Amidst the heated fray of the Culture Wars emerged a scrappy festival in downtown New York City called Bang on a Can. Presenting eclectic, irreverent marathons of experimental music in crumbling venues on the Lower East Side, Bang on a Can sold out concerts for a genre that had been long considered box office poison. Through the 1980s and 1990s, three young, visionary composers--David Lang, Michael Gordon, and Julia Wolfe--nurtured Bang on a Can into a multifaceted organization with a major record deal, a virtuosic in-house ensemble, and a seat at the table at Lincoln Center, and in the process changed the landscape of avant-garde music in the United States. Bang on a Can captured a new public for new music. But they did not do so alone. As the twentieth century came to a close, the world of American composition pivoted away from the insular academy and towards the broader marketplace. In the wake of the unexpected popularity of Steve Reich and Philip Glass, classical presenters looked to contemporary music for relevance and record labels scrambled to reap its potential profits, all while government funding was imperilled by the evangelical right. Other institutions faltered amidst the vagaries of late capitalism, but the renegade Bang on a Can survived--and thrived--in a tumultuous and idealistic moment that made new music what it is today.
The story teller continues his tale with more mystery and adventure. After foiling a plot to steal a secret weapon from England, Robin returns home for the first time in many years. His visit is cut short when a mysterious box is found by Robin’s lifelong friend and teacher, Springfield. This box cannot be opened in a normal way or broken into without destroying its contents. This box must contain something of great value to others, and so, a perilous journey to France begins.
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With help from their friend Michel, Robin and Springfield are now in possession of something called a decoder. Believing this decoder belongs to a spy organization they call The Falcon Crest group, it is vital they leave France and return to England as quickly as possible.
The story teller continues his tale with more mystery and adventure. After foiling a plot to steal a secret weapon from England, Robin returns home for the first time in many years. His visit is cut short when a mysterious box is found by Robin’s lifelong friend and teacher, Springfield. This box cannot be opened in a normal way or broken into without destroying its contents. This box must contain something of great value to others, and so, a perilous journey to France begins.
Is it “just words” when a lawyer cross-examines a rape victim in the hopes of getting her to admit an interest in her attacker? Is it “just words” when the Supreme Court hands down a decision or when business people draw up a contract? In tackling the question of how an abstract entity exerts concrete power, Just Words focuses on what has become the central issue in law and language research: what language reveals about the nature of legal power. John M. Conley, William M. O'Barr, and Robin Conley Riner show how the microdynamics of the legal process and the largest questions of justice can be fruitfully explored through the field of linguistics. Each chapter covers a language-based approach to a different area of the law, from the cross-examinations of victims and witnesses to the inequities of divorce mediation. Combining analysis of common legal events with a broad range of scholarship on language and law, Just Words seeks the reality of power in the everyday practice and application of the law. As the only study of its type, the book is the definitive treatment of the topic and will be welcomed by students and specialists alike. This third edition brings this essential text up to date with new chapters on nonverbal, or “multimodal,” communication in legal settings and law, language, and race.
This book is about you and how you can be masterful in your most important relationship. It’s about having greatly increased self-awareness and self-management, leading to emotionally intelligent choices. It’s becoming far better as a relationship partner than you ever thought possible. It’s about being mindful of what’s happening between you and your partner in this moment, able to create a “mindful pause” between something that triggers an emotional reaction and your usual habitual response. It’s conscious and intentional relating instead of “knee-jerk” automatic reacting. This is a book about a systematic, holistic, and action-oriented process of choosing and creating mindful relating. It’s a guidebook outlining a process of regularly assessing your relational mastery across ten Mindful Choices dimensions, focusing your attention, sustaining a high level of motivation, and creating lasting positive changes through ongoing intention, awareness, focus, and practice. It’s not just another self-help book, but rather a complete “how-to” manual for relational excellence. This book is not about finding the right partner or fixing your partner. It’s about being the right partner, bringing your very best self to the relationship.
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