The Edge of Running Water deals with the adventures of a young psychologist in a remote Maine farm house; with the death of a woman and the disappearance of an inventor. Against a normal enough background, events take on the shape of terror, with a tinge of the unknown - hints of things beyond the borderland of the natural, including the strange researches into survival after death by a half-mad electro-physicist. Set against these, a tender love story adds an unexpected poignancy and charm.
Beneath the surface of To Walk the Night lies something strange and exciting that lends the tale a tense and troubling quality. There is the baffling and beautiful woman who complicates the lives of four men. Who is she whose past is a mystery so deep, so inexplicable that those who penetrate it die?
Since the earliest days of the silent era, American filmmakers have been drawn to the visual spectacle of sports and their compelling narratives of conflict, triumph, and individual achievement. In Contesting Identities Aaron Baker examines how these cinematic representations of sports and athletes have evolved over time--from The Pinch Hitter and Buster Keaton's College to White Men Can't Jump, Jerry Maguire, and Girlfight. He focuses on how identities have been constructed and transcended in American society since the early twentieth century. Whether depicting team or individual sports, these films return to that most American of themes, the master narrative of self-reliance. Baker shows that even as sports films tackle socially constructed identities like class, race, ethnicity, sexuality, and gender, they ultimately underscore transcendence of these identities through self-reliance. Looking at films from almost every sporting genre--with a particular focus on movies about boxing, baseball, basketball, and football--Contesting Identities maps the complex cultural landscape depicted in American sports films and the ways in which stories about "subaltern" groups winning acceptance by the mainstream majority can serve to reinforce the values of that majority. In addition to discussing the genre's recurring dramatic tropes, from the populist prizefighter to the hot-headed rebel to the "manly" female athlete, Baker also looks at the social and cinematic impacts of real-life sports figures from Jackie Robinson and Babe Didrikson Zaharias to Muhammad Ali and Michael Jordan.
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