A Comparative Study of the American, British, Dutch and Russian Naval Expedition to Compel the Tokugawa Shogunate to Conclude Treaties and Open Ports to Their Ships in the Years 1853-55
A Comparative Study of the American, British, Dutch and Russian Naval Expedition to Compel the Tokugawa Shogunate to Conclude Treaties and Open Ports to Their Ships in the Years 1853-55
This study provides a picture of the competition and cooperation, distrust and open hostility of the US, Britain, Holland and Russia involved in their joint enterprise in Japan. It documents the plans and outcomes of each of the four powers’ negotiations with Japan. At the same time it provides a fascinating commentary on the way business was done by the Japanese with each country and its representatives.
The first in a three-volume series, Volume 1 begins with the earliest written reports from China in the first century AD and ends with a survey of Dutch reports from 1841, which marks the point when ‘Japan had been amply described in all major respects’, and at a time when it began to be perceived as a less remote and more important country in Western eyes ‘yet still emphatically closed to all foreign trade except that of the Dutch and the Chinese’. Furthermore, in little more than a decade later the number and variety of accounts were to increase greatly following the American, Russian and British expeditions of 1853/54 – accounts which are to form a key element of Volume 2. The Contents are divided into two parts: chronological and thematic. Part I is devoted to a discussion and analysis of the dominant views and images of Japan found in each historical era. It also provides brief biographical data about those European and American travellers to Japan whose reports are quoted in Part II, including some sixty eyewitness accounts, along with concise summaries and commentaries. Compared to previous surveys, a significant aspect of this volume is the greater amount of biographical information regarding the leading European visitors to Japan that is provided, together with a concise analysis and evaluation of their original accounts by both contemporary and more recent critics. As a further innovation, excerpts from the reports of Russian visitors to Japan, including Adam Laxman and V.M.Golvnin are quoted for the first time alongside those of West European and American accounts. The volume is supported by a significant Glossary and Bibliography, as well as Subject and Name/Place Indexes.
Sound is half the picture, and since the 1960s, film sound not only has rivaled the innovative imagery of contemporary Hollywood cinema, but in some ways has surpassed it in status and privilege because of the emergence of sound design. This in-depth study by William Whittington considers the evolution of sound design not only through cultural and technological developments during the last four decades, but also through the attitudes and expectations of filmgoers. Fans of recent blockbuster films, in particular science fiction films, have come to expect a more advanced and refined degree of film sound use, which has changed the way they experience and understand spectacle and storytelling in contemporary cinema. The book covers recent science fiction cinema in rich and compelling detail, providing a new sounding of familiar films, while offering insights into the constructed nature of cinematic sound design. This is accomplished by examining the formal elements and historical context of sound production in movies to better appreciate how a film sound track is conceived and presented.Whittington focuses on seminal science fiction films that have made specific advances in film sound, including 2001: A Space Odyssey, THX 1138, Star Wars, Alien, Blade Runner (original version and director's cut), Terminator 2: Judgment Day and The Matrix trilogy and games—milestones of the entertainment industry's technological and aesthetic advancements with sound. Setting itself apart from other works, the book illustrates through accessible detail and compelling examples how swiftly such advancements in film sound aesthetics and technology have influenced recent science fiction cinema, and examines how these changes correlate to the history, theory, and practice of contemporary Hollywood filmmaking.
Symptomatology and Therapy of Toxicological Emergencies is a handbook on toxicological emergencies that includes much new material and discusses many new substances which have become available since the second edition, entitled ""Signs, Symptoms, and Treatment of Certain Acute Intoxications,"" was published in 1958. When compared with the second edition, this volume covers a considerably larger number of drugs and chemicals, presents urgently needed information on poisonous plants, lists the compounds implicated in blood dyscrasias, and includes accepted threshold limit values for chemicals, the maximum permissible concentrations of various chemicals in food, drugs, and cosmetics, as well as tables on the acute toxicity of numerous chemicals. This handbook will be helpful to teachers of chemistry, biochemistry, pharmacology, toxicology, radiation medicine, etc., who instruct students or supervise the work of technicians. It will be of particular value to those industries and operations which have an active industrial hygiene program. Finally, but most important, this volume was written for the physician who needs toxicological information on a drug or a chemical, who may need a reference book which will quickly review for him the major side effects he may expect in a patient, or who requires additional information for the treatment of an intoxication.
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