Providing an overview of African American history, this text discusses a range of topics such as the Middle Passage to the Civil Rights Movement; from abolition to the Great Migration; from issues in religion, class and family to literature.
Film and television Westerns are most often associated with physical bravery. However, many--especially those produced during the "Golden Age" of Westerns from the late 1940s through the early 1960s--also demonstrate moral bravery (the willingness to do the right thing even when met with others' disapproval) and psychological bravery (the ability to overcome one's fear and inner conflict to bring out the best in oneself and others). Through a close examination of Westerns displaying all three types of bravery, the author shows us how courage can lead to, and even enrich, other virtues like redemption, authenticity, love, friendship, allegiance to one's community, justice, temperance, and growing up and growing old successfully.
The book covers unusual and often surprising areas of horror film history: (1) The harrowingly tragic life of Dracula's leading lady, Helen Chandler, as intimately remembered by her sister-in-law. (2) John Barrymore's 1931 horror vehicles Svengali and The Mad Genius, and their rejection by the public. (3) The disastrous shooting of 1933's Murders in the Zoo, perhaps the most racy of all Pre-Code horror films. (4) A candid interview with the son of legendary horror star Lionel Atwill. (5) The censorship battles of One More River, as waged by Frankenstein director James Whale. (6) The adventures (and misadventures) of Boris Karloff as a star at Warner Bros. (7) The stage and screen versions of the horror/comedy Arsenic and Old Lace. (8) Production diaries of the horror noirs Cat People and The Curse of the Cat People. (9) Frankenstein Meets the Wolf Man revisited. (10) Horror propaganda: The production of Hitler's Madman. (11) Horror star John Carradine and the rise and fall of his Shakespearean Repertory Company. (12) The Shock! Theatre television phenomenon. And (13) A Tribute to Carl Laemmle, Jr., producer of the original Universal horror classics, including an interview with his lady friend of almost 40 years.
This detailed study of the career of Anthony Mann argues Mann's prominence and influence alongside contemporaries like John Ford. Mann (1906-1967), who was active in Hollywood and Europe, directed or produced more than 40 films, including The Fall of the Roman Empire and God's Little Acre. Best known for his work in the film noir and western genres and his films starring Jimmy Stewart, Mann later moved into Cold War and epic films. The book features a filmography and 49 photographs.
Instead of fixating on formulae, Soil Mechanics: Concepts and Applications, Third Edition focuses on the fundamentals. This book describes the mechanical behaviour of soils as it relates to the practice of geotechnical engineering. It covers both principles and design, avoids complex mathematics whenever possible, and uses simple methods and ideas to build a framework to support and accommodate more complex problems and analysis. The third edition includes new material on site investigation, stress-dilatancy, cyclic loading, non-linear soil behaviour, unsaturated soils, pile stabilization of slopes, soil/wall stiffness and shallow foundations. Other key features of the Third Edition: • Makes extensive reference to real case studies to illustrate the concepts described • Focuses on modern soil mechanics principles, informed by relevant research • Presents more than 60 worked examples • Provides learning objectives, key points, and self-assessment and learning questions for each chapter • Includes an accompanying solutions manual for lecturers This book serves as a resource for undergraduates in civil engineering and as a reference for practising geotechnical engineers.
Annotation Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
By the late 20th century, Montpelier, the home of James and Dolley Madison, had been altered until it would no longer have been recognizable to the couple. In 2000 the newly-created Montpelier Foundation took over management of the historic home with the seemingly insurmountable task of restoring it to be a visual record of the Madisons' era. Within ten years, the Foundation overcame numerous hurdles, turning Montpelier into a monument to the Father of the Constitution. Over the next decade the site also became a monument to Montpelier's enslaved. The buildings in their community next to the Madisons' home were reconstructed, and award-winning exhibits dramatically illustrate the tragedy of slavery and essential role of enslaved people in Madison's life. Foundation co-founder William H. Lewis details the nonprofit's ambitious preservation projects and remarkable achievements.
A Texas sheriff must defend a murderous Union general from a Confederate family out for revenge in this post–Civil War Western. They call him The Butcher of Baxter Pass, the notorious former Union General who massacred 200 Confederate prisoners—just because he could. Now it’s Sheriff Jess Casey’s unenviable job to protect the bloodthirsty murderer from those who want him dead, which turns out be pretty much everyone south of the Mason-Dixon Line. When the Butcher arrives in Fort Worth—followed by the vengeance-hungry McNamara clan—Casey has to swallow his disgust and uphold the law, even if it means saving a mass murderer’s hide. But it won’t be easy. He’s outgunned by a dozen ex-Rebel avengers who lost three of their kin to the Butcher and will shoot anyone who gets in their way. Unfortunately for them, Sheriff Casey is the one man who’s brave enough—and crazy enough—to try and stop them . . .
Understanding Virtual Reality: Interface, Application, and Design, Second Edition arrives at a time when the technologies behind virtual reality have advanced dramatically. The book helps users take advantage of the ways they can identify and prepare for the applications of VR in their field. By approaching VR as a communications medium, the authors have created a resource that will remain relevant even as underlying technologies evolve. Included are a history of VR, systems currently in use, the application of VR, and the many issues that arise in application design and implementation, including hardware requirements, system integration, interaction techniques and usability. - Features substantive, illuminating coverage designed for technical or business readers and the classroom - Examines VR's constituent technologies, drawn from visualization, representation, graphics, human-computer interaction and other fields - Provides (via a companion website) additional case studies, tutorials, instructional materials, and a link to an open-source VR programming system - Includes updated perception material and new sections on game engines, optical tracking, VR visual interface software, and a new glossary with pictures
The extraordinary life—the first—of the legendary, undercelebrated Hollywood director known in his day as “Wild Bill” (and he was!) Wellman, whose eighty-two movies (six of them uncredited), many of them iconic; many of them sharp, cold, brutal; others poetic, moving; all of them a lesson in close-up art, ranged from adventure and gangster pictures to comedies, aviation, romances, westerns, and searing social dramas. Among his iconic pictures: the pioneering World War I epic Wings (winner of the first Academy Award for best picture), Public Enemy (the toughest gangster picture of them all), Nothing Sacred, the original A Star Is Born, Beggars of Life, The Call of the Wild, The Ox-Bow Incident, Battleground, The High and the Mighty... David O. Selznick called him “one of the motion pictures’ greatest craftsmen.” Robert Redford described him as “feisty, independent, self-taught, and self-made. He stood his ground and fought his battles for artistic integrity, never wavering, always clear in his film sense.” Wellman directed Hollywood’s biggest stars for three decades, including Clark Gable, Gary Cooper, Barbara Stanwyck, John Wayne, Lauren Bacall, and Clint Eastwood. It was said he directed “like a general trying to break out of a beachhead.” He made pictures with such noted producers as Darryl F. Zanuck, Nunnally Johnson, Jesse Lasky, and David O. Selznick. Here is a revealing, boisterous portrait of the handsome, tough-talking, hard-drinking, uncompromising maverick (he called himself a “crazy bastard”)—juvenile delinquent; professional ice-hockey player as a kid; World War I flying ace at twenty-one in the Lafayette Flying Corps (the Lafayette Escadrille), crashing more than six planes (“We only had four instruments, none of which worked. And no parachutes . . . Greatest goddamn acrobatics you ever saw in your life”)—whose own life story was more adventurous and more unpredictable than anything in the movies. Wellman was a wing-walking stunt pilot in barnstorming air shows, recipient of the Croix de Guerre with two Gold Palm Leaves and five United States citations; a bad actor but good studio messenger at Goldwyn Pictures who worked his way up from assistant cutter; married to five women, among them Marjorie Crawford, aviatrix and polo player; silent picture star Helene Chadwick; and Dorothy Coonan, Busby Berkeley dancer, actress, and mother of his seven children. Irene Mayer Selznick, daughter of Louis B. Mayer, called Wellman “a terror, a shoot-up-the-town fellow, trying to be a great big masculine I-don’t-know-what. David had a real weakness for him. I didn’t share it.” Yet she believed enough in Wellman’s vision and cowritten script about Hollywood to persuade her husband to produce A Star Is Born, which Wellman directed. After he took over directing Tarzan Escapes at MGM, Wellman went to Louis B. Mayer and asked to make another Tarzan picture on his own. “What are you talking about? It’s beneath your dignity,” said Mayer. “To hell with that,” said Wellman, “I haven’t got any dignity.” Now William Wellman, Jr., drawing on his father’s unpublished letters, diaries, and unfinished memoir, gives us the first full portrait of the man—boy, flyer, husband, father, director, artist. Here is a portrait of a profoundly American spirit and visionary, a man’s man who was able to put into cinematic storytelling the most subtle and fulsome of feeling, a man feared, respected, and loved.
John Ford's early Westerns reflect an optimistic view of society and individual capacity; as his thematic vision evolved, he became more resigned to the limitations of humanity. His thematic evolution was evident in other films, but was best shown in his Westerns, with their stark depictions of the human condition. Ford's sound Westerns and his major silent films are compared in this work, revealing how his creative genius changed over time. A complete filmography of Ford's Westerns is also provided.
A Prophet with Honor is the biography Billy Graham himself invited and appreciated for its sympathetic but frank approach. Carefully documented, eminently fair, and gracefully written, it raises and answers key questions about Graham's character, contributions, and influence on the world religious scene. In this engaging and comprehensive book, William Martin gives readers a better understanding of the most successful evangelist in modern history, and the movement he led for over fifty years. A Prophet with Honor makes a vital contribution to the Billy Graham legacy and allows us to understand why his words, actions, and personality endeared him to popes and preachers, kings and presidents, and millions of Christians in virtually every nation and culture around the world. Martin draws on extensive conversations with Graham himself nearly two hundred interviews previously untouched resources, including documents from six presidential libraries and the Billy Graham Evangelistic Association archives personal observation of Graham's crusades and conferences in the United States and Europe decades of research on evangelical Christianity Martin pays particular attention to Graham's controversial relationships with Presidents Lyndon Johnson and Richard Nixon. He also describes how Graham's lifelong determination "to do something great for God" led him to organize international conferences that spearheaded the worldwide spread of the liberating message of Jesus, and prompted him to help strengthen religious freedom in the Soviet bloc and China. Tracing Graham's life and ministry from his rural and religious roots in North Carolina to his place as the elder statesman of American evangelicalism, examining both his triumphs and his tribulations, Martin shows the multidimensional character of the man who has become one of the most admired persons in the world.
A narrative account of Elizabeth Taylor's career, with particular attention paid to how the consummate movie star influenced and crafted her image over the years.
Western films are often considered sprawling reflections of the American spirit. This book analyzes the archetypes, themes, and figures within the mythology of the western frontier. Western themes are interpreted as expressions of cultural needs that perform specific psychological functions for the audience. Chapters are devoted to the frontier hero character, the roles of women and Native Americans, and the work of the genre's most prolific directors, Anthony Mann and John Ford. The book includes a filmography and movie stills. Instructors considering this book for use in a course may request an examination copy here.
Good fortune offered this nation an unusual chance at ideal nation-forming and... some honorable leaders seized that chance", writes William Lee Miller in The Business of May Next, and none among the founders made more of the opportunity than did James Madison, subject of this engaging work. Madison is depicted during the critical years between 1784 and 1791, when he was so active in articulating the governmental aims of the fledgling nation that he sometimes found himself in official dialogue with himself. More than simply a historical and biographical account, the book traces Madison's political and theoretical development as a means of illuminating its larger theme, the moral and intellectual underpinnings of the American nation. With a sound grasp of his material and a refreshing style Miller reveals how Madison's research into republics and his influence on the writing of the Constitution are central to the values for which the nation stands. From an examination of Madison's notes, Miller traces Madison's early research into other republics and their weaknesses. He reveals how Madison's thinking shaped the Virginia Plan, which, in turn, shaped the United States Constitution and the nation's institutions. The author writes that Madison sought the strands of Republicanism in history and gave republican ideals new and lasting institutional expression. He shows how the making of republican institutions became a collaboration, and how the newly created institutions contained within themselves provision for their own continuing alteration and for the involvement and influence of collective humanity down through the years. Miller follows Madison through the Constitutional Convention("the business of May next") to the great national argument on behalf of the Constitution, notably through the Federalist papers. Of particular interest are his discussions of the constitutional deliberations over religious freedom and the institution of slavery.
More than 150 articles provide a revealing look at one of the most tempestuous decades in recent American history, describing the everyday activities of Americans as they dealt first with war, and then a difficult transition to peace and prosperity. The two-volume World War II and the Postwar Years in America: A Historical and Cultural Encyclopedia contains over 175 articles describing everyday life on the American home front during World War II and the immediate postwar years. Unlike publications about this period that focus mainly on the big picture of the war and subsequent economic conditions, this encyclopedia drills down to the popular culture of the 1940s, bringing the details of the lives of ordinary men, women, and children alive. The work covers a broad range of everyday activities throughout the 1940s, including movies, radio programming, music, the birth of commercial television, advertising, art, bestsellers, and other equally intriguing topics. The decade was divided almost evenly between war (1940-1945) and peace (1946-1950), and the articles point up the continuities and differences between these two periods. Filled with evocative photographs, this unique encyclopedia will serve as an excellent resource for those seeking an overview of life in the United States during a decade that helped shape the modern world.
Throughout his career, William Gass relentlessly pushed at the boundaries of language, celebrating the music of the sentence and the aesthetics of the written word. Now, the best and most important of his work is collected in one volume. There are essays on Plato, Hobbes, James, Joyce, Beckett, Stein, Gaddis, Sterne, Ford Madox Ford, Thomas Mann. There are pieces that examine the inner workings of writing. There is his masterful short fiction, from the perfectly crafted novella “In Camera” to the mythical “In the Heart of the Heart of the Country.” And there are excerpts from his novels, including his magnum opus, The Tunnel. Taken together, this collection is a peerless, essential celebration of literature—and an invaluable guide for anyone who wants to understand how great writing works.
The geographic range of this study is the British American colonies, from Halifax, Nova Scotia, to Savannah, in the Georgia colony on the continent, and the British West Indies."--BOOK JACKET.
Vox Populi is the long-awaited fourth collection of interviews, editorials, essays, observations and keen insight from legendary New York broadcaster William O’Shaughnessy. With this inspiring new anthology, Bill is back in a big way, offering compelling dialogue and opinion on timely issues and current events in politics, media, the arts and popular culture. A masterful interviewer, O’Shaughnessy goes one-on- one with Barbara Taylor Bradford, Steve Forbes, Joe Califano and a colorful band of townie characters from Westchester – the Golden Apple. Broadcasting for five decades from what the Wall Street Journal hailed as “the quintessential community station in America,” his thoughtful and muscular commentaries have been widely praised in all the important journals in the land. A self-styled First Amendment “voluptuary,” O’Shaughnessy is a stellar defender of Free Speech, having devoted the good part of fifty years to fighting censorship and government intrusion from his influential perch in the heart of the Eastern Establishment. He’s the one they roll out when the likes of Howard Stern, Bob Grant and Imus get in a jam. Colorful national figures and beguiling “townies” abound in Vox Populi which is also laden with exquisitely beautiful eulogies and tributes to his departed friends Tim Russert, Wellington Mara, Robert Merrill and Ossie Davis. And, as in every Bill O’Shaughnessy book, there is stunning and powerful wisdom and brilliant observations from Governor Mario Cuomo whom he so admires. The great American historian David McCullough observed: “I always look forward to reading the history of our times Bill O’Shaughnessy has written.” O’Shaughnessy is an authentic American voice.
a funny and clever reminiscence about what happened in Australia over the past 30 years ... Told with a delightful insight and sense of whimsy.' Daily Telegraph In THAT'D BE RIGHT, much loved actor and author William McInnes gives his personal view on the things we love – sport, families, politics and the greatest spectator sport of them all, an election campaign. He takes the momentous landmarks that fascinate us, such as Melbourne Cup Day, Grand Final wins and election night parties, and brings them into our back yards. He also writes about early morning swimming carnivals, lawnmowers and sitting in the stands at the cricket with his son. THAT'D BE RIGHT is a biographical trip through Australian life with lots of yarns along the way.
Small-time operator Bobby Carnes took a shot at a big score, setting up a major drug sale with some high rollers in Marina del Ray. He went in with a few bags of crank-methamphetamine and a .44 and walked out a stone-cold killer: a suitcase full of cash in his hands and four bodies in his wake. Now Carnes is up for trial, and Los Angeles County District Attorney George Keegan has decided to prosecute the case himself, prompted by his own private anguish. It’s a move that guarantees him media coverage in a brutal reelection campaign—a strategy that could easily backfire. For Keegan’s star witness is running scared, and if he loses the case, a brutal murderer will go free . . . and all of George Keegan’s dreams will turn to dust.
Blatty's tale concerns John "Wrong-Way" Goldfarb, a former college football star who once ran 95 yards for a touchdown in the wrong direction. Now a U-2 pilot, his plane malfunctions and crashes in the mythical Arab kingdom of Fawzia. The country's leader threatens to turn him over to the Soviets unless he agrees to coach a football team. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
From the award-winning author of The Tunnel and Finding a Form--four interrelated novellas that explore Mind, Matter, and God. In the first novella, Gass redefines Descartes' philosophy. God is a writer in a constant state of fumble. Mind is represented by a housewife who is a modern-day Cassandra. And Matter is, what (and who) else but the helpless and confused husband of Mind. In the novella that follows, the concept of salvation is explored through material possessions--a collection of kitsch--as a traveling businessman is slowly lost in the sheer surfeit of matter in a small Illinois town. In another, Gass explores the mind's ability to escape. A young woman growing up in ruralIowa finds herself losing touch with the physical world as she loses herself in the poetry of Elizabeth Bishop. And in "The Master of Secret Revenges," God appears in the form of Descartes' evil demon, Lucifer, as Gass chronicles the life of a young man named Luther and his development from his devilish youth to his demonic adulthood. A profound exploration of good and evil, philosophy and action, filled with the wit and style that have defined the work of William Gass.
When a Texas rancher faces eviction by the government, his resistance sparks a movement against tyranny in this novel by the USA Today–bestselling authors. G. W. Brannock is proud to be a rancher, a West Texan, and a American. The land he owns has been in his family for generations. But when the IRS claims he owes a fortune in back taxes—and some stiffs from the Bureau of Land Management tell him his family’s deed is invalid—G.W. refuses to stand down. This land is his land, and there’s only one way the government can take it: over his dead body . . . The battle lines are drawn. The feds hit G. W. with everything they’ve got, from legal threats to sabotage to hired thugs. All G. W.’s got is his grandson Kyle and feisty lawyer Miranda Stephens. But when his story makes the national news, a veritable army of ordinary citizens rises up to join the cause. To fight against tyranny. To live free or die . . .
AIR ASSAULT SHARING MILITARY EXPERIENCE is vital for a wide range of readers and critics. For those who may loathe the military it shows that all is not jack-boot sadism. For those who would place the military on an alabaster pedistal, it gives a reality check: mistakes can occur, many of them the author's own errors. It gives critical insight for moms, dads, siblings, partners who basically want to know "what's it like", without a lot of rah-rah fluff. Important for new NCO's and junior officers it gives a checklist of "Lieutenant's Mistakes" with the hope these will not be repeated. Chapters are topical: fighting sequences, enlisted men, NCO's and officers, the critical factor of chow, those staples of all wars--going out and going home, "Shank Mechanics and Hospitals," with a concluding "What do you think about the war?" The writing is based on the experiences of the author, William Crisp, a rifle platoon leader with the 1st Battalion (Airborne) 8th Cavalry Regiment, First Cavalry Division (Airmobile) in Vietnam. This is not, however, just a "Vietnam" book. The issues span time and have immediate relevance.
Visit any of the approximately 150 national military cemeteries in the United States, and collectively you will find nearly 1,000,000 headstones marking the final resting place of U.S. Military personnel killed in battles beginning with the Civil War to the present. Spend an extra few minutes reading the names on the headstones, and you will find representatives of every ethnic, religious, geographic, and societal group existing in America today. Their names, dates of birth and death, their military rank and last unit, and their home state are clearly carved in stone. That's only half the story. Lift your eyes, look around, and you will see other identical headstonesidentical in shape and size but different in that these stones bear no name except Unknown.
Between 1942 and 1945, 1,051 amphibious tank-landing ships were rapidly produced. These were anonymous vessels, slow and unwieldy, and in the words of one crewmember, they looked like bathtubs. At first, LSTs had a reputation of being expendable and of relatively low value, and so were bestowed another, less noble, nickname; “Large Slow Targets.” Put into service to get troops and equipment ashore, the story of LST 479 is in some respects the story of all of these ships. Typical of all early LSTs, its crew on commissioning day, April 19, 1943, consisted of raw amateurs. But over the next 1,046 days, through collisions, accidental groundings, navigational errors, and lots of mechanical breakdowns, the 479 crew became sailors. Displaying heroism and ingenuity, they rescued the crew of a crippled landing craft during an Alaskan storm, battled fires aboard a burning LST hit by kamikazes, and fought off air attacks on the way to Makin and Guam, at Saipan, in the Philippines and around Okinawa. This LST crew became the embodiment of the Navy’s 2018 recruiting slogan: “Forged by the Sea.” In gripping, meticulously researched, “you are there” fashion, author William A. Gay, recounts the fascinating history of the 479’s seven Pacific campaigns; from the day-to-day life of the men aboard her, to their terrifying encounters in battle as they delivered “unseen body blows” to the enemy that helped win the war in the Pacific.
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