In 1989 The Museum of Modern Art brought together, in the exhibition Picasso and Braque: Pioneering Cubism, more than four hundred works from the period 1907-14. At the same time, William Rubin, the director of this historic exhibition, organized an extraordinary meeting of twenty-seven of the world's foremost authorities on early twentieth-century painting, in an effort to advance scholarly understanding of the unique collaboration between these two artists.
The subject of this book is the concept of miracles in the thought of the Venerable Bede. Its specific focus is Bede's understanding of the miracles of modern saints, miracles of the sort that he himself describes for us in his Ecclesiastical History.
Among professional storytellers whose works have been adapted for cinematic dramatization, mid-19th century English novelist Charles Dickens stands in a class of his own. In addition to his most well-known works such as A Christmas Carol and Oliver Twist, which are unrivaled for their sheer number of film adaptations, each of Dickens' other major works have been adapted for the screen multiple times, and many remain accessible for viewing on a variety of platforms. This survey highlights the most popular adaptations of each Dickens book, spanning from the films of the silent era through the 21st century. The survey also includes a critical examination that compares the adaptations to the original texts. An analysis outlines the many connections between the fictional narratives and the novelist's own frequently misunderstood biography.
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