William Turner (1775-1851) was simultaneously a romantic and a realist--and yet he transcended both styles. This book opens up Turner's paintings, demonstrating that he was not simply illustrating nature, but that his pictures speak directly to the eye as nature does itself.
Turner as Draughtsman looks at the artist's practice of drawing in various media (pen, pencil and chalk as well as watercolour and oil paint), an aspect of Turner's work which has hitherto received very little attention. Andrew Wilton shows that, while Turner's art has always been celebrated for its atmospheric breadth and freedom of handling, he based his working procedures throughout his career on the discipline of drawing in outline, which was an essential element in the grand strategy by which he achieved his formidable results. An important section of the book is devoted to the vexed question of Turner's drawing of the human figure, and the crucial role played by the figure both in his conception of landscape and in his ambitious attempts to master all the genres of fashionable contemporary art.
Each catalog listing is accompanied by an excellent color illustration.... A beautiful book..." --Choice Turner in Indianapolis is an authoritative catalog of 99 paintings and drawings by J. M. W. Turner and his contemporaries now housed in the Indianapolis Museum of Art. Martin Krause's exhaustively researched text provides thorough documentation for each work, pertinent historical records, and eye-witness testimony. Works by Turner's colleagues and competitors, including John Robert Cozzens, Samuel Palmer, and John Ruskin, are also featured in this full-color catalog.
A New Herball, originally published in three parts during the second half of the sixteenth century, was the first English herbal with any pretensions to scientific status. As such, it provided a landmark in the history of botany and herbalism, breaking new ground in its accuracy of observation and its scientific thoroughness. For the first time since its original publication, the entire Herball is now available in a facsimile edition which faithfully reproduces the beautiful sixteenth-century black-letter text and woodcut illustrations. To aid the twentieth-century reader, a modernised transcript, together with keyed-in notes, a glossary of unfamiliar terms and comprehensive indexes have been provided. Biographical information on this influential physician, naturalist and cleric is also included to give an indication of his contribution to sixteenth-century English history.
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