Film Noir offers new perspectives on this highly popular and influential film genre, providing a useful overview of its historical evolution and the many critical debates over its stylistic elements. Brings together a range of perspectives on a topic that has been much discussed but remains notoriously ill-defined Traces the historical development of the genre, usefully exploring the relations between the films of the 1940s and 1950s that established the "noir" universe and the more recent films in which it has been frequently revived Employs a clear and intelligent writing style that makes this the perfect introduction to the genre Offers a thorough and engaging analysis of this popular area of film studies for students and scholars Presents an in-depth analysis of six key films, each exemplifying important trends of film noir: Murder, My Sweet; Out of the Past; Kiss Me Deadly; The Long Goodbye; Chinatown; and Seven
A complete introduction to analyzing and enjoying a wide variety of movies, for film students and movie lovers alike Thinking About Movies: Watching, Questioning, Enjoying, Fourth Edition is a thorough overview of movie analysis designed to enlighten both students and enthusiasts, and heighten their enjoyment of films. Readers will delve into the process of thinking about movies critically and analytically, and find how doing so can greatly enhance the pleasure of watching movies. Divided roughly into two parts, the book addresses film studies within the context of the dynamics of cinema, before moving on to a broader analysis of the relationship of films to the larger social, cultural, and industrial issues informing them. This updated fourth edition includes an entirely new section devoted to a complete analysis of the film adaptation of The Girl with the Dragon Tattoo, along with many in-depth discussions of important films such as Citizen Kane and Silence of the Lambs. The chapter on television integrates a major expansion distinguishing between television in the digital era of the convergence of the entertainment and technology industries in comparison to the era of broadcast analogue television. The final chapter places film within the current context of digital culture, globalization, and the powerful rise of China in film production and exhibition. The authors clearly present various methodologies for analyzing movies and illustrate them with detailed examples and images from a wide range of films from cult classics to big-budget, award-winning movies. This helps viewers see new things in movies and also better understand and explain why they like some better than others. Thinking About Movies: Watching, Questioning, Enjoying, Fourth Edition is ideal for film students immersed in the study of this important, contemporary medium and art form as well as students and readers who have never taken a class on cinema before.
BLAKE EDWARDS Blake Edwards: Film Director as Multitalented Auteur is the first critical analysis to focus on the dramatic works of Blake Edwards. Best known for successful comedies such as The Pink Panther series with Peter Sellers, Blake Edwards wrote, produced, and directed serious works in radio, television, film, and theater for seven decades. Although hit films such as Breakfast at Tiffany’s and ‘10’ remain popular, many of Edwards’s dramas have been forgotten or marginalized. In this unique book, William Luhr and Peter Lehman draw on original research from numerous set visits and personal interviews with Edwards and many of his creative and business collaborators to explore his dramas, radio and television work, theatrical productions, one-man art shows, and unproduced screenplays. In-depth chapters analyze non-comedic films including Experiment in Terror, Days of Wine and Roses, and The Tamarind Seed, the theatrical feature film Gunn and the made-for-television film Peter Gunn, the musical adaptation of Victor/Victoria, and lesser-known films written but not directed by Edwards, such as Drive a Crooked Road. Throughout the book, the authors apply contemporary film theory to auteur criticism of different works while sharing original insights into how Edwards worked creatively in disparate genres and media using composition, editing, sound, and visual motifs to shape his films and radio and television series. A one-of-a-kind examination of one of the most influential film directors of his generation, Blake Edwards: Film Director as Multitalented Auteur is an excellent supplementary text for university courses in American cinema, genres, auteurs, and film criticism, and a must-read for critics, scholars, and general readers interested in the works of Blake Edwards.
For Bill Burkett, life has been an extended series of duck hunts. Here are his personal diaries that describe memorable hunts along with the high points of his journalistic career. Any hunter will identify and find these tales as exhilarating as taking down that first bluebill, canvasback, or greenwing teal.
This monograph provides, for the first time, a comprehensive historical analysis of German colour words from early beginnings to the present, based on data obtained from over one thousand texts.Part 1 reviews previous work in colour linguistics. Part 2 describes and documents the formation of popular colour taxonomies and specialised nomenclatures in German across many periods and fields. The textual data examined will be of relevance to cultural historians in fields as far apart as philosophy, religious symbolism, medicine, mineralogy, optics, fine art, fashion, and dyeing technology. Part 3 — the core of the work — traces linguistic developments in systematic detail across more than twelve centuries. Special attention is given to the evolving meanings of colour terms, their connotative values, figurative extensions, morphological productivity, and lexicographical registration. New light is shed on a range of scholarly issues and controversies, in ways relevant to German lexicologists and to specialists in other languages, notably French and English.
blad: To strike hard or buffet. kring: To focus on with laser-like intensity. stridhana: Under Hindi law, property belonging to a woman. Two of these words and their definitions are right. One word and its meaning have been made up. But which one? Only if you've read this book will you know for sure!* This fun, fascinating book boasts hundreds of obscure, outdated, and outrageous words. You and your friends will spend hours of fun debating, shouting, laughing, and mulling over such obtuse gems as galliardise, telestich, and quidnunc. And you'll have even more fun guessing the lexicographical imposters, scoring points, and outwitting your family and friends. Let the word games begin! *And you won't find out which one is fake unless you buy the book!
Andrew Barger, award-winning author and engineer, has extensively researched forgotten journals and magazines of the early 19th century to locate groundbreaking science fiction short stories in the English language. In doing so, he found what is possibly the first science fiction story by a female (and it is not from Mary Shelley). Andrew located the first steampunk short story, which has not been republished since 1844. There is the first voyage to the moon in a balloon, republished for the first time since 1820 that further tells of a darkness machine and a lunarian named Zuloc. Other sci-stories include the first robotic insect and an electricity gun. Once again, Andrew has searched old texts to find the very best science fiction stories from the period when the genre automated to life, some of the stories are published for the first time in nearly 200 years. Read these fantastic sci-fi short stories today! OUR OWN COUNTRY So mechanical has the age become, that men seriously talk of flying machines, to go by steam,--not your air-balloons, but real Daedalian wings, made of wood and joints, nailed to your shoulder,--not wings of feathers and wax like the wings of Icarus, who fell into the Cretan sea, but real, solid, substantial, rock-maple wings with wrought-iron hinges, and huge concavities, to propel us through the air. Knickerbocker Magazine, May 1835
In The American Roman Noir, William Marling reads classic hard-boiled fiction and film in the contexts of narrative theories and American social and cultural history. His search for the origins of the dark narratives that emerged during the 1920s and 1930s leads to a sweeping critique of Jazz-Age and Depression-era culture. Integrating economic history, biography, consumer product design, narrative analysis, and film scholarship, Marling makes new connections between events of the 1920s and 1930s and the modes, styles, and genres of their representation. At the center of Marling's approach is the concept of "prodigality": how narrative represents having, and having had, too much. Never before in the country, he argues, did wealth impinge on the national conscience as in the 1920s, and never was such conscience so sharply rebuked as in the 1930s. What, asks Marling, were the paradigms that explained accumulation and windfall, waste and failure? Marling first establishes a theoretical and historical context for the notion of prodigality. Among the topics he discusses are such watershed events as the trial of Sacco and Vanzetti and the premiere of the first sound movie, The Jazz Singer; technology's alteration of Americans' perceptive and figurative habits; and the shift from synecdochical to metonymical values entailed by a consumer society. Marling then considers six noir classics, relating them to their authors' own lives and to the milieu of prodigality that produced them and which they sought to explain: Dashiell Hammett's Red Harvest and The Maltese Falcon, James M. Cain's The Postman Always Rings Twice and Double Indemnity, and Raymond Chandler's The Big Sleep and Farewell My Lovely. Reading these narratives first as novels, then as films, Marling shows how they employed the prodigality fabula's variations and ancillary value systems to help Americans adapt--for better or worse--to a society driven by economic and technological forces beyond their control.
Is the first large-scale annotated bibliography of this subject and covers the 'Broadway' musical as well as the film musical and musical styles around the world.
Introduction. -- Theory of genre. -- Film noir: the genre defined. -- Objections. -- Style. -- Period style. -- Alfred Hitchcock. -- Meanings. -- Last words.
This is the new "pocket" version of the classic California Place Names, first published by California in 1949. Erwin G. Gudde's monumental work, which went through several editions during its author's lifetime, has now been released in an expanded and updated edition by William Bright. The abridged version, originally called 1000 California Place Names, has grown to a dynamic 1500 California Place Names in Bright's hands. Those who have used and enjoyed 1000 California Place Names through the decades will be glad to know that 1500 California Place Names is not only bigger but better. This handbook focuses on two sorts of names: those that are well-known as destinations or geographical features of the state, such as La Jolla, Tahoe, and Alcatraz, and those that demand attention because of their problematic origins, whether Spanish like Bodega and Chamisal or Native American like Aguanga and Siskiyou. Names of the major Indian tribes of California are included, since some of them have been directly adapted as place names and others have been the source of a variety of names. Bright incorporates his own recent research and that of other linguists and local historians, giving us a much deeper appreciation of the tangled ancestry many California names embody. Featuring phonetic pronunciations for all the Golden State's tongue-twisting names, this is in effect a brand new book, indispensable to California residents and visitors alike.
Since an account of every known staging would require several volumes, Kleist on Stage is limited to major productions in Germany, Austria, and Switzerland that attracted more than the usual press coverage, and to interpretations and adaptations outside the German-speaking countries. Reeve presents a chronological stage history of each of the plays, beginning with Die Familie Schroffenstein and ending with Prinz Friedrich von Homburg. He also discusses some of the problems faced by a director attempting to put a Kleistian drama on stage, and pleads for greater understanding and cooperation between the academic and theatrical traditions.
As the father of the hardboiled detective genre, Dashiell Hammett had a huge influence on Hollywood. Yet, it is easy to forget how adaptable Hammett’s work was, fitting into a variety of genres and inspiring generations of filmmakers. Dashiell Hammett and the Movies offers the first comprehensive look at Hammett’s broad oeuvre and how it was adapted into films from the 1930s all the way into the 1990s. Film scholar William H. Mooney reveals the wide range of films crafted from the same Hammett novels, as when The Maltese Falcon was filmed first as a pre-Code sexploitation movie, then as a Bette Davis screwball comedy, and finally as the Humphrey Bogart classic. He also considers how Hammett rose to Hollywood fame not through the genre most associated with him, but through a much fizzier concoction, the witty murder mystery The Thin Man. To demonstrate the hold Hammett still has over contemporary filmmakers, the book culminates in an examination of the Coen brothers’ pastiche Miller’s Crossing. Mooney not only provides us with an in-depth analysis of Hammett adaptations, he also chronicles how Hollywood enabled the author’s own rise to stardom, complete with a celebrity romance and a carefully crafted public persona. Giving us a behind-the-scenes look at the complex power relationships, cultural contexts, and production concerns involved in bringing Hammett’s work from the page to the screen, Dashiell Hammett and the Movies offers a fresh take on a literary titan.
This book is a study of religious practices of listening in the Boston area. Through ethnographic study of a variety of religious communities, with an extensive focus on Quaker listening, it argues that religious practice shapes our habits of listening by creating a plurality of regimes of listening across Boston’s landscape. These practices, moreover, cultivate specific dispositions, as well as distinct patterns of religious and democratic virtues. Through these dispositions and virtues, religious listening facilitates a diverse range of forms of democratic engagement, and varied contributions to the pursuit of social justice. William Young provides an innovative interpretation of these religious practices. It argues that insofar as religious listening helps practitioners to extend and amplify their listening, and makes them more responsive to their communities, it creates a social mode of embodied receptivity and agency. Through both their listening and their actions, these groups express their conceptions of divinity, embodying divine attributes and activity within the sociopolitical realm—serving as God’s ears within the world. It is by interpreting their practices as creating modes of social discipline, reception, and agency that the book explicates the full significance of religious listening, in its adaptations and extensions of our aural capacities, and their implications for sociopolitical life.
Remarks by JVS. Volumes 1 and 2 of Feldspar Minerals were published in 1974, but Volume 3 was not completed because I was forced to devote 3 years to the resolution of unforeseen problems in the construction of an ion probe. By 1977, the incomplete draft for Volume 3 had become obsolete because of the enormous advances in knowledge of feldspars, particularly those in lunar rocks and meteorites, and in both deep-seated and ancient terrestrial rocks. Furthermore, it soon became obvious that a completely new version of Feldspar Minerals was needed because of the important new results on the physical and chemical properties. I had kept up with the interesting but tedious chore of weekly reading of the incoming literature and maintenance of the files. By 1980, the intense day-to day pressure had gone from my research programs on lunar rocks and on the development of the ion microprobe as a quantitative geochemical instrument, and I began preparation of a second edition of Feldspar Minerals.
Captive Seawater Fishes: Science and Technology Stephen Spotte "The book is clearly a labor of love, and one must admire the author's boundless enthusiasm and breadth of scholarship." —New Scientist A seamlessly clear treatise on the science and technology of maintaining seawater fishes for purposes of aquaculture and public exhibition. Captive Seawater Fishes is the first book to bring together in one volume the disciplines of seawater chemistry, process engineering, and fish physiology, behavior, nutrition, and health. Richly illustrating the interplay between living fishes and the chemical and sensory stimuli of their environment, the book details: chemical processes controlling carbonate stability in seawater; the effect of captivity on physiological processes; sensory processes of fishes, including vision, hearing, and electroreception; diseases of seawater fishes and treatment methods; and more. 1991 (0-471-54554-6) 976 pp. Surveys of Fisheries Resources Donald R. Gunderson The intensive exploitation of fisheries resources has heightened the reliance in the industry on statistical surveying as a means of monitoring the abundance and age composition of existing fish reserves. Here is the first comprehensive look at the unique challenges and problems of fisheries surveying. Covering everything from survey design, bottom trawl surveys, acoustic surveys, to egg and larval surveys and direct counts, as well as the assumptions and limitations surrounding each method, the book is an exhaustive, yet practical guide to designing accurate, cost-effective fisheries surveys. 1993 (0-471-54735-2) 256 pp. Aquatic Pollution: An Introductory Text, Second Edition Edward A. Laws Regarded as the most complete introduction available on the subject, Aquatic Pollution details the ecological principles and toxicological fundamentals behind the phenomenon as well as the latest information on the factors affecting our polluted aquatic environment. Featuring case studies and specific examples, the book systematically examines such problems as urban runoff, sewage disposal, thermal pollution, nutrient loading, industrial wastewater discharges, and oil pollution. The new Second Edition includes three new chapters on groundwater pollution. acid rain, and plastics in the sea, as well as updated and expanded information on eutrophication, pathogens in water supplies, radioactive waste disposal, toxic metals, and pesticide use. 1993 (0-471-58883-0) 611 pp.
Faith lies at the heart of human life, and not just in religious contexts. But just what is faith? In this book William Lad Sessions ventures a new approach to this age-old problem. Viewing it in global terms, he provides an effective and insightful set of analytical tools for deepening our understanding of the ideas of belief.
The Duck Hunter Diaries is about hunting and the pleasures of the outdoors ... but it's really about life, the life of a wandering journalist whose days of bagging ducks is a metaphor for his own struggling existence." —Hollis George, editor Writing Tips: From the Pens of Famous Writers. "Bill Burkett has spent a good portion of his life hunting ducks. And writing about it. His diaries will make you feel like you're out there on the water with him." —Shirrel Rhoades, former associate publisher, Harper's Magazine
This volume deals with sulphates, carbonates, phosphates and halides, incorporating recent advances in investigative techniques. Each mineral chapter has sections on structure, chemistry, optical and physical properties, distinguishing features and paragenesis. Chapters are headed with brief tabulations of mineral data and a sketch of optical orientation. Results are included from ocean floor experimentation and deep sea drilling.
Annotation Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Stated Clerk Clifton Kirkpatrick and former missionary and denominational executive William Hopper provide a cogent account of the distinctive features of Presbyterianism that define this theological tradition and present a basis for the renewal of the church. This book is ideal for use in church officer training and must reading for all Presbyterians who want to understand their faith tradition more fully, and for non-Presbyterians interested in a succinct presentation of the Reformed theological tradition.
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