William Maltese begins his Wine Taster's Diary series in his native state of Washington, in the Spokane and Pullman areas. Here are the major and minor cellars and wineries of the region, whose creations have been lovingly sampled, weighed, and evaluated with the touch of both the connoisseur and the common man. Everyone seriously interested in the wines of Washington State will find something of interest here. Stay thirsty!
This book traces the origins and development of the Arabic grammatical marker s/sī, which is found in interrogatives, negators, and indefinite determiners in many Arabic dialects. It argues that s/sī does not derive from Arabic say 'thing' but from a Semitic demonstrative pronoun.
William Maltese's Flicker-#1 Book of Answers chronicles the rise of one all-knowing, all-seeing, all-powerful teenage Grand Master Magician, and the battles fought by old and young, by magic (black and white), by demons, beasts and humans.
The name is French and it has connections to German expressionist cinema, but film noir was inspired by the American Raymond Chandler, whose prose was marked by the gripping realism of seedy hotels, dimly lit bars, main streets, country clubs, mansions, cul-de-sac apartments, corporate boardrooms, and flop houses of America. Chandler and the other writers and directors, including James M. Cain, Dashiell Hammett, Jane Greer, Ken Annakin, Rouben Mamoulian and Mike Mazurki, who were primarily responsible for the creation of the film noir genre and its common plots and themes, are the main focus of this work. It correlates the rise of film noir with the new appetites of the American public after World War II and explains how it was developed by smaller studios and filmmakers as a result of the emphasis on quality within a deliberately restricted element of cities at night. The author also discusses how RKO capitalized on films such as Murder, My Sweet and Out of the Past--two of film noir's most famous titles--and film noir's connection to British noir and the great international triumph of Sir Carol Reed in The Third Man.
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