William S. Paley, founder of CBS, Inc., and a towering figure in the development of entertainment and communications industries, was also a committed collector and patron of modern art. This book catalogues the highly personal collection of paintings, sculptures, prints and drawings, by such artists as [Paul] Cézanne, [Paul] Gauguin, [Henri] Matisse, [Pablo] Picasso, and others, that he bequeathed to the Museum of Modern Art. ..."--Back cover.
As it Happened is a landmark memoir, the first of its kind by a giant of the communications media. It is the intimate and straightforward story of an original, the life and growth of an extraordinary man and the company he built, CBS. In the book, William S. Paley reminisced about his personal life and his life with CBS—from the celebrities of the entertainment world to the business and political leaders of America to the journalistic controversies still in the news. Paley bought CBS when it was a small struggling company called United Independent Broadcasting and when he was a young man still in his twenties. Within months he had begun a transformation which shaped CBS into one of the world's greatest communications empires. And still he found time to enjoy the "Roaring Twenties" in Paris, Philadelphia, Los Angeles, and New York. A brilliant and creative businessman dealing for high stakes, Paley foresaw the cultural and informational impact of radio, and later, television. With an uncanny eye for spotting entertainment talent, he "discovered" for radio Bing Crosby, Kate Smith, Will Rogers, Frank Sinatra, and Paul Whiteman; and those he did not discover, he lured to CBS: Jack Benny, Amos and Andy, George Burns, Red Skelton, and a host of others. But this book covers more than radio and television—it is about the tastes and trends of American culture, written by the man who helped to create and refine many of them. William S. Paley was CBS. His life touched virtually every major event of the twentieth century. This is a fascinating and revealing work about a man who perhaps more than any other, brought the great events of our times to us.
In the early 1950s writers were leaving radio en masse to try their hand at another promising medium—television. William Froug was in the thick of that exodus, a young man full of ideas in a Hollywood bursting with opportunities. In his forty-year career Froug would write and/or produce many of the shows that America has grown up with. From the drama of Playhouse 90 and the mind-bending premises of The Twilight Zone to the escapist scenarios of Adventures in Paradise, Gilligan’s Island, Bewitched, and Charlie’s Angels, Froug played a role in shaping his trade. He crossed paths with some of the memorable personalities in the industry, including Jack Benny, Lucille Ball, Agnes Moorehead, Elizabeth Montgomery, Robert Blake, Rod Serling, Gene Roddenberry, Aaron Spelling, and Sherwood Schwartz. Froug reveals a post-WWII America giddy with the success of its newest medium—yet sobered at moments by strikes and union politics, McCarthyism and anti-Semitism. It was a world of hastily written scripts, sudden firings, thwarted creativity, and fickle tastes. And yet, while clearly exasperated with many aspects of Hollywood, Froug was a man utterly in his element, his frustration with the industry ultimately eclipsed by his dedication to his craft.
Vox Populi is the long-awaited fourth collection of interviews, editorials, essays, observations and keen insight from legendary New York broadcaster William O’Shaughnessy. With this inspiring new anthology, Bill is back in a big way, offering compelling dialogue and opinion on timely issues and current events in politics, media, the arts and popular culture. A masterful interviewer, O’Shaughnessy goes one-on- one with Barbara Taylor Bradford, Steve Forbes, Joe Califano and a colorful band of townie characters from Westchester – the Golden Apple. Broadcasting for five decades from what the Wall Street Journal hailed as “the quintessential community station in America,” his thoughtful and muscular commentaries have been widely praised in all the important journals in the land. A self-styled First Amendment “voluptuary,” O’Shaughnessy is a stellar defender of Free Speech, having devoted the good part of fifty years to fighting censorship and government intrusion from his influential perch in the heart of the Eastern Establishment. He’s the one they roll out when the likes of Howard Stern, Bob Grant and Imus get in a jam. Colorful national figures and beguiling “townies” abound in Vox Populi which is also laden with exquisitely beautiful eulogies and tributes to his departed friends Tim Russert, Wellington Mara, Robert Merrill and Ossie Davis. And, as in every Bill O’Shaughnessy book, there is stunning and powerful wisdom and brilliant observations from Governor Mario Cuomo whom he so admires. The great American historian David McCullough observed: “I always look forward to reading the history of our times Bill O’Shaughnessy has written.” O’Shaughnessy is an authentic American voice.
Now in one volume: the three-part autobiography from the National Book Award–winning author of The Rise and Fall of the Third Reich. The former CBS foreign correspondent and historian provides an invaluable look back at his life—and the events that forged the twentieth century. The Start (1904-1930): In the first of a three-volume series, Shirer tells the story of his early life, growing up in Cedar Rapids, and later serving as a new reporter in Paris. The Nightmare Years (1930-1940): In the second of a three-volume series, Shirer chronicles his time in Europe as Hitler dominated Germany and began one of the most dangerous conflicts in world history. A Native’s Return (1945-1988): The most personal of the three volumes, this edition offers an honest look at the many personal and professional setbacks Shirer experienced after World War II ended—and delivers a fascinating take on the aftermath of the war. Series praise “Mr. Shirer stirs the ashes of memory in a personal way that results in both a strong view of world events and of the need for outspoken journalism. Had Mr. Shirer been merely a bland ‘objective’ reporter without passion while covering Hitler’s Third Reich, this book and his other histories could never have been written.” —The New York Times “Included in Shirer’s well-wrought narrative are such little-known events as the trials of American broadcasters who propagandized for the Third Reich during WWII, as well as such more familiar matters as the McCarthyism of the 1950s. The author’s comments are refreshingly unfettered by self-consciousness . . . A fine, fitting conclusion to an important work of autobiography.” —Kirkus Reviews
The "live era" or "golden age"of television drama originating from New York, 1946 through 1951, was an exciting time of creative and commercial accomplishment. This is a complete history and reference guide to the live dramas that aired during those six years. Extensive coverage is given to the NBC anthologies Kraft Television Theatre and Philco Television Playhouse, and the CBS anthologies Ford Theater and Studio One, as well as to "he competitors"--the 28 new anthologies that appeared in the prime time schedule during 1950 and 1951. Appendices comprehensively list the day-by-day program logs for BBC, CBS and NBC dramas from 1946 through 1951.
Bill O'Shaughnessy's back. Here's the third big book of interviews, editorials, essays, commentaries, and observations, and just plain good talk from an authentic American voice. From the "bully pulpit" of his radio stations, O'Shaughnessy's in the middle of it all-politics, local and national; culture, high and low and in-between; the media; and, above all, the rich flow of ideas and opinion that from what the Wall Street Journal calls "the quintessential community station in America." For this compelling and fascinating collection, O'Shaughnessy gathers interviews with everyone from Tony Bennett on the singer's art to Ed Koch on the art of politics. Essays and talks from luminaries ranging from Henry Kissinger to Larry King, Rudolph Giuliani to Tim Russert and Dan Rather. There are moving pieces on the impact of September 11, vivid sketches of movers and shakers, and provocative, deeply felt calls for protecting freedoms of the First Amendment. And Mario Cuomo's moving thoughts on how to restore justice and wisdom to America's political culture. From color sketches of local pols to intimate conversations with great writers and artists, Again Again Is an endlessly fascinating portrait our time and place-marked as always by Bill O'Shaughnessy's intelligence, insight, and eloquence. "Bill O'Shaughnessy's editorials make his New York TV counterparts look like so much mish-mash." -The New York Times
In his six previous books, William O’Shaughnessy, one of the nation’s best known and most beloved community broadcasters, has told the tales of the power brokers and visionaries of politics, government, business and industry, the arts, fine living—world famous figures like Joe DiMaggio, Fred Astaire, Nelson Rockefeller, the Bushes, Kennedys, and so many others. He elevated each encounter with his wisdom, wit, insight ... and compassion, and what emerged through words that carried the weight of authority as they danced with the delight of Nijinsky was nothing less than transformative for both subject and reader. In O’Shaughnessy, we have our modern day Plutarch, whose prose has run across the decades like a power strip illuminating the lives of the nation’s most incandescent leaders from every arena. Henry Kissinger, Rush Limbaugh, Mario Cuomo, Jacob K. Javits, Daniel Patrick Moynihan, John V. Lindsay, Dan Rather, President Richard Nixon, President Donald J. Trump, Jimmy Breslin, Pope Francis—his list of on-air guests and from-the-notebook subjects is the broadcasting world’s premier who’s who list. A “vivid man about town” known for his blazers, Belgian loafers, and the Yankees World Series ring given to him in appreciation by George M. Steinbrenner, O’Shaughnessy shared the gift of vividness not only with the great and powerful but also with the local characters who made their mark “about town,” the “Townies” of Westchester, a/k/a the “Golden Apple,” and beyond. Folks who may have been touched by fame, they were devoutly invested in the fortunes of their home heath, and O’Shaughnessy amplified their passions, priorities, quests, hurdles, and triumphs as a friend and champion who wielded the most respected and influential “megaphone” in the Eastern Establishment ... and far beyond. He shared the counsel and companionship of political influencers, and leading lights from the media, the arts, the sporting world, and the constellation of fine living ... who all were blessed with the heart and soul of a Townie. The Townies derives its power to inform and captivate from the radiance of these good people, their good will, and their good deeds, which shine brighter than the lights of Broadway on a Saturday night. Enjoy!
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
Just a few years in the mid-1950s separated the "golden age" of television's live anthology drama from Newton Minow's famous "vast wasteland" pronouncement. Fifties Television shows how the significant programming changes of the period cannot be attributed simply to shifting public tastes or the exhaustion of particular program genres, but underscore fundamental changes in the way prime-time entertainment programs were produced, sponsored, and scheduled. These changes helped shape television as we know it today. William Boddy provides a wide-ranging and rigorous analysis of the fledgling American television industry during the period of its greatest economic growth, programming changes, and critical controversy. He carefully traces the development of the medium from the experimental era of the 1920s and 1930s through the regulatory battles of the 1940s and the network programming wars of the 1950s.
Economic models are used to show the extent of the difficulties involved in monitoring and enforcing pollution control laws on a continual basis. The authors make several recommendations for policy change. They also show that high rates of compliance can be achieved within tight budget constraints. Originally published in 1986
The authors address the problems of determining the implications of different environmental standards and public policies by investigating their effect on industrial costs and resource use within linear-programming framework. Originally published in 1976
The must-have resource for media selling in today’s technology-driven environment The revised and updated fifth edition of Media Selling is an essential guide to our technology-driven, programmatic, micro-targeted, mobile, multi-channel media ecosystem. Today, digital advertising has surpassed television as the number-one ad investment platform, and Google and Facebook dominate the digital advertising marketplace. The authors highlight the new sales processes and approaches that will give media salespeople a leg up on the competition in our post-Internet media era. The book explores the automated programmatic buying and selling of digital ad inventory that is disrupting both media buyers and media salespeople. In addition to information on disruptive technologies in media sales, the book explores sales ethics, communication theory and listening, emotional intelligence, creating value, the principles of persuasion, sales stage management guides, and sample in-person, phone, and email sales scripts. Media Selling offers media sellers a customer-first and problem-solving sales approach. The updated fifth edition: Contains insight from digital experts into how 82.5% of digital ad inventory is bought and sold programmatically Reveals how to conduct research on Google Analytics Identifies how media salespeople can offer cross-platform and multi-channel solutions to prospects’ advertising and marketing challenge Includes insights into selling and distribution of podcasts Includes links to downloadable case studies, presentations, and planners on the Media Selling website Includes an extensive Glossary of Digital Advertising terms Written for students in communications, radio-TV, and mass communication, Media Selling is the classic work in the field. The updated edition provides an indispensable tool for learning, training, and mastering sales techniques for digital media.
The obits. It’s the first section many of us turn to when we open the paper, not to see who died, but rather to find out about who lived to discover the interesting lives of people who’ve made a mark. A new annual that collects nearly 300 of the best of The New York Times obituaries from the previous year, The Obits Annual 2012 is a compelling, addictive-as-salted-peanuts “who’s who” of some of the most fascinating people of the twentieth century. Written by top journalists each entry is a jewel, a miniature, nuanced biography filled with the facts we love to read, with the surprise and serendipity of life. There’s David L. Wolper, the producer of Roots—and the story of how he got his start purchasing film footage from Sputnik. The jazz singer, Abbey Lincoln, and her change from glamorous performer—she owned a dress of Marilyn Monroe’s—to civil rights activist (she burned the Monroe dress). Owsley Stanley, the quirky perfecter of LSD, who blamed a heart attack on the fact that his mother made him eat broccoli as a child. Patricia Neal—known by most as a movie star, but her real life, filled with tragedy, adversity, and incredible professional ups and downs, is almost a surreal play of triumph and tragedy. Arranged chronologically, like the obits themselves, it’s a deliciously random walk through the recent past, meeting the philosophers, newsmen, spies, publishers, moguls, soul singers, baseball managers, Nobel Prize winners, models, and others who’ve shaped the world.
Shows examples of Stella's large scale paintings, constructions, and reliefs created over the last seventeen years, and discusses the themes, style, and materials of his work.
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