A full-color step-by-step atlas of operative techniques in aesthetic breast augmentation Includes DVD of surgical procedures Part of the McGraw-Hill Plastic Surgery Atlas series Featuring 110 photographs and 124 illustrations – all in color – Breast Augmentation is an unmatched visual guide to learning technical pearls for primary and revision breast augmentation. Specific surgical procedures are illustrated step-by-step to help you to fully understand the principles and techniques for optimizing outcomes in your patients. Chapters focus on different aspects and approaches to primary and secondary breast augmentation and include: The process of breast augmentation Incision planning Instruments Markings/landmarks Details of procedure including dual place pocket dissection Pitfalls Pearls Features Approaches including: trans-axillary, peri-areolar, and the “new” infra-mammary incision Revision breast augmentation techniques include: capsular contracture, malposition, and hyperanimation deformities A companion DVD of surgical procedures Key chapters on the process of breast augmentation, patient education, tissue-based planning, and post-operative management
GOD'S KNOWLEDGE OF CONDITIONALLY FUTURE CONTINGENTS; Defense of Divine Middle Knowledge; The Basis of God's Middle Knowledge; Summary; NOTES TO CHAPTER ONE; SELECT BIBLIOGRAPHY; INDEX.
The new edition of this classic reference offers a problem-based approach to pediatric diseases. It encompasses almost all pediatric subspecialties and covers every pediatric disease and organ system. It includes case studies and over 750 lavish illustrations.
The Negro Southern League was a baseball minor league that operated off and on from 1920 to 1951. It served as a valuable feeder system to the Negro National League and the Negro American League. A number of NNL and NAL stars got their start in the NSL, among them five Hall of Famers including Satchel Paige and Willie Mays. During its history, more than 80 teams were members of the league, representing 40 cities in a dozen states. In the end only four teams remained, operating more as semipro than professional teams. This book is a narrative history of the league from its inception with eight teams in major Southern cities until its demise three decades later.
Here is a critical and historical overview of unconventional and aesthetically challenging films, all of feature length. The author focuses on the particular forms of contemporary avant-garde films, which often rely on characteristics associated with historical films of the same genre. Included are works by such visionary filmmakers as David Lynch, Luis Bunuel, Jean Cocteau, Jean-Luc Godard, Guy Maddin and Derek Jarman. The first of the two appendices contains a filmography of key avant-garde feature films, from Haxan: Witchcraft Through the Ages (1922) to Maximum Shame (2010). The second appendix offers a brief list of directors who have made significant contributions to films that take alternative approaches to cinematic practice, establishing new grounds for analysis and evaluation.
“Powerfully and persuasively . . . Gibson tells us why we were in Vietnam . . . a work of daring brilliance—an eye-opening chronicle of waste and self-delusion.” —Robert Olen Butler In this groundbreaking book, James William Gibson shatters the misled assumptions behind both liberal and conservative explanations for America’s failure in Vietnam. Gibson shows how American government and military officials developed a disturbingly limited concept of war—what he calls “technowar”—in which all efforts were focused on maximizing the enemy’s body count, regardless of the means. Consumed by a blind faith in the technology of destruction, American leaders failed to take into account their enemy’s highly effective guerrilla tactics. Indeed, technowar proved woefully inapplicable to the actual political and military strategies used by the Vietnamese, and Gibson reveals how US officials consistently falsified military records to preserve the illusion that their approach would prevail. Gibson was one of the first historians to question the fundamental assumptions behind American policy, and The Perfect War is a brilliant reassessment of the war—now republished with a new introduction by the author. “This book towers above all that has been written to date on Vietnam.” —LA Weekly
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