A biography of the poet and libertine the Earl of Rochester. Of the glittering, licentious court around King Charles II, John Wilmot, the second Earl of Rochester, was the most notorious. Simultaneously admired and vilified, he personified the rake-hell. Libertine, profane, promiscuous, heshocked his pious contemporaries with his doubts about religion and his blunt verses that dealt with sex or vicious satiric assaults on the high and mighty of the court. This account of Rochester and his times provides the facts behind his legendary reputation as a rake and his deathbed repentance. However, it also demonstrates that he was a loving if unfaithful husband, a devoted father, a loyal friend, a serious scholar, a social critic, and an aspiring patriot. An Emeritus Professor of English at the University of Rochester, James William Johnson is the author or editor of nine books and many articles treating British and American Literature.
Winner, 2008 Otto Gründler Book Prize, The Medieval Institute Winner, 2008 Otto Gründler Book Prize, The Medieval Institute Notorious for his cleverness and daring, John Hawkwood was the most feared mercenary in early Renaissance Italy. Born in England, Hawkwood began his career in France during the Hundred Years' War and crossed into Italy with the famed White Company in 1361. From that time until his death in 1394, Hawkwood fought throughout the peninsula as a captain of armies in times of war and as a commander of marauding bands during times of peace. He achieved international fame, and city-states constantly tried to outbid each other for his services, for which he received money, land, and, in the case of Florence, citizenship—a most unusual honor for an Englishman. When Hawkwood died, the Florentines buried him with great ceremony in their cathedral, an honor denied their greatest poet, Dante. William Caferro's ambitious account of Hawkwood is both a biography and a study of warfare and statecraft. Caferro has mined more than twenty archives in Britain and Italy, creating an authoritative portrait of Hawkwood as an extraordinary military leader, if not always an admirable human being.
This is an account of the seven military operations conducted by the Confederacy against deserters and disloyalists and the concomitant internal war between secessionists and those who opposed secession in the Quaker Belt of central North Carolina. It explains how the "outliers" (deserters and draft-dodgers) managed to elude capture and survive despite extensive efforts by Confederate authorities to hunt them down and return them to the army. The author discusses the development of the secret underground pro-Union organization the Heroes of America, and how its members utilized the Underground Railroad, dug-out caves, and an elaborate system of secret signals and communications to elude the "hunters." Numerous instances of murder, rape, torture and other brutal acts and many skirmishes between gangs of deserters and Confederate and state troops are recounted. In a revisionist interpretation of the Tar Heel wartime peace movement, the author argues that William Holden's peace crusade was in fact a Copperhead insurgency in which peace agitators strove for a return of North Carolina and the South to the Union on the Copperhead basis--that is, with the institution of slavery protected by the Constitution in the returning states.
Can someone's life be predicted? Are physicists on the verge of discovering the first time machine? And why does a Nobel prize-winning scientist believe that humans are capable of sensing danger before it happens? Following a prediction of his sister's death, William Little sets out to find the truth about the power of fortune telling and prophecy. On a journey that takes him to a witches' coven in a haunted wood, on the hunt for murderers with psychic detectives and to the doorsteps of the world's most powerful and revered psychics, William Little goes on a quest to find out whether people can see into the future - or if the many millions who consult horoscopes, listen to psychics on TV, or who read Nostradamus are simply being sold a lie.
With a comprehensive study of libraries, archives, court houses, churches, land offices, maps and histories of nations and people the story of the William Nash and Anne Hopkins family comes to life in this book. The amusing and often tongue-in-cheek manner in which Bill Nash tells the story gives the reader a clear picture of the family saga. From the 1635 sailing from London to the present, this is the story of a courageous and proud people. Much more than just charts and lineages, “Our Nashes” intertwines the history of this nation with the Nash family into a hard-to-put-down volume.
This book argues a new and more complex interpretation of the development and manifestations of the liberal arts movement in American higher education during the 1930s, 40s and 50s. Specifically, the book elucidates the under-explored yet formative role that the University of Virginia and its 1935 'Virginia Plan' played, both in fostering the liberal arts movement, and as a representative institution of the broader interaction colleges and universities had with this movement.
Just as William Goldman, the ultimate screenwriter, took us inside Hollywood, Simon de Pury, the ultimate art player, will take us inside an even more secretive business, whose staggering prices, famous collectors, and high crimes are front page news almost every day. The former Chairman of Sotheby's Europe, the former owner of Sotheby's rival Phillips de Pury, and currently a London-based dealer and advisor to great collectors around the world, Simon has one of the highest profiles of any non-artist in the art world. Even though he has an ancient title and the aura of an elegant Swiss banker, Simon is famous as an iconoclast and is known as "The Mick Jagger of Auctions" for his showmanship and exuberance. His whole life in art has been devoted to bringing art to the public and to the juxtaposition of high and low. Movie stars, musicians, and athletes compete with hedge funders and billionaires for the great art, and Simon is their pied piper; he wants to turn the world onto art and this book will be his message.
The romance genre was a popular literary form among writers and readers in the nineteenth and early twentieth centuries, but since then it has often been dismissed as juvenile, unmodern, improper, or subversive. In this study, William J. Scheick seeks to recover the place of romance in fin-de-siècle England and America; to distinguish among its subgenres of eventuary, aesthetic, and ethical romance; and to reinstate ethical romance as a major mode of artistic expression. The authors whose works Scheick discusses are Nathaniel Hawthorne, H. Rider Haggard, Henry James, C. J. Cutcliffe Hyne, H. G. Wells, John Kendrick Bangs, Gilbert K. Chesterton, Richard Harding Davis, Stephen Crane, Mary Austin, Jack London, Robert Louis Stevenson, Mary Cholmondeley, and Rudyard Kipling. This wide selection expands the canon to include writers and works that highly merit re-reading by a new generation.
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