This superb book presents 100 notable examples from the Harvard Art Museums’ distinguished collection of Dutch, Flemish, and Netherlandish drawings from the 16th to 18th century. Featuring such masters as Pieter Bruegel the Elder, Peter Paul Rubens, and Rembrandt van Rijn, the volume showcases beautiful color illustrations accompanied by insightful commentary on prevalent styles and techniques. Genres that define this artistic period—landscape, scenes of everyday life, portraiture, and still life—are explored in detail. The book also presents the results of new conservation and technical study, including infrared analysis and scientific examinations of drawing materials. This revelatory new research has allowed previously illegible underdrawings and inscriptions in many of the artworks to surface for the first time, shedding light on longstanding mysteries of production and provenance.
In 1924, the Virginia State Legislature passed the Racial Integrity Act. The act banned interracial marriage down to "a single drop" of African blood. Just three months later, Curtis W. Harris was born in Dendron, Virginia. Harris was the sixth child of impoverished sharecroppers, living in a desolate outpost of the Commonwealth, but in time he would lead the fight against the Racial Integrity Act and many other racially restrictive laws. Despite being arrested multiple times and beaten, Rev. Harris would help reverse centuries of racial discrimination that began when slaves first arrived in Virginia in 1619. Author William Paul Lazarus tells the story of Harris' determination in the face of intense hostility, which took him to the forefront of America's Civil Rights Movement, arm-in-arm with the Rev. Martin Luther King Jr.
The march of civilization is attended by strange influences. Providence which directs the advancement of mankind, moves in such mysterious ways that none can sense its design or reason out its import. Frequently the forces of evil are turned to account in defeating their own objects. Great tragedies, cruel wars, cataclysms of woe, have acted as enlightening and refining agents. Out of the famines of the past came experiences which inculcated the thrift and fore-handedness of today. Out of man's sufferings have come knowledge and fortitude. Out of pain and tribulation, the attribute of sympathy—the first spiritual manifestation instrumental in elevating the human above the beast. Things worth while are never obtained without payment of some kind. Individual shocks stir the individual heart and conscience. Great world shocks are necessary to stir the world conscience and heart; to start those movements to right the wrongs in the world. So long as peace reigned commerce was uninterrupted, and the acquisition of wealth was not obstructed, men cared little for the intrigues and ambitions of royalty. If they sensed them at all, they lulled themselves into a feeling of security through the belief that progress had attained too far, civilization had secured too strong a hold, and democracy was too firmly rooted for any ordinary menace to be considered. So insidious and far reaching had become the inculcation of false philosophies summed up in the general term Kultur, that the subjects of the autocratic-ridden empires believed they were being guided by benign influences. Many enlightened men; at least it seems they must have been enlightened, in Germany and Austria—men who possessed liberated intellects and were not in the pay of the Kulturists—professed to believe that despotism in the modern world could not be other than benevolent. The satanic hand was concealed in the soft glove; the cloven hoof artistically fitted into the military boot; the tail carefully tucked inside the uniform or dress suit; fiendish eyes were taught to smile and gleam in sympathy and humor, or were masked behind the heavy lenses of professorial dignity; the serpent's hiss was trained to song, or drowned in crashing chords and given to the world as a sublime harmony. Suddenly the world awoke! The wooing harmony had changed to a blast of war; the conductor's baton had become a bayonet; the soft wind instrument barked the rifle's tone; its notes were bullets that hissed and screamed; tinkling cymbals sounded the wild blare of carnage, and sweet-throated horns of silver and brass bellowed the cannon's deadly roar.
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