In 1849, a boy saves a girl from the Hudson River in this story “of wonders and sweetness, magic and horrors [that] immerses itself in the marvelous” (The Boston Sunday Globe). A penniless Irish orphan, Daniel Quinn is among the crowds gathered at the Hudson River in Albany to watch a legendary dancer aboard the ferry. But when the boat strikes the ice that chokes the water on this wintry day, awe turns to terror. Though the dancer’s life is lost, Daniel risks his neck and rescues her niece, Maud Fallon. But just as he’s falling in love with the beautiful, passionate girl, she’s snatched away from him. As the years pass and Daniel continues his quest for the beguiling Maud, he will witness the rise and fall of great dynasties in upstate New York, epochal prize fights, the exotic world of the theater, visitations from spirits beyond the grave, horrific battles between Irish immigrants and the Know-Nothings, the New York draft riots, the perils of the Underground Railroad, and the bloody despair of the Civil War. Rich with nineteenth-century history and filled with flourishes of humor and magical realism, this is an “engrossing and eerily profound” novel (Time) from an author who, in the words of Stephen King, “writes with verve and nerve [and] paints a full and lively canvas.” In the tradition of E. L. Doctorow’s Billy Bathgate or Mark Helprin’s Winter’s Tale, it is a remarkable saga from the Pulitzer Prize–winning author of Ironweed.
Professor Sophia Stuart, smart, sexy, and sassy, finds herself in competition for a prestigious academic appointment with her closest friend, a prospective lover, a nasty colleague, and one very strange little man. Over the course of a sometimes whacky, sometimes heart-wrenching semester, as she campaigns for the honor that would be the crowning achievement of her professional career, Sophia becomes swept up in the private war of wills between two powerful personalities for whom the university is a battleground and whose clash of incompatible ideologies masks a struggle for nothing less than the soul of higher education itself. In negotiating this contested space, bestrewn with obstacles and challenges, the failure to overcome any one of which could frustrate her aspirations toward fulfillment, Sophia must learn how to reconcile her fragile sense of personal integrity with professional ambition. Somehow in this world circumscribed by philosophy and faction, Sophia, a quick study and shrewd, must craft the means to that reconciliation; and somewhere in the midst of this turbulent landscape she must locate a calm refuge for the preservation of the self, a place with room enough in which tender heart, tireless mind, and boundless soul can find adequate scope for enriched expression. Restoration Court, the inaugural novel in the Winston University Series, offers an irreverent glimpse into one of the most deliriously dysfunctional institutions of higher learning ever imagined. But for anyone who has worked in higher education, nothing of extreme shading and artful distortion of the novel can hide the underlying and disturbing realities present in the fictional representation, unquiet but for the modesty of its truth.
Orphan Daniel Quinn's narration of his adventure-ridden quest for love and the meaning behind his destiny also portrays the dramatic history of nineteenth-century Albany.
Liberty By: William Quinn After spending the first forty-eight years of his life in Brooklyn, William Quinn has retreated to a secluded, and undisclosed location deep in the woods of Northern Michigan, where he finds it’s possible to reminisce and reflect on the experiences of a long, hard, and varied life that has stretched from the halls of academia, to the halls of tenement crack houses, and many divergent paths in between. Liberty is a playful reminder of how the games children play, and how the ‘hand that rocks the cradle’ can shape the politics, freedom, and the future of a nation. The story opens on a Brooklyn street, and gives us a glimpse into a culture that’s all but forgotten, if not forbidden, and the society that culture had fostered. It’s the perfect book to have with you if you’re stuck in the house on a rainy day, or if you just want to remember how we used to be.
The Only Tradition examines the first principles of the perennial philosophy or ancient wisdom tradition as expressed in the writings of René Guénon and Ananda K. Coomaraswamy, and the current breakdown of value, meaning, and culture in the West due to the decline of these principles since the thirteenth century. The book further focuses on the relationship or reciprocity between the first principles and Western and Eastern culture, and discusses the future development of a homogenous, worldwide system of belief that would restore value and meaning to people's lives. Quinn argues for a return to the first principles inherent in the perennial philosophy, which constitute the sacred primordial Tradition and which inform all the world's great religious traditions. His book makes an excellent introduction to this powerful current of European esoteric thought—primordial tradition.
The squirrelly little professor Stanley Kosiewski occupies an unstable place in the world located between two realities: an imagined one in which he socializes and converses with some of the most famous characters of world literature and the academic world of dysfunctional Winston University. The latter is defined by his relationship with four colleagues. Together with K, they comprise the Fellowship of the Fire, a literary clique of philosophically minded, antiquated intellectuals with antiquated opinions on everything from soup to nuts. When faced with the prospect of retirement from academia, the odd little professor, affectionately known as the gerbil by students and colleagues alike, begins to reflect on the purpose and meaning of his life and his career. Waiting to be discovered in the vague space between these realities is something of an answer to his perplexing questions about his relevance.
About the Book The Deuce takes a humorous look at New York City in the late nineteen seventies to remind us how we’ve changed since then. The story also examines how life in a crowded urban environment might shape the people who live there as it follows the romance of a young man with his latest girlfriend, and his reluctant romance with his first boyfriend. About the Author William Quinn is a third-generation New Yorker, but after escaping New York himself, likes to write about the city that’s been bred into him, and the people that city produced.
Dr. Quinn provides a review on related research and programs and effectiveness. A presentation of the model program provides most of the materials an individual or agency would need to begin to implement the program. A practitioner might take activities from the model program and integrate them into an existing program.
Predicated on the immemorial core or "first" principles of the universal perennial philosophy, which finds expression from Lao Tzu to Ramana Maharshi in the East and from Pythagoras to René Guénon and Ananda K. Coomaraswamy in the West, The Higher Spiritual Path details how those on the higher spiritual path must address and master its requirements. This book is as practical as it is philosophical -- or theosophical -- since it is based on the specifics of “sacred science,” or spiritual science, an inextricable component of the perennial philosophy. Many of the requirements of the higher spiritual path are based on the truths of this ancient spiritual science, formulated over millennia by jivanmukti, or liberated beings, who serve as the teachers of those currently engaged in treading this hieratic path. The goals of ascending this path are the loftiest; the hierarchical order of its spiritual teachers is the holiest; and the totality of its evolutionary and compassionate purpose is the most sacred.
Proposes that Troilus was intended for live performance (by Chaucer himself?) and discusses the use of useless (to readers) words and phrases, the different moods of presentation for each book, and the implications for contemporary studies of the work.
Wisdom on the Path of Enlightenment Chela is Sanskrit for “disciple” of a spiritual teacher, or guru. The guru-chela relationship is far more than that of ordinary teacher and pupil, since it involves a profoundly spiritual interrelationship. Now, in this new volume, William Wilson Quinn has compiled and organized selections from several extraordinary gurus–primarily of India and Tibet–who were highly advanced and authentic spiritual teachers. Their advice focuses on chelaship–of how to become, and remain, a chela of one of their qualified successors. Distilled to its essence, and borrowing from their words, this handbook succinctly offers a guide to cultivating the chela’s inner qualities and virtues, as well as his or her outer behaviors. These inner qualities include, among others, open mindedness, purity of heart, an eager intellect, a sense of duty to the spiritual teacher, and a willing obedience to the behests of Truth. For the chela, these inner pursuits are effective only when matched with corresponding outer behaviors such as loving kindness toward others, selflessness, and a genuine compassion and charity for all who suffer. For seekers of spiritual truth and students of the perennial philosophy wanting to explore spiritual wisdom at depth, The Chela’s Handbook offers a guide for becoming and remaining a chela, and thereafter traversing the spiritual path toward the ultimate goals of enlightenment and liberation from the wheel of death and rebirth.
The Saurians are coming! No, claims Dr. Alistair Truepenny, professor of xenoarchaeology at Winston University, they are already here, and, what’s more, they have been among us for centuries, patiently manipulating us politically, economically, and socially. So says the Codex, an ancient text found by Truepenny in the ruins of an underground labyrinth on the distant world to which he has ventured by way of the wormhole that one day mysteriously opened in his office. The codex, Truepenny asserts, tells the story of a predatory species that, having abandoned their dying world, struck out aggressively across galaxies in search of other worlds to subjugate and other races to dominate. Together with his dashing alter ego Anselm, the cryptic exolinguist Clavdia, his graduate assistant and spiritual advisor Ganesh, and a supporting cast of zany characters, Truepenny, armed with his alarming knowledge, has determined to forewarn the world of the Saurian danger. But will the world take heed? Or are the Saurians—and his assorted assistants themselves—merely figments of Truepenny’s imagination?
Who am I? What is my purpose? Before only available in e-manuscript to the “Geek Underground” on campus, here for the first time in print is Denn “Doc” Quinn’s disturbing vision of the world of the Pharak and Mukti, a chilling dreamscape woven and governed by the forces of Psytechsci, policed by the brutally repressive kordac-mukti, and haunted by the nightmare figures of shadow-stalkers, ghouls who devour souls; by high-tech pleasure junkies who steal identities and experiences; by pharaphrenics, sexually ambiguous beings capable of mind invasion; and by the Innominati, whose bodies emptied of essence drift like aimless wraiths through the night. This is the world to which the Pharak Andrew awakens following a mysterious surgery that has left him with partial amnesia and an identity reconstructed by government scientists. Before long Andrew discovers discrepancies between the life that science has given him and the life he seems once to have led. Confused by vague memories of his former self, troubled by bizarre dreams that will not let him alone, Andrew determines to unravel his past. Wandering in an existential labyrinth, he can cling to but one certainty: that he is a citizen of the City of Singular Longing. Beneath the utopian surface of the city, however, lurks a world oppressed by class antagonisms and rebellion and a world unfitted to furnish satisfying answers to Andrew’s most urgent questions. Only the Liminal, the trackless wilderness beyond the city, may hold the answers. The Liminal—to which all access has been sealed off by protective shield. A forbidden space. An impenetrable space except to rebels like Andrew bold enough to risk everything to get there. The Liminal—where the fugitive soul, if unprepared for the revelations that await it, may in the act of self-discovery lose itself forever in the deeper spaces of endless dream. Or nightmare.
In 1849, a boy saves a girl from the Hudson River in this story “of wonders and sweetness, magic and horrors [that] immerses itself in the marvelous” (The Boston Sunday Globe). A penniless Irish orphan, Daniel Quinn is among the crowds gathered at the Hudson River in Albany to watch a legendary dancer aboard the ferry. But when the boat strikes the ice that chokes the water on this wintry day, awe turns to terror. Though the dancer’s life is lost, Daniel risks his neck and rescues her niece, Maud Fallon. But just as he’s falling in love with the beautiful, passionate girl, she’s snatched away from him. As the years pass and Daniel continues his quest for the beguiling Maud, he will witness the rise and fall of great dynasties in upstate New York, epochal prize fights, the exotic world of the theater, visitations from spirits beyond the grave, horrific battles between Irish immigrants and the Know-Nothings, the New York draft riots, the perils of the Underground Railroad, and the bloody despair of the Civil War. Rich with nineteenth-century history and filled with flourishes of humor and magical realism, this is an “engrossing and eerily profound” novel (Time) from an author who, in the words of Stephen King, “writes with verve and nerve [and] paints a full and lively canvas.” In the tradition of E. L. Doctorow’s Billy Bathgate or Mark Helprin’s Winter’s Tale, it is a remarkable saga from the Pulitzer Prize–winning author of Ironweed.
From the Pulitzer Prize-winning author of "Ironweed," a dramatic novel of love and revolution from one of America's finest writers. This is an unforgettably riotous story of romance and redemption set against the landscape of the civil rights movement.
This collection brings together influential papers by mathematicians exploring the research frontiers of topology, one of the most important developments of modern mathematics. The papers cover a wide range of topological specialties, including tools for the analysis of group actions on manifolds, calculations of algebraic K-theory, a result on analytic structures on Lie group actions, a presentation of the significance of Dirac operators in smoothing theory, a discussion of the stable topology of 4-manifolds, an answer to the famous question about symmetries of simply connected manifolds, and a fresh perspective on the topological classification of linear transformations. The contributors include A. Adem, A. H. Assadi, M. Bökstedt, S. E. Cappell, R. Charney, M. W. Davis, P. J. Eccles, M. H. Freedman, I. Hambleton, J. C. Hausmann, S. Illman, G. Katz, M. Kreck, W. Lück, I. Madsen, R. J. Milgram, J. Morava, E. K. Pedersen, V. Puppe, F. Quinn, A. Ranicki, J. L. Shaneson, D. Sullivan, P. Teichner, Z. Wang, and S. Weinberger.
Occult detectives—sometimes called psychic investigators—have been in vogue since the middle of the 19th century. This collection goes back to the roots of the occult detective story. The earliest story in this collection—Fitz-James O'Brien's "The Pot of Tulips"—originally appeared in 1855. Rare stories by Mary Fortune and Bayard Taylor, famous tales from the end of the 19th century by E. and H. Heron, plus 20th Century stories by Robert E. Howard, Edmond Hamilton, Manly Wade Wellman, Seabury Quinn, and many more round out the book...29 classic tales in all! Included are: THE POT OF TULIPS, by Fitz-James O'Brien WHAT WAS IT? by Fitz-James O'Brien THE HAUNTED SHANTY, by Bayard Taylor Dr. Martin Hesselius in "GREEN TEA," by Joseph Sheridan Le Fanu MR JUSTICE HARBOTTLE, by J. Sheridan Le Fanu THE UNINHABITED HOUSE, by Mrs. J. H. Riddell THE PHANTOM HEARSE, by Mary Fortune AYLMER VANCE AND THE VAMPIRE, by Alice and Claude Askew THE DOOR INTO INFINITY, by Edmond Hamilton Carnacki in "THE GATEWAY OF THE MONSTER," by William Hope Hodgson Carnacki in "THE HOUSE AMONG THE LAURELS," by William Hope Hodgson Carnacki in "THE WHISTLING ROOM," by William Hope Hodgson Carnacki in "THE HORSE OF THE INVISIBLE," by William Hope Hodgson Carnacki in "THE SEARCHER OF THE END HOUSE," by William Hope Hodgson Carnacki in "THE THING INVISIBLE," by William Hope Hodgson Flaxman Low in "THE STORY OF SADDLER'S CROFT," by E. and H. Heron Flaxman Low in "THE STORY OF BAELBROW," by E. and H. Heron Flaxman Low in "THE STORY OF YAND MANOR HOUSE," by E. and H. Heron Flaxman Low in "THE STORY OF KONNOR OLD HOUSE," by E. and H. Heron Flaxman Low in "THE STORY OF THE SPANIARDS, HAMMERSMITH," by E. and H. Heron Flaxman Low in "THE STORY OF SEVENS HALL," by E. and H. Heron Steve Harrison in "FANGS OF GOLD," by Robert E. Howard Steve Harrison in "THE TOMB'S SECRET," by Robert E. Howard Steve Harrison in "NAMES IN THE BLACK BOOK," by Robert E. Howard Steve Harrison in "GRAVEYARD RATS," by Robert E. Howard THE HALF-HAUNTED, by Manly Wade Wellman Jules de Grandin in "THE JEST OF WARBURG TANTAVUL," by Seabury Quinn Jules de Grandin in "PLEDGED TO THE DEAD," by Seabury Quinn Jules de Grandin in "INCENSE OF ABOMINATION," by Seabury Quinn And don't forget to search this ebook store for "Wildside Megapack" to see more great entries in this great series, covering mysteries, ghost stories, westerns, science fiction, historical, and much, much more!
The inaugural volume of the ECC series provides a fresh, readable translation of 1 and 2 Timothy together with notes and commentary on this highly relevant section of Scripture. The Notes section of the commentary offers detailed philological analysis of the majority of the words used in these two Pastoral Epistles. The Comment section guides readers through the complex theological, historical, and practical issues facing the heirs of Paul in the Christian church. The issues treated in 1 and 2 Timothy have a remarkably modern ring to them. Addressing such "contemporary" topics as the qualifications for church leadership, the roles of women, the use of wealth, heterodoxy, worship, and ethics, these Pauline letters remain highly relevant to church life today. This new volume not only offers the best of current biblical scholarship on Paul's letters to Timothy but also demonstrates the high standard of excellence marking the ECC series.
This multi-volume work began as a biography of Martha Wadsworth Coigney, who was a pioneering thought leader and advocate of internationalism in the American theatre during the cold war. It was expanded to include the contributions of her mentors and friends Rosamond Gilder, Maurice McClelland, Roger L. Stevens, and Ellen Stewart. Coigney served as director of the International Theatre Institute (ITI) of the United States for thirty-two years and President of ITI International from 1987-1995. The International Theatre Institute is an independent NGO devoted to the UNESCO mission of peace through mutual understanding. After World War II the organization sustained cultural exchange between artists on either side of the Iron Curtain, across religious divides and war zones.
This multi-volume work began as a biography of Martha Wadsworth Coigney, who was a pioneering thought leader and advocate of internationalism in the American theatre during one of the most challenging periods in modern U.S. history. Coigney served as President of the International Theatre Institute (ITI) from 1966 to 2011. An independent NGO, ITI was devoted to the UNESCO mission of peace through mutual understanding, and, after World War II, often single-handedly sustained cultural exchange between artists on either side of the Iron Curtain, across religious divides, and in war zones. ITI was consistently in the vanguard of UNESCO's multi-lateral aim to bring all voices to the table, including former colonial peoples, developing nations, and indigenous cultures. In partnership with Rosamond Gilder and Ellen Stewart of La Mama E.T.C., Coigney led these landmark initiatives, including the representation of U.S. multicultural theatre leadership in Moscow in 1973. What was set in motion then is playing out today. Owing to the scope of Coigney’s work, William Wadsworth and Jim O’Quinn interviewed a wide range of her dramatist friends and professional colleagues. These conversations illumined a liberal cultural epoch (1954-86) and the U. S. Culture Wars that followed. The authors also recovered substantive original materials from Lincoln Center Performing Arts Library and the Rockefeller Archives about the life and work of Coigney, her mentor Rosamond Gilder, and Coigney’s longtime employer, the producer Roger Stevens. These materials document a sustained political effort by theatre people to socialize and liberalize post-WWII America. For these reasons, the work became much more than the story of one amazing person. It became a living history about relations between great artists and their milieu, told by the artists themselves. The Martha Coigney story has several key elements: • Coigney embodied the principle of internationalism as a counterforce to nationalism and fascism. • He career is a virtual how-to manual for re-visualizing and revitalizing American theatre. • Her life demonstrates the power of people-to-people diplomacy, based on the principles of individual human rights as established by the United Nations, the support of artistic freedom of expression, and the concept that every policy and funding mechanism finds its essence in the individual artist. • Coigney was one of the great theatre matchmakers and promoters of experimental and devised theatre work. Within this sector, she can be said to have revolutionized the theatre profession worldwide. • Gilder and Coigney, in their roles at ITI, led the movement to establish international theatre festivals in Europe, the USA, and globally. • Gilder and Coigney were collaborators with Roger Stevens, Donald Oenslager, Hal Prince, Nancy Rhodes, Edward Albee, and scores of other distinguished figures in the transmission of American dramatic art overseas. • Coigney served as advisor to and instrument for private theatre funders determined to create a national theatre accessible to working-class citizens and the poor, an investment, they believed, that was necessary to U.S. ascendency and world peace. In this they followed the inspiration of President John F. Kennedy, who articulated that to be influential, a great nation must have a great culture to contribute to the world.
When one gray December day, Aidan Ever passes unexpectedly and unceremoniously from this life into the next, he discovers that he has the power to shape his own afterlife. And does he ever! But Aidan, who in life had only but slenderly known himself and who in death is apparently none the wiser, soon learns that not everything is in his control, and that paradise isn't turning out quite the way he planned it.
A quantitative history of the Bank of Amsterdam, a dominant central bank for much of the seventeenth and eighteenth centuries. This book should interest monetary economists, scholars of central bank history, and historians of the Dutch Republic.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.