A provocative essay that imagines a truly ecological future based on political transformation rather than the superficialities of “sustainability.” In this provocative call for a new ecological politics, William Ophuls starts from a radical premise: “sustainability” is impossible. We are on an industrial Titanic, fueled by rapidly depleting stocks of fossil hydrocarbons. Making the deck chairs from recyclable materials and feeding the boilers with biofuels is futile. In the end, the ship is doomed by the laws of thermodynamics and by the implacable biological and geological limits that are already beginning to pinch. Ophuls warns us that we are headed for a postindustrial future that, however technologically sophisticated, will resemble the preindustrial past in many important respects. With Plato's Revenge, Ophuls, author of Ecology and the Politics of Scarcity, envisions political and social transformations that will lead to a new natural-law politics based on the realities of ecology, physics, and psychology. In a discussion that ranges widely—from ecology to quantum physics to Jungian psychology to Eastern religion to Western political philosophy—Ophuls argues for an essentially Platonic politics of consciousness dedicated to inner cultivation rather than outward expansion and the pursuit of perpetual growth. We would then achieve a way of life that is materially and institutionally simple but culturally and spiritually rich, one in which humanity flourishes in harmony with nature.
This long-promised sequel to Ophuls' influential and controversial classic Ecology and the Politics of Scarcity is an equally provocative critique of the liberal philosophy of government. Ophuls contends that the modern political paradigm—that is, the body of political concepts and beliefs bequeathed to us by the Enlightenment—is no longer intellectually tenable or practically viable. Our attempt to live individualistically, hedonistically, and rationally has failed utterly, causing a comprehensive crisis that is at once political, military, economic, ecological, ethical, psychological, and spiritual. Liberal politics has abandoned virtue, rejected community, and flouted nature, thereby becoming the author of its own demise.By exposing the intrinsically contradictory and self-destructive character of Hobbesian political systems, Ophuls subverts our conventional wisdom at every turn. Indeed, his impassioned text reads more like a Greek tragedy than like a conventional political argument. He critiques feminism, multiculturalism, the welfare state, and a host of other “liberal” shibboleths—but Ophuls is not another reactionary neoconservative. The aim of his thesis is far more radical and progressive, offering a political vision that entirely transcends the categories of liberal thought. His is a Thoreauvian vision of a “politics of consciousness” rooted in ecology as the moral and intellectual basis for governance in the twenty-first century. Ophuls holds that a polity based on a renewed erotic connection with nature offers a genuine solution to this crisis of contemporary civilization and only within such a polity will it be possible to fulfill the worthy liberal goal of individual self-development.Ophuls' work will interest and challenge a wide spectrum of readers, though it will not necessarily be well liked or easily accepted. No one will put down this book with his or her settled convictions about Western culture intact, nor will readers ever again take modern civilization and its survival for granted.
Patrick Modiano (1945-) has published seventeen novels over the past twenty-seven years and is considered one of France's foremost writers. His first three works, dealing principally with the German occupation of France during World War II, are generally considered to have led to a reconsideration of the Gaullist myth which endured for twenty-five years after the war. Along with Marcel Ophuls's film, The Sorrow and the Pity, Modiano's novels opened French eyes to the more ambiguous role played during the occupation by the average French citizen. His subsequent novels have continued to probe the relationship between history, memory and fiction. This study will be of interest to readers of French fiction and history as it looks at their relation-ship to memory and shows that the three are inextricably linked in a way that enriches our understanding of our past, whether it be collective or personal. Modiano, while seemingly obsessed with his own past, in fact indicates an opening toward the future by attempting to put the past to rest in his fiction.
The purchase of this ebook edition does not entitle you to receive access to the Connected eBook with Study Center on CasebookConnect. You will need to purchase a new print book to get access to the full experience, including: lifetime access to the online ebook with highlight, annotation, and search capabilities; practice questions from your favorite study aids; an outline tool and other helpful resources. Environmental Protection: Law and Policy, respected for its intellectual breadth and depth, is an interdisciplinary overview of Environmental Law, incorporating history, theory, litigation, regulation, policy, science, economics, and ethics. It covers the history of environmental protection; policy objectives; regulatory design strategies; and constitutional federalism and related statutory interpretation issues concerning the design and implementation of the environmental laws. Coverage also includes the Clean Air Act, the Clean Water Act, the Resource Conservation and Recovery Act, CERCLA, and other pollution control statutes; a chapter on climate change that discusses scientific, policy, program design, and statutory authority questions; and natural resource management issues (including the National Environmental Policy Act, the Endangered Species Act, and limited coverage of national forest management). New to the 9th Edition: New co-author Alejandro Camacho, a leading scholar on natural resources and public land law Ch.1: New materials on the Flint, Michigan battles over lead contamination of the municipal water system Ch.2: Discussion of regulatory and judicial skirmishes resulting from policy differences among the Obama, Trump, and Biden administrations Ch.3: Changes, driven by the Supreme Court, to areas such as standard of judicial review (including the Court’s endorsement of the major questions doctrine) and potential changes to entrenched law in areas such as the nondelegation doctrine Ch.4: Council on Environmental Quality’s overhaul of its 1978 NEPA regulations under the Trump administration and the Biden CEQ’s phased revision of those regulations; Food and Water Watch v. FERC; Sierra Club v. EPA Ch.5: Discussion of recent research and scholarship on biodiversity loss, the Trump administration’s efforts to restrict the scope of the Endangered Species Act, and the Biden administration’s attempts to reverse or revise these changes; recent developments on listing, critical habitat, federal agency consultation, taking prohibitions, and incidental takings Ch.6: Updated references to air pollution science Ch.7: Updates on ongoing litigation involving the “waters of the United States” definition in the Clean Water Act Ch.8: EPA’s efforts to implement 2016 amendments to the Toxic Substances Control Act; League of United Latin American Citizens v. Regan Ch.9: New case law under CERCLA; discussion of the treatment in the Restatement (Third) Torts of joint and several liability Ch.10: Streamlined coverage of environmental enforcement process Ch.11: Updated coverage of climate change law, policy, and science to reflect opposed regulatory responses to climate change by the Trump and Biden administrations; West Virginia v. EPA Online environmental justice supplement Streamlined note material Benefits for instructors and students: Thorough, nuanced treatment of existing laws, regulations, and cases, regulatory design strategies, and current and developing policy objectives Interdisciplinary approach incorporating science, economics, and ethics Coverage of major federal pollution control, environmental assessment, and species protection laws Charts and graphics Exercises and problems Distinguished author team with extensive practical, scholarly, and teaching experience
Miracles and Sacrilege is the story of the epochal conflict between censorship and freedom in film, recounted through an in-depth analysis of the U.S. Supreme Court’s decision striking down a government ban on Roberto Rossellini’s film The Miracle (1950). In this extraordinary case, the Court ultimately chose to abandon its own longstanding determination that film comprised a mere ‘business’ unworthy of free-speech rights, declaring for the first time that the First Amendment barred government from banning any film as ‘sacreligious.’ Using legal briefs, affidavits, and other court records, as well as letters, memoranda, and other archival materials to elucidate what was at issue in the case, William Bruce Johnson also analyzes the social, cultural, and religious elements that form the background of this complex and hard-fought controversy, focusing particularly on the fundamental role played by the Catholic Church in the history of film censorship. Tracing the development of the Church in the United States, Johnson discusses the reasons it found The Miracle sacrilegious and how it attained the power to persuade civil authorities to ban it. The Court’s decision was not only a milestone in the law of church-state relations, but it paved the way for a succession of later decisions which gradually established a firm legal basis for freedom of expression in the arts.
This book examines the relationship between contemporary forms of critical theory and social reconstructionism, as they relate and contribute to the construction of a radical theory of education. It illustrates many of the persistent issues, problems, and goals of radical educational reform, including the importance of developing a language of possibility, utopian thought, and the critical competence necessary to reveal and deconstruct forms of oppression. Stanley perceptively and clearly reexamines new challenges posed to various forms of critical pedagogy (including reconstructionism) by the development of postmodern and poststructuralist theory, focusing on the connections and continuities between them.
This long-promised sequel to Ophuls’s influential and controversial classic Ecology and the Politics of Scarcity is an equally provocative critique of the liberal philosophy of government. Ophuls contends that the modern political paradigm—that is, the body of political concepts and beliefs bequeathed to us by the Enlightenment—is no longer intellectually tenable or practically viable. Our attempt to live individualistically, hedonistically, and rationally has failed utterly, causing a comprehensive crisis that is at once political, military, economic, ecological, ethical, psychological, and spiritual. Liberal politics has abandoned virtue, rejected community, and flouted nature, thereby becoming the author of its own demise. By exposing the intrinsically contradictory and self-destructive character of Hobbesian political systems, Ophuls subverts our conventional wisdom at every turn. Indeed, his impassioned text reads more like a Greek tragedy than a conventional political argument. He critiques feminism, multiculturalism, the welfare state, and a host of other “liberal” shibboleths—but Ophuls is not yet another neoconservative. The aim of his thesis is far more radical and progressive, offering a political vision that entirely transcends the categories of liberal thought. His is a Thoreauvian vision of a “politics of consciousness” rooted in ecology as the moral and intellectual basis for governance in the twenty-first century. Ophuls holds that a polity based on a renewed erotic connection with nature offers a genuine solution to this crisis of contemporary civilization and that only within such a polity will it be possible to fulfill the worthy liberal goal of individual self-development. Ophuls’s work will interest and challenge a wide spectrum of readers, though it will not necessarily be well liked or easily accepted. No one will put down this book with his or her settled convictions about American culture intact, nor will readers ever again take modern civilization and its survival for granted.
They had more in common than just a scream, whether they faced Dracula, Frankenstein's Monster, the Mummy, Dr. Jekyll, Mr. Hyde, King Kong, the Wolf Man, or any of the other legendary Hollywood monsters. Some were even monsters themselves, such as Elsa Lanchester as the Bride, and Gloria Holden as Dracula's Daughter. And while evading the Strangler of the Swamp, former Miss America Rosemary La Planche is allowed to rescue her leading man. This book provides details about the lives and careers of 21 of these cinematic leading ladies, femmes fatales, monsters, and misfits, putting into perspective their contributions to the films and folklore of Hollywood terror--and also the sexual harassment, exploitation, and genuine danger they faced on the job. Veteran actress Virginia Christine recalls Universal burying her alive in a backlot swamp in full "mummy" makeup for the resurrection scene in The Mummy's Curse--and how the studio saved that scene for the last day in case she suffocated. Filled with anecdotes and recollections, many of the entries are based on original interviews, and there are numerous old photographs and movie stills.
Almost five decades of exhaustive research by Gladys Hansen, Official Archivist Emeritus of San Francisco, makes Earthquake, Fire & Epidemic the definitive discourse on one of the most devastating natural disasters in American history. With coauthors Richard Hansen and Dr. William Blaisdell, M.D., Gladys Hansen offers a comprehensive account of the events leading up to, during, and following the April 1906 Earthquake and Fire that devastated San Francisco. The book includes narratives depicting the firefighters, military personnel, and first responders whose extraordinary efforts helped establish order out of chaos. Of particular significance, the authors discredit the deceitful efforts by San Francisco's political and business establishment who, to protect the commercial viability of the city, minimized the death toll and diminished the true magnitude of destruction. Earthquake, Fire & Epidemic offers new documentation and provides insight into the incomprehensible scale of disaster that killed thousands of people, utterly destroyed a quarter of San Francisco's buildings, and rendered tens of thousands of survivors homeless in the Golden City by the Bay.
This is the first full-length monograph in English about one of France's most important contemporary filmmakers, perhaps best known in the English-speaking world for his award-winning Les Roseaux sauvages/Wild Reeds of 1994. This study locates André Téchiné within historical and cultural contexts that include the Algerian War, May 1968 and contemporary globalization, and the influence of Roland Barthes, Bertolt Brecht, Ingmar Bergman, William Faulkner, and the cinematic French New Wave. The originality of Téchiné's sixteen feature films lies in his subtle exploration of sexuality and national identity, as he challenges expectations in his depictions of gay relations, the North African dimensions of contemporary French culture, and the center-periphery relationship between Paris and especially his native southwest.
This annual French XX Bibliography provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. Unique in its scope, thoroughness, and reliability of information, it has become an essential reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. Number 59 in the series contains 12,703 entries. William J. Thompson is Associate Professor of French and Undergraduate and Interdisciplinary Programs in the College of Arts and Sciences at the University of Memphis.
Originally published in 1988, The I of the Camera has become a classic in the literature of film. Offering alternatives to the viewing and criticism of film, William Rothman challenges readers to think about film in adventurous ways that are more open to movies and our experience of them. In a series of eloquent essays examining particular films, filmmakers, genres and movements, and the Americanness of American film, Rothman argues compellingly that movies have inherited the philosophical perspective of American transcendentalism. This second edition contains all of the essays that made the book a benchmark of film criticism. It also includes fourteen essays, written subsequent to the book s original publication, as well as a new foreword. The new chapters further broaden the scope of the volume, fleshing out its vision of film history and illuminating the author s critical method and the philosophical perspective that informs it.
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