Acclaimed actor and rap artist Will Smith has achieved a level of Hollywood fame rarely attained by a Black celebrity. Early in his career, Smith aspired to be the world's most famous movie star and being named the world's top film attraction in 2008, fulfilled his goal. While his rise to a place of worldwide prominence and cultural relevance has made him iconic, his accomplishments have not received the full and thorough acknowledgement and analysis they merit. This is the first full-length critical look at the significance of Will Smith's achievements over a more than 30-year career. Many of his films have broken cultural norms by depicting Black men in groundbreaking social settings, like the role of the world-saving hero in his most popular films. In addition to analyzing Smith's filmography, this work contextualizes other popular and common portrayals of Black men in media and society. Finally, this book examines Smith's work in his middle age, ruminating on his ability to adapt to the realities of a new Hollywood.
This study of Henry James's biographies of Nathaniel Hawthorne and William Wetmore Story offers an argument that he deserves greater recognition for his contributions to the development of biography, based on his implicit theory of biography, found in his critical commentary and on these two complicated and ultimately artistically innovative performances in the genre. Although James maintained an ambivalent relationship to the art of biography, in his reviews, criticism, letters and fiction, he wrote about biography from a core of aesthetic conviction that constitutes an informal poetics. It is necessary thus to scrutinize the ways in which James's theoretical convictions, particularly his insistence on artistic unity, fail him when he writes two biographies himself. Both Hawthorne (1879) and William Wetmore Story and His Friends(1903) fail to cohere in the way traditional biographies achieve unity. Neither work has at its center a dynamic and fully dimensional apprehension of the biographical subject. Instead James violates one of his own essential biographical tenets. He usurps his subject and places himself at the center of what should be a narrative of his subject's life. The results fall short of fully achieved biography, but they do not fall short of literary interest. In order to write these books according to his own genius, James had to reinvent the form. They are rife with innovations, chief among them his great experimentation with narrative point of view, here brought to bear on biography. This concept and others survey the terrain for the important biographical practitioners and theorists who follow him. For this reason, a special place must be found for James in pantheon of experimental biographers.
Certain to excite and inspire both students entering the human services field and seasoned non-profit professionals, Stories of Transformative Leadership in the Human Services: Why the Glass Is Always Full is the first full-length leadership book to focus on the unique challenges of the public and non-profit executive, manager, and educator. Written in a lively story-telling style, the book develops a leadership model for those who inspire without bonuses and seek a powerful legacy through people's lives. Using real-life vignettes drawn from actual experiences, the stories in this book distill important lessons and unfold in a powerful manner that will resonate with any professional asked to work harder . . . with a smaller budget. Questions woven through each story connect to the book's more theoretical material on leadership, personal mastery, and community-building.
This study of Henry James's biographies of Nathaniel Hawthorne and William Wetmore Story offers an argument that he deserves greater recognition for his contributions to the development of biography, based on his implicit theory of biography, found in his critical commentary and on these two complicated and ultimately artistically innovative performances in the genre. Although James maintained an ambivalent relationship to the art of biography, in his reviews, criticism, letters and fiction, he wrote about biography from a core of aesthetic conviction that constitutes an informal poetics. It is necessary thus to scrutinize the ways in which James's theoretical convictions, particularly his insistence on artistic unity, fail him when he writes two biographies himself. Both Hawthorne (1879) and William Wetmore Story and His Friends(1903) fail to cohere in the way traditional biographies achieve unity. Neither work has at its center a dynamic and fully dimensional apprehension of the biographical subject. Instead James violates one of his own essential biographical tenets. He usurps his subject and places himself at the center of what should be a narrative of his subject's life. The results fall short of fully achieved biography, but they do not fall short of literary interest. In order to write these books according to his own genius, James had to reinvent the form. They are rife with innovations, chief among them his great experimentation with narrative point of view, here brought to bear on biography. This concept and others survey the terrain for the important biographical practitioners and theorists who follow him. For this reason, a special place must be found for James in pantheon of experimental biographers.
Acclaimed actor and rap artist Will Smith has achieved a level of Hollywood fame rarely attained by a Black celebrity. Early in his career, Smith aspired to be the world's most famous movie star and being named the world's top film attraction in 2008, fulfilled his goal. While his rise to a place of worldwide prominence and cultural relevance has made him iconic, his accomplishments have not received the full and thorough acknowledgement and analysis they merit. This is the first full-length critical look at the significance of Will Smith's achievements over a more than 30-year career. Many of his films have broken cultural norms by depicting Black men in groundbreaking social settings, like the role of the world-saving hero in his most popular films. In addition to analyzing Smith's filmography, this work contextualizes other popular and common portrayals of Black men in media and society. Finally, this book examines Smith's work in his middle age, ruminating on his ability to adapt to the realities of a new Hollywood.
In 1911 Cora Wilson Stewart founded the Moonlight Schools in Rowan County, Kentucky, an innovative night program that taught illiterate adults to read. Hoping that 150 people would attend the first classes, Stewart was amazed that over 1,200 men and women enrolled. She quickly developed reading material for these men and women that appealed to them instead of the children's texts that most educators were using with adults. With the success of the Moonlight Schools, Stewart moved forward in her crusade against illiteracy; she quickly became the most prominent advocate for the cause on both the national and international scene. Stewart took the fight against illiteracy at a time when it was an accepted part of American life. She shocked the nation when she pointed out that 25 percent of the men who signed up for the draft in 1917 could neither read nor write. From her beginnings in the mountains of Kentucky, she went on to chair the Illiteracy Section of the World Conference of Education Associations five times; she founded the National Illiteracy Crusade in 1926. She even received one vote for president at the 1920 Democratic convention. Her crusade came despite the fact she was a victim of domestic abuse who suffered through three failed marriages. Her life reflects the challenges faced by female reformers in the early part of the 20th century.
Carter County, Kentucky was blessed with an abundance of diverse natural resources, including timber, iron ore, coal, and limestone. During the Industrial Revolution one of its towns, Olive Hill, became the center of a 600 square mile hotbed of fireclay, a unique heat-resistant clay used to make firebricks. For decades, thousands of hard-working Olive Hillians dug, moulded, and fired that uncommon clay into hundreds of thousands of firebricks per day to line open hearth steel furnaces, locomotive fireboxes, and steamship boilers. Without the steel, there would be no skyscrapers and no rail lines. Without the trains and ships, there would be no movement to expedite a growing nation. Olive Hill firebricks helped make this possible. Olive Hill and its people gave all that it had in a time it was most needed until a time it was needed no more. More people need to know the Olive Hill story. More people need to know more American History. Olive Hill is a historical fiction novel that follows the Reed family from May, 1800 thru June, 1959. This is the Olive Hill story as I see it!
I have always said, "What you are seeking, is also seeking you!" These are some things I have seen and experienced over the first 50 years of my life. My Dad got to be 91 years of age, I would like to get to one hundred and still be healthy. It is hard to deny something when you see it with your own eyes or feel it when it touches you.
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