catholic moral theology in an African context is warranted in our day. This book is a study of the work of Benezet Bujo, an African moral theologian. An analysis of Bujo's work shows the various aspects of an African Catholic moral theology. Bujo's work is viewed here as critically bridging African moral theology and the development of moral theology in the Catholic Church, especially in the West. An African moral theology in this work builds on the elements of the renewal of moral theology after the Second Vatican Council. The renewal elements reflected in Bujo's work and other African Catholic theologians include, among others, the use of Scripture, the relevance of history, the debate on moral norms, the relevance of social sciences to moral discourse, the theory of natural moral law, and the relation between the theologian and the magisterium. This work, therefore, locates the theology of Bujo in the development of moral theology after the Second Vatican Council. The author establishes a relation between African traditional religions, African history, Christology, natural moral law, moral autonomy debate, the encyclical Veritatis Splendor, and political-liberation theological ethics.
What will the future hold for our children? In a time of looming climate catastrophe this question inspires anxiety, fear, and guilt. In Singing the Psalms with My Son, Wilson Dickinson charts a path where the practices of parenting lead to transformation and hope. The everyday tasks of caring for children radiate with the alternative energy of creativity and cooperation. If we learn from them, our homes can become schools for movements of joy and justice, rather than fortresses fearfully set against the world. Dickinson turns to the Psalms for guidance on this journey. The prayerful poetry of the Psalter gives us refuge where we can cry in lament, while still joining creation in praising God. With honesty, humility, and humor, Dickinson weaves meditations on individual Psalms with reflections on life as a parent. We accompany him and his son as they find the sacred and revolutionary possibility of ordinary activities--like reading children's books, playing in the backyard, and celebrating holidays. Coupled with guidance for personal and communal use, these meditations invite us to harness the power of parental love and childish wonder to work for a hopeful future.
The first book to address the significance of the materials and methods used to make contemporary artworks Today, artists are able to create using multiple methods of production—from painting to digital technologies to crowdsourcing—some of which would have been unheard of just a few decades ago. Yet, even as our means of making art become more extraordinary and diverse, they are almost never addressed in their specificity. While critics and viewers tend to focus on the finished products we see in museums and galleries, authors Glenn Adamson and Julia Bryan-Wilson argue that the materials and processes behind the scenes used to make artworks are also vital to current considerations of authorship and to understanding the economic and social contexts from which art emerges. This wide-ranging exploration of different methods and media in art since the 1950s includes nine chapters that focus on individual processes of making: Painting, Woodworking, Building, Performing, Tooling Up, Cashing In, Fabricating, Digitizing, and Crowdsourcing. Detailed examples are interwoven with the discussion, including visuals that reveal the intricacies of techniques and materials. Artists featured include Ai Weiwei, Alice Aycock, Isa Genzken, Los Carpinteros, Paul Pfeiffer, Doris Salcedo, Santiago Sierra, and Rachel Whiteread.
The Andes form the backbone of South America. Irradiating from Cuzco--the symbolic "navel" of the indigenous world--the mountain range was home to an extraordinary theocratic empire and civilization, the Incas, who built stone temples, roads, palaces, and forts. The clash between Atahualpa, the last Inca, and the illiterate conquistador Pizarro, between indigenous identity and European mercantile values, has forged Andean culture and history for the last 500 years. Jason Wilson explores the 5,000-mile chain of volcanoes, deep valleys, and upland plains, revealing the Andes' mystery, inaccessibility, and power through the insights of chroniclers, scientists, and modern-day novelists. His account starts at sacred Cuzco and Machu Picchu, moves along imagined Inca routes south to Lake Titicaca, La Paz, Potosí, and then follows the Argentine and Chilean Andes to Patagonia. It then moves north through Chimborazo, Quito, and into Colombia, along the Cauca Valley up to Bogotá and east to Caracas. Looking at the literature inspired by the Andes as well as its turbulent history, this book brings to life the region's spectacular landscapes and the many ways in which they have been imagined.
Offering a rare glimpse of rural life in modern-day Cuba, this book examines how ordinary Cubans carve out their own spaces for ‘appropriate’ acts of consumption, exchange, and production within the contradictory normative and material spaces of everyday economic life. Discusses the conflict between the socialist-welfare ideal of food as an entitlement and the market value of food as a commodity Bridges the fields of human geography and anthropology Approaches food networks and the scale of food systems in a novel way Provides a comprehensive look at Cuba today, with coverage of history, politics, economics, and social and environmental justice Enhanced by vivid photos from the field
Graham & Trotman, a member of the Kluwer Academic VOLUMES 1 &2 Publishers Group is one of Europe's leading publishers of MAJC?R COMPANIES OF EUROPE 1990/91, Volume 1, business information, and publishes company reference contaln~ us~ful information on over 4000 of the top annuals on other parts of the world as follows: comPB:nles In the European Economic Community, excluding the UK, nearly 1500 companies of which are MAJOR COMPANIES OF THE ARAB WORLD covered in Volume 2. Volume 3 covers nearly 1100 of the MAJOR COMPANIES OF THE FAR EAST & AUSTRALASIA top companies within Western Europe but outside the MAJOR COMPANIES OF THE U.S.A. European Economic Community. Altogether the three volumes of MAJOR COMPANIES OF EUROPE now Please send for a free complete catalogue of the provide in authoritative detail, vital information on over company's books on business management techniques, 6600 of the largest companies in Western Europe. business law, finance, banking, export markets, oil technology, energy resources, pollution control and a MAJOR COMPANIES OF EUROPE 1990/91, Volumes 1 number of other subject areas to: The Editor, Major & 2 contain many of the largest companies fn-ttliworldThe Companies of Europe, Graham & Trotman Ltd, Sterling area covered by these volumes, the European Economic House, 66 Wilton Road, London SW1V 1DE.
Over the years, I have seen more than a thousand football matches at locations across Britain and Europe, from grounds that were little more than park pitches to some of the world's best stadia. This volume contains a further one hundred football ground visits, extending into Europe to visit some of the major stadia, as well as visiting new grounds in the UK as more teams relocated in the early years of the century.
Producing Dance integrates the entire creative team in dance production, creating a toolbox for success for all involved. It offers guidance in creating collaborative performances in both traditional and nontraditional spaces and covers evaluation, reflection, and opportunities for growth.
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