Billy Phelan, a slightly tarnished poker player, pool hustler, and small-time bookie, moves through the lurid nighttime glare of a tough Depression-era town. A resourceful man full of Irish pluck, Billy works the fringes of Albany sporting life with his own particular style and private code of honor until he finds himself in the dangerous position of potential go-between in the kidnapping of a political boss's son. In relating Billy's fall from the underworld grace and his storybook redemption, Kennedy captures the seamy underside of a brassy, sweaty city that would prefer to pretend that the Depression doesn't exist.
The beloved Pulitzer Prize-winning novel, basis of the film starring Jack Nicholson and Meryl Streep. Francis Phelan, ex-big-leaguer, part-time gravedigger, full-time bum with the gift of gab, is back in town. He left Albany twenty-two years earlier after he dropped his infant son accidentally, and the boy died. Now he's on the way back to the wife and home he abandoned, haunted at every corner by the ghosts of his violent life. Francis; his wino ladyfriend of nine years, Helen; and his stumblebum pal, Rudy, shuffle their ragtag way through the city's bleakest streets, surviving on gumption, muscatel, and black wit. estiny is not their business. 'The premise of Ironweed was so unpromising, that in marketing terms the writer still to this day finds it funny: the story of a bunch of itinerant alcoholics, knocking around Kennedy's hometown, falling out, having visions, trying to pass for sober to cadge a bed for the night in the homeless shelter.' Guardian 'But for all the rich variety of prose and event, from hallucination to bedrock realism to slapstick and to blessed quotidian peace, ''Ironweed'' is more austere than its predecessors. It is more fierce, but also more forgiving.' Quoted from the classic New York Times review of Ironweed, which made it an overnight sensation.
Unlike many other trade regimes, the European Union forbids the use of inter-state retaliation to enforce its obligations, and rules out the use of common 'escape' mechanisms such as anti-dumping between the EU member states. How does the EU do without these mechanisms that appear so vital to the political viability of other international trade regimes, including the World Trade Organization? How, therefore, is the European legal order, with the European Court of Justice at its centre, able to be so much more binding and intrusive than the legal obligations of many other trade regimes? This book puts forward a new explanation of a key part of the European Union's legal system, emphasising its break with the inter-state retaliation mechanisms and how Europe's special form of legal integration is facilitated by intra-industry trade, parliamentary forms of national government, and European welfare states. It argues first that the EU member states have allowed the enforcement of EU obligations by domestic courts in order to avoid the problems associated with enforcing trade obligations by constant threats of trade retaliation. It argues second that the EU member states have been able to accept such a binding form of dispute settlement and treaty obligation because the policy adjustments required by the European legal order were politically acceptable. High levels of intra-industry trade reduced the severity of the economic adjustments required by the expansion of the European market, and inclusive and authoritative democratic institutions in the member states allowed policy-makers to prioritise a general interest in reliable trading relationships even when policy changes affected significant domestic lobbies. Furthermore, generous national social security arrangements protected national constituents against any adverse consequences arising from the expansion of European law and the intensification of the European market. The European legal order should therefore be understood as a legalized dispute resolution institution well suited to an international trade and integration regime made up of highly interdependent parliamentary welfare states.
“Kennedy's justly acclaimed Albany Cycle [is] one of the imperishable products of American literature since the Second World War. These books can be read singly or in sequence, but read they must be. Kennedy is one of our necessary writers.”—GQ Legs inaugurated William Kennedy’s celebrated cycle of novels set in Albany, New York. True to both life and myth. Legs evokes the flamboyant career of the legendary gangster Jack “Legs” Diamond, who was finally murdered in Albany, and his showgirl mistress as they blaze a trail across the tabloid pages of the 1920s and 1930s. The second novel in the Albany cycle depicts Billy Phelan, a slightly tarnished poker player, pool hustler, and small-time bookie, as he moves through the lurid nighttime glare of a tough Depression-era town. Full of Irish pluck, he works the fringes of Albany sporting life with his own particular style—until he falls from underworld grace. In the Pulitzer Prize-winning novel, Ironweed, Francis Phelan, ex-ballplayer, part-time gravedigger, and full-time drunk, has hit bottom. Years ago he left Albany after killing a scab during a workers’ strike, and again after he accidentally—and fatally—dropped his infant son. Now, in 1938, Francis is back, roaming familiar streets and trying to make peace with ghosts of the past and present. William Kennedy’s Albany Cycle of novels reflect what he once described as the fusion of his imagination with a single place. A native and longtime resident of Albany, New York, his work moves from the mid-nineteenth to the mid-twentieth century, chronicling family life, the city’s netherworld, and its spheres of power—financial, ethnic, political—often among the Irish-Americans who dominated the city in this period. The novels in his cycle include, Legs, Billy Phelan’s Greatest Game, Ironweed, Quinn’s Book, Very Old Bones, The Flaming Corsage, and Roscoe.
Billy Phelan, a slightly tarnished poker player, pool hustler, and small-time bookie, moves through the lurid nighttime glare of a tough Depression-era town. A resourceful man full of Irish pluck, Billy works the fringes of Albany sporting life with his own particular style and private code of honor until he finds himself in the dangerous position of potential go-between in the kidnapping of a political boss's son. In relating Billy's fall from the underworld grace and his storybook redemption, Kennedy captures the seamy underside of a brassy, sweaty city that would prefer to pretend that the Depression doesn't exist.
In a Manhattan hotel room, the "Love Nest Killings of 1908" take place. But the mystery of who killed whom, and why, does not unravel until we explore the lives of Katrina Taylor and Edward Daughtery. He is a first-generation Irish American and a successful playwright. She is a high-born Protestant, a beautiful seductive woman with complex attitudes towards life. Their marriage is a passionate one, but a cataclysmic hotel fire changes it into something else altogether. Moving back and forth between the 1880s and 1912, The Flaming Corsagefollows Katrina and Edward as other lives impact upon theirs-their socially opposed families; Edward's flirtatious actress paramour, Melissa Spencer; the physician Giles Fitzroy, and his wife; and Edward's friend, the cynical journalist Thomas Maginn. The Flaming Corsageevocatively portrays through the lens of Albany's robust Irishtown and English-Dutch aristocracy the seething, contradictory impulses of our humanity, lusts and furies that know no bounds of time or place.
It is said that cancer is the most feared word in the English language. Running with Cancer: The Ultimate Marathon is the intensely intimate and poignant story of one defiant individual's twenty-five year struggle with the disease. Join the author, William A. Phelan, Ph.D., in this insightful account as he chronicles his marathon journey of survival and reveals how long distance running has provided him with the physical therapy, emotional stability and spiritual strength needed to overcome four perilous bouts with Head and Neck cancer. Running with Cancer is the inspirational tale of the author's remarkable odyssey in search of redemption against a life-threatening illness. Uplifting and motivating, the book reaffirms the triumph of the human spirit over a relentless adversary.
This is the seventh annual volume of the remarkably popular journal of biblical theology edited by Scott Hahn and his St. Paul Center for Biblical Theology. This volume responds to the call of Pope Benedict XVI in his Apostolic Exhortation Verbum Domini for a thoughtful return to the Fathers of the Church and how they approached Sacred Scripture. This is not in any way to jettison historical-critical methods and the valuable insights that modern biblical scholarship has brought to light. It is simply to acknowledge what Pope Benedict calls for, a measured return to the interpretive methods employed by the Church Fathers as well as the theology that flowed from their exegetical labors. As he said, "The Church Fathers present a theology that still has great value today because at its heart is the study of sacred Scripture as a whole. Indeed, the Fathers are primarily and essentially commentators on sacred Scripture." Highlights include original articles by Fr. William Kurtz, SJ, Matthew Levering, Father Stephen Ryan, OP, Stephen Hildebrand, Owen Phelan, and Michael Barber, as well as an original translation of Joseph Ratzinger's (Pope Benedict XVI) foundational essay "Vicarious Representation" by Father Jared Wicks, SJ.
I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: * Authoritative, reliable texts * High quality introductions and notes * New, more readable trade trim size * An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts
Within all of us, there is a passion to find what it takes to have happiness in life. But life is full of surprises, contradictions and disappointments that don't fit neatly into the way we think it's "supposed to be." Instead of experiencing the happily-ever-after version of life, some people find struggles that result in unanticipated, unwanted outcomes. How can we cope with hurts, dismay, fears and injustices we believe are not supposed to be? Relating profound lessons woven through anecdotes of happiness and misfortune; family, military and career life; illness and death; as well as ordinary surroundings on ordinary days, the authors of Gift-wrapped Lessons of Life share truths they learned about the way things are "supposed to be.
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