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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Arden of Faversham, A Yorkshire Tragedy, The Lamentable Tragedy of Locrine, Mucedorus and Amadine, The London Prodigal, The Puritaine Widdow, The Second Maiden's Tragedy, Sir John Oldcastle…
Arden of Faversham, A Yorkshire Tragedy, The Lamentable Tragedy of Locrine, Mucedorus and Amadine, The London Prodigal, The Puritaine Widdow, The Second Maiden's Tragedy, Sir John Oldcastle…
Apocrypha is a group of plays and poems that have sometimes been attributed to William Shakespeare, but whose attribution is questionable for various reasons. The issue is separate from the debate on Shakespearean authorship, which addresses the authorship of the works traditionally attributed to Shakespeare. Table of Contents: Arden Of Faversham A Yorkshire Tragedy The Lamentable Tragedy Of Locrine Mucedorus The King's Son Of Valentia, And Amadine, The King's Daughter Of Arragon. The London Prodigal The Puritaine Widdow The Second Maiden's Tragedy Sir John Oldcastle Lord Cromwell King Edward The Third Edmund Ironside Sir Thomas More Faire Em A Fairy Tale In Two Acts The Merry Devill Of Edmonton Thomas Of Woodstock William Shakespeare (1564 – 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and a few other verses, the authorship of some of which is uncertain.
This carefully crafted ebook: "The Complete Apocryphal Plays of William Shakespeare" is formatted for your eReader with a functional and detailed table of contents. The Shakespeare Apocrypha is a group of plays and poems that have sometimes been attributed to William Shakespeare, but whose attribution is questionable for various reasons. The issue is separate from the debate on Shakespearean authorship, which addresses the authorship of the works traditionally attributed to Shakespeare. Table of Contents: Arden Of Faversham A Yorkshire Tragedy The Lamentable Tragedy Of Locrine Mucedorus The King's Son Of Valentia, And Amadine, The King's Daughter Of Arragon. The London Prodigal The Puritaine Widdow The Second Maiden's Tragedy Sir John Oldcastle Lord Cromwell King Edward The Third Edmund Ironside Sir Thomas More Faire Em A Fairy Tale In Two Acts The Merry Devill Of Edmonton Thomas Of Woodstock William Shakespeare (1564 – 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and a few other verses, the authorship of some of which is uncertain.
This carefully crafted ebook: “The Complete Apocryphal Plays of William Shakespeare” is formatted for your eReader with a functional and detailed table of contents. The Shakespeare Apocrypha is a group of plays and poems that have sometimes been attributed to William Shakespeare, but whose attribution is questionable for various reasons. The issue is separate from the debate on Shakespearean authorship, which addresses the authorship of the works traditionally attributed to Shakespeare. Table of Contents: Arden Of Faversham A Yorkshire Tragedy The Lamentable Tragedy Of Locrine Mucedorus The King’s Son Of Valentia, And Amadine, The King’s Daughter Of Arragon. The London Prodigal The Puritaine Widdow The Second Maiden’s Tragedy Sir John Oldcastle Lord Cromwell King Edward The Third Edmund Ironside Sir Thomas More Faire Em A Fairy Tale In Two Acts The Merry Devill Of Edmonton Thomas Of Woodstock William Shakespeare (1564 – 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and a few other verses, the authorship of some of which is uncertain.
This eBook features the unabridged text of ‘Locrine’ from the bestselling edition of ‘The Complete Works of William Shakespeare’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Shakespeare includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Locrine’ * Beautifully illustrated with images related to Shakespeare’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
This eBook features the unabridged text of ‘The Puritan’ from the bestselling edition of ‘The Complete Works of William Shakespeare’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Shakespeare includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Puritan’ * Beautifully illustrated with images related to Shakespeare’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
This eBook features the unabridged text of ‘Thomas of Woodstock’ from the bestselling edition of ‘The Complete Works of William Shakespeare’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Shakespeare includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Thomas of Woodstock’ * Beautifully illustrated with images related to Shakespeare’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
This eBook features the unabridged text of ‘A Yorkshire Tragedy’ from the bestselling edition of ‘The Complete Works of William Shakespeare’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Shakespeare includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘A Yorkshire Tragedy’ * Beautifully illustrated with images related to Shakespeare’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Embark on a captivating journey through the rich tapestry of English literature with William J. Long's insightful guide, "English Literature: William J. Long's Journey through Literary Heritage." Explore the depths of literary history and discover the timeless works that have shaped the literary landscape for centuries. As you delve into Long's illuminating exploration, prepare to be enchanted by the beauty and brilliance of some of the greatest literary masterpieces ever written. From Shakespeare to Austen, Dickens to Brontë, each chapter is a treasure trove of wisdom and inspiration. But amidst the pages of classic literature and iconic characters, a tantalizing question arises: What makes these works stand the test of time? What secrets do they hold that continue to resonate with readers across generations? Join Long on a journey of discovery as he unlocks the mysteries of English literature's enduring legacy. His insightful commentary sheds light on the genius of the authors and the profound impact of their words on the human experience. Are you ready to embark on a literary adventure that will transport you through the annals of time and into the hearts of some of the greatest literary minds? Prepare to be inspired and enlightened as you journey through the pages of "English Literature: William J. Long's Journey through Literary Heritage." Long's passion for literature is contagious, igniting a love of reading that will stay with you long after you've turned the final page. Here's your chance to immerse yourself in the timeless beauty of English literature. Dive into "English Literature: William J. Long's Journey through Literary Heritage" and let the adventure begin. Seize the opportunity to explore the literary treasures that have shaped our cultural heritage. Purchase "English Literature: William J. Long's Journey through Literary Heritage" now, and embark on a journey of discovery that will enrich your mind and soul.
This book, which presents the whole splendid history of English literature from Anglo-Saxon times to the close of the Victorian Era, has three specific aims. The first is to create or to encourage in every student the desire to read the best books, and to know literature itself rather than what has been written about literature. The second is to interpret literature both personally and historically, that is, to show how a great book generally reflects not only the author's life and thought but also the spirit of the age and the ideals of the nation's history. The third aim is to show, by a study of each successive period, how our literature has steadily developed from its first simple songs and stories to its present complexity in prose and poetry. To carry out these aims we have introduced the following features: (1) A brief, accurate summary of historical events and social conditions in each period, and a consideration of the ideals which stirred the whole nation, as in the days of Elizabeth, before they found expression in literature. (2) A study of the various literary epochs in turn, showing what each gained from the epoch preceding, and how each aided in the development of a national literature. (3) A readable biography of every important writer, showing how he lived and worked, how he met success or failure, how he influenced his age, and how his age influenced him. (4) A study and analysis of every author's best works, and of many of the books required for college-entrance examinations. (5) Selections enough--especially from earlier writers, and from writers not likely to be found in the home or school library--to indicate the spirit of each author's work; and directions as to the best works to read, and where such works may be found in inexpensive editions. (6) A frank, untechnical discussion of each great writer's work as a whole, and a critical estimate of his relative place and influence in our literature.
First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure.
Long sought by scholars as the Holy Grail of world literature, and masquerading under the censor's makeshift title, "The second maiden's tragedy," this lost play was discovered by Charles Hamilton, a forensic document examiner and literary historian.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
This edition of Sir Thomas More is the first to bring the play into the context of a major Shakespeare series, to provide a substantial critical analysis, and to offer a comprehensive modern stage history. The introduction deals with issues such as the strange involvement of the anti-Catholic spy-hunter Anthony Munday as chief dramatist, the place of Sir Thomas More as a Catholic martyr in Protestant late Elizabethan culture, and the play's representation of a multi-cultural London.The text itself, supported by a searching and detailed commentary, adopts a distinctive presentation that enables readers to keep track of the manuscript and the hands that produced it, whilst engaging with the play as a fascinating theatrical piece. Sir Thomas More deals with matters so controversial that it may never have reached performance on stage. The authors' determination to deal with rioting and religious politics led to a play that is compelling in its own right but also intriguing as a document of what could, and could not, be articulated in the early modern public theatre. Surviving only as a manuscript text on which Shakespeare was thought to have worked, it can be considered to be the most important play manuscript of the period, owing to its highly complex witness to collaboration between dramatists and to censorship.
In the opinion of the author, the anonymous sixteenth-century playscript entitled "The Famous Victories of Henry the Fifth" is actually one of the first efforts by the young but spirited dramatist, William Shakespeare. Produced about 1586--when the still unknown playwright-actor was 22 years old--the play in question is neither poetic nor highly distinguished. But Professor Pitcher, an ardent Shakespearean scholar, here presents an interesting and ingenious argument for his belief that the unknown playwright was the Bard himself. The object of much critical disparagement and scholarly dispute, "The Famous Victories" covers approximately the same span of events as that in the playwright's famous trilogy immortalizing Henry of Monmouth. In its own time, it was considered exciting. "What a glorious thing it is," wrote Thomas Nash in 1592, "to have Henry the Fifth represented on the stage leading the French king prisoner and forcing him and the dolphin to swear fealty." Dr. Pitcher believes that Heming and Condell omitted "The Famous Victories" from their First Folio in 1623 because they felt it was not worthy of a place with the later, highly professional plays of Shakespeare, none of which contains such inexperienced writing. If Dr. Pitcher's line of reasoning is correct, his conclusion is of great value in dissipating some of the mystery surrounding Shakespeare's early years. For despite the play's slapstick and buffoonery, it shows that its 22-year-old author was no mere holder of horses at theatre doors, but was already well read enough among "rusty brass and wormeaten books" to piece together his story of "The Famous Victories" from the chronicles of Edward Hall, Raphael Holinshed, and John Stow. Certain to arouse violent discussion among Shakespearean scholars, Dr. Pitcher's book is the considered product of many years of thought and study. The text of the Elizabethan play concerned will in itself be of interest to students of the drama, and the possibility that Shakespeare himself penned its lines will lend an excitement to the reading of the scenes. The famous "Grafton portrait" of a youth believed to be the young Shakespeare appears as frontispiece.
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. Edited and introduced by John Margeson, King Henry VIII appears here for the first time in a New Cambridge Shakespeare edition. In his introduction Margeson explores the political and religious background to the play, its pageant-like structure and visual effects, and its varied ironies. He also discusses its stage history, from the famous occasion in 1613 when the Globe theatre burned down during a performance of King Henry VIII to important theatrical productions of the late twentieth century. A balanced account is provided of the authorship controversy that arose in the nineteenth century, when John Fletcher's name was first put forward as a likely collaborator.
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For the second edition of All's Well That Ends Well, Alexander Leggatt has written a completely new introduction to Russell Fraser's text of one of Shakespeare's most puzzling, ambiguous and demanding plays. Leggatt's interest in performance is evident throughout the introduction, particularly in his discussion of the instability of the main characters. He also provides a full, illustrated and thoughtful account of the play's critical and theatrical fortunes to the end of the twentieth century, and explores our experience as an audience of seeing and hearing the play performed. An updated reading list completes the volume.
Suzanne Gossett offers a full and critical performance history, with an introduction showing how the play's performance history has paralled the criticism. It then gives an interpretation of this two-generation romance, with its successive male and female central characters, based on a reading 'through the family', and influenced by the feminist and new historicist criticism of the last two decades. The edition integrates cumulative research on Shakespeare's collaborative authorship and the transmission of the text without rewriting the play or ignoring years of emendations.
Distinguished editor T.W. Craik makes an independent and balanced examination of the many textual problems of Henry V, providing many new emendations. "Craik's commentary is particularly ample and detailed, with careful attention to the play's language, textual problems, the interpretation of stage directions, and Shakespeare's handling of source materials... he builds up a distinct though traditionalist reading which, critically sympathetic and undogmatic, finds the play at once simple and subtle." John Jowett, Shakespeare Institute, Stratford-upon-Avon, Shakespeare Survey, 1997 'With the exceptionally thorough Arden notes, and the extensive editorial coverage, including recent stage history, this Henry V is the one to have.' Times Higher Education Supplement 'Craik's commentary is exemplary in its thorough treatment of critical concerns, glossaries and explanations, theatrical matters, and source material.' Barry Gaines, University of New Mexico, Shakespeare Quarterly
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. Shakespeare's plays about the reign of King Henry VI were written at the beginning of his career. A recent series of outstanding productions has demonstrated their theatrical vitality, and their sceptical questioning of Elizabethan orthodoxies has been understood through revisionist readings of the history of Shakespeare's own times. The First Part of King Henry VI, which gives us Shakespeare's portrait of Joan of Arc, is revealed as a successful venture in its own exploratory style, and as a necessary account of key events in the Hundred Years War without which the Wars of the Roses, anatomised in the following two plays, cannot be understood.
A fresh look at a play usually regarded as the first component of a three-part historical epic, this edition argues that Henry VI Part 1 is a 'prequel', a freestanding piece that returns for ironic and dramatic effect to a story already familiar to its audience. The play's ingenious use of stage space is closely analysed, as is its manipulation of a series of setpiece combats to give a coherent syntax of action. Discussion of the dramatic structure created by the opposing figures of Talbot and Jeanne la Pucelle, and exploration of the critical controversies surrounding the figure of Jeanne, lead to a reflection on the nature of the history play as genre in the 1590s.
With its explorations of sexual ambivalence, As You Like It speaks directly to the twenty-first century. Juliet Dusinberredemonstrates that Rosalind's authority in the play grows from new ideas about women and reveals that Shakespeare's heroine reinvents herself for every age. But the play is also deeply rooted in Elizabethan culture and through it Shakespeare addresses some of the hotly debated issues of the period."This will be the definitive edition of As You Like It for many years to come" - Phyllis Rackin, University of Pennsylvania
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries, textual notes on the plays and poems and an extensive Introduction. Shakespeare's plays about the reign of King Henry VI were written at the beginning of his career. A recent series of outstanding productions has demonstrated their theatrical vitality, and their sceptical questioning of Elizabethan orthodoxies has been understood through revisionist readings of the history of Shakespeare's own times. In The Third Part of King Henry VI, Shakespeare extends his essay on monarchical politics by contrasting two kings, the good but ineffective Henry VI with his rival, the sensual and victorious Edward IV. He also shows the perils of aristocratic factionalism in a series of scenes that display the grievous wounds caused by the Wars of the Roses.
This tragi-comedy is one of the plays we know Shakespeare worked with a collaborator on -- John Fletcher -- and is based on Chaucer's Knight's Tale. This revised edition includes a new introductory essay bringing the edition up-to-date in terms of both the play's performance and critical history, and in particular with current thinking about the nature of Shakespeare's collaboration with other playwrights. As scholars have begun to discover more about this aspect of his career, interest in the play has grown. This revised edition is ideal for undergraduate study, offering on-page annotations to the play text as well as a lengthy, illustrated introduction.
An indespensable companion to The Norton Shakespeare, Based on the Oxford Edition, this is the most comprehensive reference work on Shakespearean textual problems ever compiled in a single volume. William Shakespeare: A Textual Companion provides a wealth of information about the problems presented by texts and the processes by which editorial decisions are reached. The General Introduction discusses the critical and theoretical issues raised by different kinds of editions, the nature of early manuscripts, printed texts, and the evidence for the canon and chronology of Shakespeare's works. It also offers a concise history of the editing of Shakespeare and sets forth the editorial principles of the Oxford Edition. Included for each work, are an introduction, textual notes, press variants, discussions of emendations and problems of modernization, plausible alternative readings, and a letter-by-letter reprint of the stage directions in the control text, among other materials. --
In 1593 Shakespeare awoke and found himself famous. Lines from his comic, erotic, tragic poem Venus and Adonis were on everyone's lips.The appearance in 1594 of the darkly reflective and richly descriptive Rape of Lucrece confirmed his fame as 'Sweet Master Shakespeare', Elizabethan England's most brilliant non-dramatic poet. Shorter poems in this volume testify further to Shakespeare's versatility and to his poetic fame. Some, like the much-debated `Phoenix and Turtle', pose problems of meaning; others raise questions about authorship and authenticity. Detailed annotation and a full Introduction seek to resolve such difficulties while also locating Shakespeare's poems in their literary context, which includes his own career as a playwright.
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