William Michael Rossetti (1829-1919) always presented himself as the third Rossetti: a civil servant and critic unworthy to be compared with his brother, Dante Gabriel, and his sister, Christina. Not everyone has readily accepted Rossetti's evaluation of himself. The painter William Rothenstein remembered him as a man whose "outlook on life was broad and humane," and the only one of the Pre-Raphaelites "who was sympathetic towards the work of younger writers and painters." More recently, Professor W. E. Fredeman has written of him as "among the P.R.B.s... almost the only man of action," and the essential figure in the founding of the Pre-Raphaelite Brotherhood and its magazine, The Germ. The publication of this edition of more than six hundred of his letters (most of them previously unpublished), to such leading literary and artistic figures as Holman Hunt, Ford Madox Brown, Dante Gabriel and Christina Rossetti, Browning, Swinburne, Whistler, and Whitman, demonstrates convincingly the range and quality of his friendships, his active involvement in the cultural life of Victorian England, and the complexity of his character. The letters also offer a detailed account of his powerful advocacy of the work of Blake and Shelley, of Swineburne and Whitman among his contemporaries, and, after their deaths, of Dante Gabriel and Christina Rossetti. Throughout his life Rossetti was intensely aware of the political and social events of his time, both in Europe and the United States, and the letters contain numerous references to the Crimean, Franco-Prussian, and Boer wars, the Paris Commune, the American Civil War, women's suffrage, and Italian unification. The letters have been extensively annotated, making use of the hundreds of letters by Rossetti not included in the edition, his twenty-volume diary, and the thousands of letters to him preserved in the Angeli-Dennis Papers at the University of British Columbia.
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Begun by young rebels committed to revolutionizing the creative arts, Pre-Raphaelitism has moved from the margins of nineteenth-century art and literature to the vanguard of interdisciplinary studies. The term is now used to denote the Pre-Raphaelite, Aesthetic, and Decadent movements in art, culture, and literature, but it has remained as difficult to define as ever. Haunted Texts attempts to meet the challenge of defining and illustrating the full spectrum of Pre-Raphaelitism. Working with a diverse range of Pre-Raphaelite poetry, painting, decorative arts, book illustration, and political prose, the ten contributors to Haunted Texts pursue the critical strategies of such leading figures as Christina Rossetti and Dante Rossetti, William Morris and Oscar Wilde, Walter Pater, and Aubrey Beardsley. The essays consider the bibliocritical issues of archival research concerning the personal letters and diaries of the Rossetti family; the technological issues that challenge conventional methods of scholarship; the gender issues concerning constructions of identity derived from the changing conceptions of love, desire, anxiety, and brotherhood; and the interdisciplinary cultural issues that transgress the borders of high art and popular culture. Haunted Texts pays tribute to the scholarship of Professor William Fredeman who devoted much of his career since the 1950s to establishing a critical foundation that would enable future scholars to define their understanding of the complexity of Pre-Raphaelitism.
William Sharp (1855-1905) conducted one of the most audacious literary deceptions of his or any time. Sharp was a Scottish poet, novelist, biographer and editor who in 1893 began to write critically and commercially successful books under the name Fiona Macleod. This was far more than just a pseudonym: he corresponded as Macleod, enlisting his sister to provide the handwriting and address, and for more than a decade "Fiona Macleod" duped not only the general public but such literary luminaries as William Butler Yeats and, in America, E. C. Stedman. Sharp wrote "I feel another self within me now more than ever; it is as if I were possessed by a spirit who must speak out". This three-volume collection brings together Sharp’s own correspondence – a fascinating trove in its own right, by a Victorian man of letters who was on intimate terms with writers including Dante Gabriel Rossetti, Walter Pater, and George Meredith – and the Fiona Macleod letters, which bring to life Sharp’s intriguing "second self". With an introduction and detailed notes by William F. Halloran, this richly rewarding collection offers a wonderful insight into the literary landscape of the time, while also investigating a strange and underappreciated phenomenon of late-nineteenth-century English literature. It is essential for scholars of the period, and it is an illuminating read for anyone interested in authorship and identity.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The life of William Morris (1834-1896) is revealed in significant new detail by his complete surviving correspondence, brought together here for the first time and including many previously unpublished letters. This collection not only bears witness to Morris's day-to-day activities and friendships, but also reflects his keen response to landscape and architecture, his sense of social responsibility, and his interest in the techniques of the applied arts. Volume I covers Morris's student days at Oxford and marriage to Jane Burden; the first twenty years of Morris and Co.; his success as a poet with the publication of The Earthly Paradise; his two trips to Iceland; the moves to Kelmscott Manor and Kelmscott House; and the start of his socialist career. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Compiling nineteen essays and introductions, a volume with explanatory notes includes Per Amica Silentia Lunae and On the Boiler as well as introductions on Shelley and Balzac and essays on Irish poetry and politics.
Last Rites chronicles one man's dramatic descent into the seedy world of New England mobster Raymond Patriarca and his underboss, Gennaro "Jerry" Angiulo. In the early 1980s, Gigi Portalla, a well-liked student, athlete and Revere prom king, transformed into a mafia hit man after discovering that his biological father was "Big Eddy" Marino. Portalla rose through the ranks within the Angiulo organization, joining famous Boston wise guys like Sean Cote, Joseph "J.R." Russo and Bobby Carrozza. Drawing on wiretaps, court testimonies and interviews through personal relationships with the criminals in question, Revere writer William J. Craig uncovers the depths of criminality. Portalla clung to a self-imposed moral code, striving to find honor within thievery, even as the lure of his family's past eclipsed his promising future.
From a quantitative point of view the achievement of the Kelmscott Press may not seem impressive: between 1891 and 1898 it produced fifty-two books and a set of specimen pages for another book. Yet each was remarkably beautiful. Designed by William Morris, printed on hand-presses, ornamented with initials and borders by Morris, and illustrated often by Edward Burne-Jones, these few Kelmscott Press books are famous everywhere today. Why they have so profoundly affected twentieth-century theories of book design and what cultural significance the founding of the Kelmscott Press played are some of the questions the author considers.
Wilkie Collins (1824-1889) is a major British Victorian novelist, dramatist, short story writer, and journalist. He is best known today as the author of ^IThe Moonstone,^R which T.S. Eliot called the first and greatest English detective novel. He has been the subject of two recent biographies, and a revival of interest in his works is now under way. In particular, there is growing concern with his intellectual development, as witnessed by the 1999 publication of his collected letters. This reconstruction of his library offers a thorough analysis of the books he owned and his response to them and thus illuminates Collins as a reader and writer. The book begins with a narrative discussion of the contents of Collins's library and its auction. This introductory essay sheds light on the types of books he owned, his use of those texts in his writings, and the dispersion of his collection in 1890. The bulk of the volume provides annotated entries for each item from his library. Entries include publication and bibliographic information, descriptions from sale catalogs, information about the author of the item, citations of the book or author from Collins's letters, and information on the present location or subsequent history of the item. An appendix catalogs paintings and artwork in Collins's possession at the time of his death.
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