He's a fool that marries, but he's a greater fool that does not marry a fool.' This bawdy, hilarious, subversive and wickedly satirical drama pokes fun at the humourless, the jealous, and the adulterous alike. It features a country wife, Margery, whose husband believes she is too naïve to cuckold him; and an anti-hero, Horner, who pretends to be impotent in order to have unrestrained access to the women keen on 'the sport'. A number of licentious and hypocritical women request Horner's services – the country wife among them. The Country Wife has provoked powerfully mixed reactions over the years. The seventeenth century libertine king Charles II saw it twice, and is said to have joined the 'dance of the cuckolds' at the end of one performance; the eighteenth century actor-playwright David Garrick declared it 'the most licentious play in the English language'; the Victorian Macaulay compared it to a skunk, because it was 'too filthy to handle and too noisome even to approach'. Twentieth century productions heralded it a Restoration masterpiece. Sexually frank, and as ready to criticise marriage as infidelity, the virtuosity, linguistic energy, brilliant wit, naughtiness and complexity of this ribald play have made it a staple of the modern stage. This student edition contains a lengthy, entirely new introduction, by leading scholar, Tiffany Stern, with a background on the author, structure, characters, genre, themes, original staging and performance history, as well as an updated bibliography and a fully annotated version of the playtext.
For a decade straddling the turn of the twentieth century, Mark Hanna was one of the most famous men in America. Portrayed as the puppet master controlling the weak-willed William McKinley, Hanna was loved by most Republicans and reviled by Democrats, in large part because of the way he was portrayed by the media of the day. Newspapers and other media outlets that supported McKinley reported positively about Hanna, but those sympathetic to William Jennings Bryan, the Democrats’ presidential nominee in 1896 and 1900, attacked Hanna far more aggressively than they attacked McKinley himself. Their portrayal of Hanna was wrong, but powerful, and this negative image of him survives to this day. In this study of Mark Hanna’s career in presidential politics, William T. Horner demonstrates the flaws inherent in the ways the news media cover politics. He deconstructs the myths that surround Hanna and demonstrates the dangerous and long-lasting effect that inaccurate reporting can have on our understanding of politics. When Karl Rove emerged as the political adviser to George W. Bush’s presidential campaigns, the reporters quickly began to compare Rove to Hanna even a century after Hanna’s death. The two men played vastly different roles for the presidents they served, but modern reporters consistently described Rove as the second coming of Mark Hanna, another political Svengali. Ohio’s Kingmaker is the story of a fascinating character in American politics and serves to remind us of the power of (mis)perceptions.
Annotation When the Missouri state legislature overrode Governor Bob Holden's veto in 2003 to make conceal-and-carry the law of the land, the Show-Me State became one of the last in the country to adopt this type of law. In fact, it took years of concerted effort on the part of pro-gun advocates to make this a reality. In Showdown in the Show-Me State, William Horner chronicles this complex and fascinating fight in clear, chronological order beginning with the first bill introduced into the Missouri General Assembly in 1992 and ending with the state supreme court's decision in 2004 that Missouri's constitution permitted the legislature to grant Missourians the right to carry concealed weapons. There is, it is often argued, no state more typically "American" than Missouri. The state is closely divided along partisan lines, as is the nation as a whole, and in the previous century, Missouri voters have regularly chosen the winner in almost every presidential election. By offering an examination of guns and gun policy in Missouri, this book provides a glimpse into the hearts and minds of Missourians and, by extension, of mainstream America as well. Horner's in-depth case study details the give-and-take among legislators and examines the role that interest groups played in the evolution of this divisive issue. Horner's book--part policy analysis, part interest group study, and part history--will appeal to readers with an interest in the issue of gun control or in the political process, and it will provide a thorough resource for those who study policy making at the state level
The debut of Saturday Night Live and the 1976 presidential election between Gerald Ford and Jimmy Carter had enduring effects on American culture. With its mix of sketch comedy and music, SNL grabbed huge ratings and several Emmys in its first season. President Ford's press secretary, Ron Nessen, was the first politician to host SNL. Ford also appeared on the show, via video tape, to offer a comic counterpunch to Chevy Chase's signature line, "I'm Chevy Chase and you're not." Since then, it has become a rite of passage for national politicians to appear on SNL, and the show's treatment of them and their platforms has a continuing impact on political discourse.
Winner, 2017 Missouri Conference on History Book Award In 1936, Lloyd Gaines’s application to the University of Missouri law school was denied based on his race. Gaines and the NAACP challenged the university’s decision. Missouri ex rel. Gaines v. Canada (1938) was the first in a long line of decisions by the U.S. Supreme Court regarding race, higher education, and equal opportunity. The court case drew national headlines, and the NAACP moved Gaines to Chicago after he received death threats. Before he could attend law school, he vanished. This is the first book to focus entirely on the Gaines case and the vital role played by the NAACP and its lawyers—including Charles Houston, known as “the man who killed Jim Crow”—who advanced a concerted strategy to produce political change. Horner and Endersby also discuss the African American newspaper journalists and editors who mobilized popular support for the NAACP’s strategy. This book uncovers an important step toward the broad acceptance of racial segregation as inherently unequal. This is the inaugural volume in the series Studies in Constitutional Democracy, edited by Justin Dyer and Jeffrey Pasley of the Kinder Institute on Constitutional Democracy.
While Richard Nixon's accomplishments and shortcomings are well-documented, one often ignored aspect of his career is his influence on the media conduct of politicians. Nixon pioneered the use of visual media in politics, beginning in the 1940s during his Congressional service. His historic "Checkers" speech was the first of its kind: a politician using television to save his political career. His appearances on entertainment television, which are now a normal feature of most national political campaigns, broke new ground as well. This book details the blueprint Nixon set for using television to achieve political goals. Presidents have often used innovative media as strategic methods of communication and public relations. The author argues that Nixon pioneered television media, using it consistently to connect with the American public.
For a decade straddling the turn of the twentieth century, Mark Hanna was one of the most famous men in America. Portrayed as the puppet master controlling the weak-willed William McKinley, Hanna was loved by most Republicans and reviled by Democrats, in large part because of the way he was portrayed by the media of the day. Newspapers and other media outlets that supported McKinley reported positively about Hanna, but those sympathetic to William Jennings Bryan, the Democrats’ presidential nominee in 1896 and 1900, attacked Hanna far more aggressively than they attacked McKinley himself. Their portrayal of Hanna was wrong, but powerful, and this negative image of him survives to this day. In this study of Mark Hanna’s career in presidential politics, William T. Horner demonstrates the flaws inherent in the ways the news media cover politics. He deconstructs the myths that surround Hanna and demonstrates the dangerous and long-lasting effect that inaccurate reporting can have on our understanding of politics. When Karl Rove emerged as the political adviser to George W. Bush’s presidential campaigns, the reporters quickly began to compare Rove to Hanna even a century after Hanna’s death. The two men played vastly different roles for the presidents they served, but modern reporters consistently described Rove as the second coming of Mark Hanna, another political Svengali. Ohio’s Kingmaker is the story of a fascinating character in American politics and serves to remind us of the power of (mis)perceptions.
Wycherley's four comedies are admired for their satirical wit, farcical humour, vivid characterization, and social criticism.Love in a Wood, a lively comedy of intrigue, established him as a brilliant new dramatist.The Gentleman Dancing-Master, in contrast, disappointed contemporary audiences, but the central relationship between Hippolyta and Gerrard features an original and sympathetic study of a young woman's attitudes and feelings. The Country Wife is a sharp but also highly amusing attack on social and sexual hypocrisy. The Plain Dealer, a powerful dramatic satire loosely based on Moliere's Le Misanthrope, continues and enlarges Wycherley's assault on greed and corruption. Under the General Editorship of Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is a scholarly introduction, a note on staging, and detailed annotation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
After the restoration of King Charles II to the British throne in 1660, dramatists experienced new freedom in an age that broke from the strict morality of puritan rule and in which elegance and wit became the chief virtues. Irreverent, licentious and cynical, the three plays collected here hold up a mirror to this dazzling era and satirize the gulf between appearances and reality. In Etherege's The Man of Mode (1676), the womanizing Dorimant meets his match when he falls in love with the unpretentious Harriet, while Wycherley's The Country Wife (c. 1675) depicts the rakish Horner who fakes impotence to fool trusting husbands into giving him easy access to their wives. And in Congreve's Love for Love (1695), the extravagant Valentine can only win his beloved Angelica if he loses his inheritance.
Wycherley's four comedies are admired for their satirical wit, farcical humour, vivid characterization, and social criticism.Love in a Wood, a lively comedy of intrigue, established him as a brilliant new dramatist.The Gentleman Dancing-Master, in contrast, disappointed contemporary audiences,but the central relationship between Hippolyta and Gerrard features an original and sympathetic study of a young woman's attitudes and feelings. The Country Wife is a sharp but also highly amusing attack on social and sexual hypocrisy. The Plain Dealer, a powerful dramatic satire loosely based onMoliere's Le Misanthrope, continues and enlarges Wycherley's assault on greed and corruption.Under the General Editorship of Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is a scholarly introduction, a note on staging, and detailed annotation.
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