Fourth in a series of five titles which will cover each year of the war graphically. Countless thousands of pictures were taken by photographers on all sides during the First World War. These pictures appeared in the magazines, journals and newspapers of the time. Some illustrations went on to become part of post-war archives and have appeared, and continue to appear, in present-day publications and TV documentary programmes many did not. The Great War Illustrated series, beginning with the year 1914, will include in its pages many rarely seen images with individual numbers allocated, and subsequently they will be lodged with the Taylor Library Archive for use by editors and authors.The Great War Illustrated 1917 covers the battles at Arras, Passchendaele and Cambrai, the use of aviation and the role of the tanks. Some images will be familiar, and many will be seen for the first time by a new generation interested in the months that changed the world for ever.
In 1916, Sir Douglas Haig, commanding the BEF, began his great offensive to drive the invaders off the ground they had been occupying for over a year and a half. The Great Push, as the offensive was advertised to the nation, began 1 July 1916. A glossy picture magazine was produced to inform the British public of the progress of the offensive. Over a four month period until the Battle of the Somme faded away in November the magazine appeared with the following advertising blurb:Sir Douglas Haigs Great Push; The Battle of the Somme; A popular, pictorial and authoritative work on one of the Greatest Battles in History, illustrated by about 700 wonderful Official Photographs and Cinematograph Films; By Arrangement With the War Office; beautifully printed on the Best English Art Paper. As is well known, the Great Push turned out to be little more than a nudge, but, for the sake of national morale, the British public had to be encouraged to believe that all was going well; especially in view of the horrific casualties wrecking the lives of families throughout the land.The Great Push, in the form of Images of War, helps capture the propaganda thrust of the times and presents once more the illustrations of those bewildering days.
The Great War Illustrated 1915 covers the 1915 Gallipoli campaign and the battles that commenced on the Western Front that year. Some images will be familiar, but many will be seen for the first time by a new generation interested in the war that changed the world forever.
A pictorial history of events that occurred during World War I in 1918. The final book in a series of five titles which graphically cover each year of the war. Countless thousands of pictures were taken by photographers on all sides during the First World War. These pictures appeared in the magazines, journals, and newspapers of the time. Some illustrations went on to become part of postwar archives and have appeared, and continue to appear, in present-day publications and TV documentary programs—many did not. The Great War Illustrated series, beginning with the year 1914, includes in its pages many rarely seen images with individual numbers allocated, and subsequently they will be lodged with the Taylor Library Archive for use by editors and authors. While some of the images in The Great War Illustrated 1918 will be familiar, many will be seen for the first time by a new generation interested in the months that changed the world for ever. Praise for The Great War Illustrated 1918 “Add this book to the others in the series and you have the most comprehensive photographic record of WWI.” —The Armourer, Editor's Choice “This has been a fantastic series of books and this last volume has maintained the standard from first to last.” —War History Online
For the Somme offensive British Fourth Army headquarters was situated in a chateau at Querrieu on the Albert-Amiens road. In the build up months to Haig's Great Push a steady flow of intelligence was being compiled; captured German documents, intercepted messages, prisoners' letters, diaries and information gleaned from prisoner interviews were entered into foolscap-size ledgers where they could be perused by the planners.The hand-written journal of intelligence reports upon which this work is formed was originally compiled by a former soldier of the 11th Battalion, East Lancashire Regiment, (Accrington Pals), Harry Platt of Burnley. In 1916 he was a sergeant working on intelligence duties at Fourth Army GHQ. He was later commissioned in the Royal Engineers. Harry also served in the Second World War in the Royal Artillery reaching the rank of Major. He was Mentioned in Despatches in both conflicts. Harry died in August 1951 aged 56.In 2002 the handwritten journal was lodged with the Imperial War Museum at the instigation of historian William Turner, military historian and author of books on the Accrington Pals.As the reader goes through these reports it would be helpful to keep in mind that members of the British staff at Querrieu chateau, including Generals Haig and Rawlinson, would have had their impressions coloured by the words you are reading and doubtless their optimism for a successful outcome to the Somme offensive greatly enhanced. They would have noted the effect the British bombardment was having; dominance of the Royal Flying Corps as its machines seemingly operated unmolested over the trenches; growing unrest in German cities as food shortages drove the populace to riot; and the relentless call-up to the colours of ever-younger youths as that nation's manhood bled in the great battles taking place.
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