The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator. The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.
Dick Stuart (1932-2002) began as a minor league first baseman, noted for his outsized ego and terrible fielding. His brash personality and 66 home runs for the Lincoln Chiefs of the Western League made him a national figure in 1956. In 1958, he came up to the majors in Pittsburgh and played some fine seasons with the Pirates, and later the Boston Red Sox. In 1961, he was selected for the National League All-Star team, and he led the American League in RBI in 1963. A wise-cracking bon vivant, his career was not what it might have been. If he had worked harder, he might have been a better player. If Bill Mazeroski hadn't ended the 1960 Series with a home run, Stuart, who was on deck, might have been the hero. Yet his great hitting ability, quick wit and love for the limelight made him one of the most interesting players of his era.
Puritan American writers faced a dilemma: they had an obligation to use language as a celebration of divine artistry, but they could not allow their writing to become an iconic graven image of authorial self-idolatry. In this study William Scheick explores one way in which William Bradford, Nathaniel Ward, Anne Bradstreet, Urian Oakes, Edward Taylor, and Jonathan Edwards mediated these conflicting imperatives. They did so, he argues, by creating moments in their works when they and their audience could hesitate and contemplate the central paradox of language: its capacity to intimate both concealed authorial pride and latent deific design. These ambiguous occasions served Puritan writers as places where the threat of divine wrath and the promise of divine mercy intersected in unresolved tension. By the nineteenth century the heritage of this Christlike mingling of temporal connotation and eternal denotation had mutated. A peculiar late eighteenth-century narrative by Nathan Fiske and a short story by Edward Bellamy both suggest that the binary nature of language exploited by their Puritan ancestors was still a vital authorial concern; but neither of these writers affirms the presence of an eternal denotative signification hidden within the conflicting historical contexts of their apparently allegorical language. For them, appreciation of the mystery of a divine revelation possibly concealed in words yielded to puzzlement over language itself, specifically over the inadequacy of language to signify more than its own instability of design. This book is a tightly focused study of an important aspect of Puritan American writers' use of language by one of the leading scholars in the field of early American literature.
Victimology, 7th Edition, introduces students to the criminal justice system in the United States and its impact on crime victims. Authors William Doerner and Steven Lab provide a fresh look at the theoretical basis of victimology and then present the key facets of crime and its effects. They examine financial and social costs both to the individual and to the larger community. This new edition brings forward the theoretical foundation of victimology into Part 1 to establish a clear conceptual framework and reduce repetition. Emerging trends in the field receive greater emphasis in this edition, including non-adversarial resolution options that offer remediation for crime victims. Crimes like intimate-partner violence and victimization in the work or school environment continue to take a toll, and the authors examine efforts to prevent these crimes as well as responses after an incident occurs. Doerner and Lab challenge students to rethink the current response to crime victims and to develop improved approaches to this costly social issue. Online supplements are available for both professors and students. This breakthrough work provides an organizing structure for the history and current state of the field of victimology, and outlines the reasons compelling a separate focus on crime victims. Highly readable, Victimology explores the role of victimology in today’s criminal justice system, examining the consequences of victimization and the various remedies now available for victims. A new chapter covers the important implications of restorative justice. The text is supplemented by illustrative figures and tables as well as learning objectives, key terms and a listing of related Internet sites.
Now the Baltimore Orioles, the St. Louis Browns won their only pennant in 1944. This lighthearted look at America's Pastime during World War II reminisces about charity games, cigarette drives, and the bumbling Browns themselves.
The bumbling St. Louis Browns won their only pennant during World War II, while Williams, DiMaggio, Feller and other stars were in uniform fighting--or playing ball--for Uncle Sam. This is the hilarious history of that era.
Originally published in 1988, this is the final volume in the set. The original intent of the tetralogy was to review neural explanations of high level perceptual and cognitive processes. However, at this point, it became clear that there were few neural explanations of perceptual topics – a situation that still persists today. This book, therefore, used a different framework examining the role of detection, discrimination, and recognition at the behavioral level.
These four volumes, originally published between 1973 and 1988, were intended to provide a broad survey of cognitive neuroscience, a field known variously as physiological psychology or psychobiology in the 1970s and 1980s when the books were written. The general goal was to summarize what was known about the relation between brain and mind at that time, with an emphasis on sensory and perceptual topics. Out of print for many years, the Tetralogy is now available again, as a set for the first time (which is as the author envisaged it), or as individual volumes.
Mr. Smith has rescued from obscurity all references to individuals as can be found in the early statutes of Kentucky, producing, in effect, the Kentucky equivalent of Personal Names in Hening's Statutes at Large of Virginia. For each of the 5,000 persons named in this index, there is provided an identifying piece of information, such as occupation, legal status, relationship, etc., as well as the volume and page number in "Littell's Laws" where the name originally appears.This volume is also available on our Family Archive CD 7519.
An Ecology of Communication addresses an ecological and communicative dilemma: the universe, earth, and socio-cultural life world are resoundingly dialogic, yet we have created modern and postmodern cultures largely governed by monologue. This book is indispensable reading for scholars and students of communication, ecology, and social sciences, as it moves readers beyond the anthropocentric bias of communication study toward a listening-based model of communication, an essential move for discerning fitting responses and the call to responsibility in an age of ecocrisis.
Writing for Radio is an entertaining, accessible and informative book, providing a step-by-step guide to writing for this specific dramatic medium. A helpful approach to the process of writing a successful radio play from first draft to production draft and on into the recording studio, this book is suitable for first time writers, as well as established writers who simply haven't yet written for radio. A practical handbook that's both reliable and upbeat, providing an honest 'insider's view' of how radio plays are written and recorded.
Designed to follow an introductory text on psychoacoustics, this book takes readers through the mathematics of signal processing from its beginnings in the Fourier transform to advanced topics in modulation, dispersion relations, minimum phase systems, sampled data, and nonlinear distortion. While organised like an introductory engineering text on signals, the examples and exercises come from research on the perception of sound. A unique feature of this book is its consistent application of the Fourier transform, which unifies topics as diverse as cochlear filtering and digital recording. More than 250 exercises are included, many of them devoted to practical research in perception, while others explore surprising auditory illusions generated by special signals. Periodic signals, aperiodic signals, and noise -- along with their linear and nonlinear transformations -- are covered in detail. More advanced mathematical topics are treated in the appendices. A working knowledge of elementary calculus is the only prerequisite. Indispensable for researchers and advanced students in the psychology of auditory perception.
What are the fundamental elements of good quantitative and qualitative research? What are the strengths and weaknesses of each approach? What does research offer early childhood education? Are quantitative and qualitative approaches compatible? This book presents the research process and its components in a straightforward, easily accessible manner. Using real examples from early childhood education, authors William L. Goodwin and Laura D. Goodwin "bring to life" for the first time the various methods of research and how they may be studied and applied. They explore the major aspects of both quantitative and qualitative paradigms and techniques, stressing the compatibility and complementary nature of the two approaches that are so often seen as mutually exclusive if not downright contradictory.
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