William Lloyd Garrison (1805-1879), outstanding among the dedicated fighters for the abolition of slavery, was also an activist in other movements such as women's and civil rights and religious reform. Never tiring in battle, he was 'irrepressible, uncompromising, and inflammatory.' He antagonized many, including some of his fellow reformers. There were also many who loved and respected him. But he was never overlooked.
There may be worse weather, from time to time, at some forbidding place on Planet Earth, but it has yet to be reliably recorded." So begins The Worst Weather on Earth: A History of the Mount Washington Observatory. Mount Washington, at 6,288 feet above sea level, is one of the highest elevations in the eastern United States and is subject to some of the fiercest weather patterns in the world. Situated close to major centers of population, it has been an accessible objective for travellers. The curious, the intrepid, the scientific -- Mount Washington has attracted them all. In this age of satellites and advanced instrumentation, the intricacies of weather observation are now taken for granted. However, not so long ago, weather was a blank on the scientific map of understanding. The Worst Weather on Earth chronicles the social and scientific milieu of those who have recorded the weather on the mountain for over one hundred years. Included are chapters such as "Radio on the Rockpile," which covers the pioneering days of radio broadcasting from the Summit, and "Rime and Reason," which presents a fascinating discussion of rime and the problems of icing that were researched extensively on the Summit. The Worst Weather on Earth is rendered more immediate by the liberal use of contemporary accounts; excerpts from letters, reports, and the log notes of the Summit observers abound, giving the flavor and the excitement of over a century of scientific observation and discovery.
During the years covered in this volume, Bryant traveled more often and widely than at any comparable period during his life. The visits to Great Britain and Europe, a tour of the Near East and the Holy Land, and excursions in Cuba, Spain, and North Africa, as well as two trips to Illinois, he described in frequent letters to the Evening Post. Reprinted widely, and later published in two volumes, these met much critical acclaim, one notice praising the "quiet charm of these letters, written mostly from out-of-the-way places, giving charming pictures of nature and people, with the most delicate choice of words, and yet in the perfect simplicity of the true epistolary style." His absence during nearly one-fifth of this nine-year period reflected the growing prosperity of Bryant's newspaper, and his confidence in his editorial partner John Bigelow and correspondents such as William S. Thayer, as well as in the financial acumen of his business partner Isaac Henderson. These were crucial years in domestic politics, however, and Bryant's guidance of Evening Post policies was evident in editorials treating major issues such as the Compromise of 1850, the Fugitive Slave Law, the Kansas-Nebraska Bill, the rise of the Republican Party, and the Dred Scott Decision, as well as in his correspondence with such statesmen as Salmon P. Chase, Hamilton Fish, William L. Marcy, Edwin D. Morgan, and Charles Sumner. His travel letters and journalistic writings reflected as well his acute interest in a Europe in turmoil. In France and Germany he saw the struggles between revolution and repression; in Spain he talked with journalists, parliamentary leaders, and the future president of the first Spanish republic; in New York he greeted Louis Kossuth and Giuseppe Garibaldi. Bryant's close association with the arts continued. He sat for portraits to a dozen painters, among them Henry P. Gray, Daniel Huntington, Asher Durand, Charles L. Elliott, and Samuel Laurence. The landscapists continued to be inspired by his poetic themes. Sculptor Horatio Greenough asked of Bryant a critical reading of his pioneering essays on functionalism. His old friend, the tragedian Edwin Forrest, sought his mediation in what would become the most sensational divorce case of the century, with Bryant and his family as witnesses. His long advocacy of a great central park in New York was consummated by the legislature. And in 1852, his eulogy on the life of James Fenimore Cooper became the first of several such orations which would establish him as the memorialist of his literary contemporaries in New York.
V. 1. "This gorgeous book, the first of a four-volume definitive catalogue, features Chase's stunning paintings in pastel, which constitute a major and previously understudied body of work by the artist; monotypes; painted tiles and plates; watercolors; and prints. Reconstructing Chase's oeuvre is a daunting task, as the artist left few records of any kind, and no documentation of his individual works exists. Furthermore, Chase's paintings and pastels have been forged in great numbers throughout the years, and many of these works still surface on the art market. Making this long-awaited volume even more valuable is a list of every known exhibition of Chase's work during the artist's lifetime, selected examples of major post-1917 exhibitions, and an essay on Chase's innovative pastel technique"--Jacket.
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