This study, first published in 1997, attempts to fill a gap in the historiography of the African American church by analysing the role and place of the African American church in one city, Birmingham, Alabama. It traces the roles and functions of the church from the arrival of African Americans as slaves in the early 1800s to 1963, the year that the civil rights movement reached a peak in the city. This title will be of interest to students of nineteenth- and twentieth-century religious and social history.
Uplifting the People is a history of the Alabama Missionary Baptist State Convention—its origins, churches, associations, conventions, and leaders. Fallin demonstrates that a distinctive Afro-Baptist faith emerged as slaves in Alabama combined the African religious emphasis on spirit possession, soul-travel, and rebirth with the evangelical faith of Baptists. The denomination emphasizes a conversion experience that brings salvation, spiritual freedom, love, joy, and patience, and also stresses liberation from slavery and oppression and highlights the exodus experience. In examining the social and theological development of the Afro-Baptist faith over the course of three centuries, Uplifting the People demonstrates how black Baptists in Alabama used faith to cope with hostility and repression. Fallin reveals that black Baptist churches were far more than places of worship. They functioned as self-help institutions within black communities and served as gathering places for social clubs, benevolent organizations, and political meetings. Church leaders did more than conduct services; they protested segregation and disfranchisement, founded and operated schools, and provided community leaders for the civil rights movement of the mid-20th century. Through black churches, members built banking systems, insurance companies, and welfare structures. Since the gains of the civil rights era, black Baptists have worked to maintain the accomplishments of that struggle, church leaders continue to speak for social justice and the rights of the poor, and churches now house day care and Head Start programs. Uplifting the People also explores the role of women, the relations between black and white Baptists, and class formation within the black church.
Since colonial days, administration of the death penalty--whether by hanging, firing squad, electrocution, or lethal injection--has persisted as one of the most controversial ethical and practical issues of American jurisprudence. This volume chronicles every legal execution in Nebraska, Kansas, and Oklahoma, including Indian Territory, through December 2010. Each case history includes a detailed description of the crime, the pursuit and capture of the suspect, his or her pre-trial experiences, the trial, sentencing, incarceration, execution, and its aftermath.
The Jazz Trope takes a look at the African American lifestyle through the lens of jazz, blues, and spirituals. Through the pioneering efforts of Albert Murray, Ralph Ellison, Houston Baker, Henry Louis Gates, Jr., Ishmael Reed, Amiri Baraka, and other notable scholars who have related jazz, spirituals, and blues to African American life and culture, The Jazz Trope offers an opportunity to add scholarship to the perception of African American identity as a creative attempt to survive a unique history and struggle. Transcending structure and the perimeters that it limits, African American musical statements were produced out of a human need to be free. Using jazz as a metaphor for escaping slavery, jazz can be seen as a creative attempt to exceed restriction through the act of improvisation; jazz takes a known melody and changes it to create a personal identity. The literary genre of African American life reflects this melding of musical milieu. It tells through tropes of the folktale, novel, self-script, slave narrative, myth, and legend a unique American experience and history. This book also explores motives and schemes that were hidden behind musical codes, illustrating that jazz (interrelated with its foundation in blues and spirituals) existed as a pre-musical statement and, then, manifested as it is more popularly known: as a musical statement. The Jazz Trope allows students to grasp the jazz song structure within this work and liken it to the tropes that it emits: a true American identity.
In 1976, the US Supreme Court ruled in Gregg v. Georgia that the death penalty was constitutional if it complied with certain specific provisions designed to ensure that it was reserved for the 'worst of the worst.' The same court had rejected the death penalty just four years before in the Furman decision because it found that the penalty had been applied in a capricious and arbitrary manner. The 1976 decision ushered in the 'modern' period of the US death penalty, setting the country on a course to execute over 1,400 inmates in the ensuing years, with over 8,000 individuals currently sentenced to die. Now, forty years after the decision, the eminent political scientist Frank Baumgartner along with a team of younger scholars (Marty Davidson, Kaneesha Johnson, Arvind Krishnamurthy, and Colin Wilson) have collaborated to assess the empirical record and provide a definitive account of how the death penalty has been implemented. Each chapter addresses a precise empirical question and provides evidence, not opinion, about whether how the modern death penalty has functioned. They decided to write the book after Justice Breyer issued a dissent in a 2015 death penalty case in which he asked for a full briefing on the constitutionality of the death penalty. In particular, they assess the extent to which the modern death penalty has met the aspirations of Gregg or continues to suffer from the flaws that caused its rejection in Furman. To answer this question, they provide the most comprehensive statistical account yet of the workings of the capital punishment system. Authoritative and pithy, the book is intended for both students in a wide variety of fields, researchers studying the topic, and--not least--the Supreme Court itself.
Uplifting the People is a history of the Alabama Missionary Baptist State Convention—its origins, churches, associations, conventions, and leaders. Fallin demonstrates that a distinctive Afro-Baptist faith emerged as slaves in Alabama combined the African religious emphasis on spirit possession, soul-travel, and rebirth with the evangelical faith of Baptists. The denomination emphasizes a conversion experience that brings salvation, spiritual freedom, love, joy, and patience, and also stresses liberation from slavery and oppression and highlights the exodus experience. In examining the social and theological development of the Afro-Baptist faith over the course of three centuries, Uplifting the People demonstrates how black Baptists in Alabama used faith to cope with hostility and repression. Fallin reveals that black Baptist churches were far more than places of worship. They functioned as self-help institutions within black communities and served as gathering places for social clubs, benevolent organizations, and political meetings. Church leaders did more than conduct services; they protested segregation and disfranchisement, founded and operated schools, and provided community leaders for the civil rights movement of the mid-20th century. Through black churches, members built banking systems, insurance companies, and welfare structures. Since the gains of the civil rights era, black Baptists have worked to maintain the accomplishments of that struggle, church leaders continue to speak for social justice and the rights of the poor, and churches now house day care and Head Start programs. Uplifting the People also explores the role of women, the relations between black and white Baptists, and class formation within the black church.
This study, first published in 1997, attempts to fill a gap in the historiography of the African American church by analysing the role and place of the African American church in one city, Birmingham, Alabama. It traces the roles and functions of the church from the arrival of African Americans as slaves in the early 1800s to 1963, the year that the civil rights movement reached a peak in the city. This title will be of interest to students of nineteenth- and twentieth-century religious and social history.
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