Wisdom on the Path of Enlightenment Chela is Sanskrit for “disciple” of a spiritual teacher, or guru. The guru-chela relationship is far more than that of ordinary teacher and pupil, since it involves a profoundly spiritual interrelationship. Now, in this new volume, William Wilson Quinn has compiled and organized selections from several extraordinary gurus–primarily of India and Tibet–who were highly advanced and authentic spiritual teachers. Their advice focuses on chelaship–of how to become, and remain, a chela of one of their qualified successors. Distilled to its essence, and borrowing from their words, this handbook succinctly offers a guide to cultivating the chela’s inner qualities and virtues, as well as his or her outer behaviors. These inner qualities include, among others, open mindedness, purity of heart, an eager intellect, a sense of duty to the spiritual teacher, and a willing obedience to the behests of Truth. For the chela, these inner pursuits are effective only when matched with corresponding outer behaviors such as loving kindness toward others, selflessness, and a genuine compassion and charity for all who suffer. For seekers of spiritual truth and students of the perennial philosophy wanting to explore spiritual wisdom at depth, The Chela’s Handbook offers a guide for becoming and remaining a chela, and thereafter traversing the spiritual path toward the ultimate goals of enlightenment and liberation from the wheel of death and rebirth.
Predicated on the immemorial core or "first" principles of the universal perennial philosophy, which finds expression from Lao Tzu to Ramana Maharshi in the East and from Pythagoras to René Guénon and Ananda K. Coomaraswamy in the West, The Higher Spiritual Path details how those on the higher spiritual path must address and master its requirements. This book is as practical as it is philosophical -- or theosophical -- since it is based on the specifics of “sacred science,” or spiritual science, an inextricable component of the perennial philosophy. Many of the requirements of the higher spiritual path are based on the truths of this ancient spiritual science, formulated over millennia by jivanmukti, or liberated beings, who serve as the teachers of those currently engaged in treading this hieratic path. The goals of ascending this path are the loftiest; the hierarchical order of its spiritual teachers is the holiest; and the totality of its evolutionary and compassionate purpose is the most sacred.
Wisdom on the Path of Enlightenment Chela is Sanskrit for “disciple” of a spiritual teacher, or guru. The guru-chela relationship is far more than that of ordinary teacher and pupil, since it involves a profoundly spiritual interrelationship. Now, in this new volume, William Wilson Quinn has compiled and organized selections from several extraordinary gurus–primarily of India and Tibet–who were highly advanced and authentic spiritual teachers. Their advice focuses on chelaship–of how to become, and remain, a chela of one of their qualified successors. Distilled to its essence, and borrowing from their words, this handbook succinctly offers a guide to cultivating the chela’s inner qualities and virtues, as well as his or her outer behaviors. These inner qualities include, among others, open mindedness, purity of heart, an eager intellect, a sense of duty to the spiritual teacher, and a willing obedience to the behests of Truth. For the chela, these inner pursuits are effective only when matched with corresponding outer behaviors such as loving kindness toward others, selflessness, and a genuine compassion and charity for all who suffer. For seekers of spiritual truth and students of the perennial philosophy wanting to explore spiritual wisdom at depth, The Chela’s Handbook offers a guide for becoming and remaining a chela, and thereafter traversing the spiritual path toward the ultimate goals of enlightenment and liberation from the wheel of death and rebirth.
As musicians, listeners, and scholars have sensed for many years, the story of jazz is more than a history of the music. Burton Peretti presents a fascinating account of how the racial and cultural dynamics of American cities created the music, life, and business that was jazz. From its origins in the jook joints of sharecroppers and the streets and dance halls of 1890s New Orleans, through its later metamorphoses in the cities of the North, Peretti charts the life of jazz culture to the eve of bebop and World War II. In the course of those fifty years, jazz was the story of players who made the transition from childhood spasm bands to Carnegie Hall and worldwide touring and fame. It became the music of the Twenties, a decade of Prohibition, of adolescent discontent, of Harlem pride, and of Americans hoping to preserve cultural traditions in an urban, commercial age. And jazz was where black and white musicians performed together, as uneasy partners, in the big bands of Artie Shaw and Benny Goodman. "Blacks fought back by using jazz", states Peretti, "with its unique cultural and intellectual properties, to prove, assess, and evade the "dynamic of minstrelsy". Drawing on newspaper reports of the times and on the firsthand testimony of more than seventy prominent musicians and singers (among them Benny Carter, Bud Freeman, Kid Ory, and Mary Lou Williams), The Creation of Jazz is the first comprehensive analysis of the role of early jazz in American social history.
The setting is the Royal Gardens Cafe. It's dark, smoky. The smell of gin permeates the room. People are leaning over the balcony, their drinks spilling on the customers below. On stage, King Oliver and Louis Armstrong roll on and on, piling up choruses, the rhythm section building the beat until tables, chairs, walls, people, move with the rhythm. The time is the 1920s. The place is South Side Chicago, a town of dance halls and cabarets, Prohibition and segregation, a town where jazz would flourish into the musical statement of an era. In Chicago Jazz, William Howland Kenney offers a wide-ranging look at jazz in the Windy City, revealing how Chicago became the major center of jazz in the 1920s, one of the most vital periods in the history of the music. He describes how the migration of blacks from the South to Chicago during and after World War I set the stage for the development of jazz in Chicago; and how the nightclubs and cabarets catering to both black and white customers provided the social setting for jazz performances. Kenney discusses the arrival of King Oliver and other greats in Chicago in the late teens and the early 1920s, especially Louis Armstrong, who would become the most influential jazz player of the period. And he travels beyond South Side Chicago to look at the evolution of white jazz, focusing on the influence of the South Side school on such young white players as Mezz Mezzrow (who adopted the mannerisms of black show business performers, an urbanized southern black accent, and black slang); and Max Kaminsky, deeply influenced by Armstrong's "electrifying tone, his superb technique, his power and ease, his hotness and intensity, his complete mastery of the horn." The personal recollections of many others--including Milt Hinton, Wild Bill Davison, Bud Freeman, and Jimmy McPartland--bring alive this exciting period in jazz history. Here is a new interpretation of Chicago jazz that reveals the role of race, culture, and politics in the development of this daring musical style. From black-and-tan cabarets and the Savoy Ballroom, to the Friars Inn and Austin High, Chicago Jazz brings to life the hustle and bustle of the sounds and styles of musical entertainment in the famous toddlin' town.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.