For the first time since its initial publication in 1885, this classic history of the Ojibwe is available with new annotations and a new introduction by Theresa Schenck. William W. Warren's History of the Ojibway People has long been recognized as a classic source on Ojibwe history and culture. Warren, the son of an Ojibwe woman, wrote his history in the hope of saving traditional stories for posterity even as he presented to the American public a sympathetic view of a people he believed were fast disappearing under the onslaught of a corrupt frontier population. He collected firsthand descriptions and stories from relatives, tribal leaders, and acquaintances and transcribed this oral history in terms that nineteenth-century whites could understand, focusing on warfare, tribal organizations, and political leaders. First published in 1885, the book has also been criticized by Native and non-Native scholars, many of whom do not take into account Warren's perspective, goals, and limitations. Now, for the first time since its initial publication, it is made available with new annotations researched and written by professor Theresa Schenck. A new introduction by Schenck also gives a clear and concise history of the text and of the author, firmly establishing a place for William Warren in the tradition of American Indian intellectual thought.
For the first time since its initial publication in 1885, this classic history of the Ojibwe is available with new annotations and a new introduction by Theresa Schenck. William W. Warren's History of the Ojibway People has long been recognized as a classic source on Ojibwe history and culture. Warren, the son of an Ojibwe woman, wrote his history in the hope of saving traditional stories for posterity even as he presented to the American public a sympathetic view of a people he believed were fast disappearing under the onslaught of a corrupt frontier population. He collected firsthand descriptions and stories from relatives, tribal leaders, and acquaintances and transcribed this oral history in terms that nineteenth-century whites could understand, focusing on warfare, tribal organizations, and political leaders. First published in 1885, the book has also been criticized by Native and non-Native scholars, many of whom do not take into account Warren's perspective, goals, and limitations. Now, for the first time since its initial publication, it is made available with new annotations researched and written by professor Theresa Schenck. A new introduction by Schenck also gives a clear and concise history of the text and of the author, firmly establishing a place for William Warren in the tradition of American Indian intellectual thought.
For more than four centuries, Europeans and Euroamericans have been making written records of the spoken words of American Indians. While some commentators have assumed that these records provide absolutely reliable information about the nature of Native American oral expression, even its aesthetic qualities, others have dismissed them as inherently unreliable. In Native American Verbal Art: Texts and Contexts, William Clements offers a comprehensive treatment of the intellectual and cultural constructs that have colored the textualization of Native American verbal art. Clements presents six case studies of important moments, individuals, and movements in this history. He recounts the work of the Jesuits who missionized in New France during the seventeenth and eighteenth centuries and textualized and theorized about the verbal expressions of the Iroquoians and Algonquians to whom they were spreading Christianity. He examines in depth Henry Timberlake’s 1765 translation of a Cherokee war song that was probably the first printed English rendering of a Native American "poem." He discusses early-nineteenth-century textualizers and translators who saw in Native American verbal art a literature manqué that they could transform into a fully realized literature, with particular attention to the work of Henry Rowe Schoolcraft, an Indian agent and pioneer field collector who developed this approach to its fullest. He discusses the "scientific" textualizers of the late nineteenth century who viewed Native American discourse as a data source for historical, ethnographic, and linguistic information, and he examines the work of Natalie Curtis, whose field research among the Hopis helped to launch a wave of interest in Native Americans and their verbal art that continues to the present. In addition, Clements addresses theoretical issues in the textualization, translation, and anthologizing of American Indian oral expression. In many cases the past records of Native American expression represent all we have left of an entire verbal heritage; in most cases they are all that we have of a particular heritage at a particular point in history. Covering a broad range of materials and their historical contexts, Native American Verbal Art identifies the agendas that have informed these records and helps the reader to determine what remains useful in them. It will be a welcome addition to the fields of Native American studies and folklore.
Mr. Schwab is a genius. I have never met his equal." So stated renowned industrialist Andrew Carnegie about Charles M. Schwab, successively the president of Carnegie Steel, U.S. Steel, and Bethlehem Steel. Though an inveterate gambler and womanizer, Schwab held a smile and charisma that got him in and out of multiple adventures. This biography presents the complex legacy of the man Thomas Edison once called the "master hustler," from his start as a stake-driver in the engineering corps to his ascendancy to American steel magnate.
It was not Robert Oppenheimer who built the bomb--it was engineers, chemists and young physicists in their twenties, many not yet having earned a degree. The first atomic bomb was originally conceived as a backup device, a weapon not then currently achievable. The remote Trinity Site--the birthplace of the bomb--was used as a test range for U.S. bombers before the first nuclear device was secretly detonated. After the blast, locals speculated that the flash and rumble were caused by colliding B-29s, while Manhattan Project officials nervously measured high levels of offsite radiation. Drawing on original documents, many recently declassified, the author sheds new light on a pivotal moment in history--now approaching its 75th anniversary--told from the point of view of the men who inaugurated the Atomic Age in the New Mexico desert.
Despite provocation, Garrison was a proponent of nonresistance during this period, though he continued to advocate the emancipation of slaves. Set against a background of wide-ranging travels throughout the western U.S. and of family affairs back home in Boston, these letters make a distinctive contribution to antebellum life and thought.
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