It’s been said that the law is a jealous mistress. She’s also irresistibly passionate and unpredictably cruel. In every attorney’s life, there comes a day when it’s no longer possible to keep up with her demands. In her wake comes the dreaded question, was it meaningful in the end? Was the love affair worth all the sacrifices and stress, the highs and lows? William Costopoulos decides that it’s time for his reckoning. Bill has won some incredible fights, making his mark on Pennsylvania history—and collecting a wealth of stories stranger than fiction. In this book, he recounts the most sensational highlights of his fifty-year professional history: from his beginnings as an assistant district attorney and the turn of fate that called him to criminal defense, to the notorious cases that made national headlines and saw him argue before some of America’s most powerful legislators. He is asked all the time whether he’d do it all over again if he had the chance. A criminal defense attorney takes some serious hits in the combative arena of the courtroom, even in the cases he wins. The anguish that comes with this calling has to stay under wraps so that all the jury sees is a confident fighter. It’s a tough call, but Bill Costopoulos has never been able to resist going one more round.
Completely revised and updated, taking the scientific rigor to a whole new level, the second edition of the Occupational Ergonomics Handbook is now available in two volumes. This new organization demonstrates the enormous amount of advances that have occurred in the field since the publication of the first edition. The second edition not only provi
Working as a news photographer in 30s Berlin, Walther Klinger becomes - by a vicious twist of fate - a society photographer for the new aristocracy of the Nazi party. Walther's complicity makes him increasingly cynical and guilty, so that - for him - the coming of war is almost a relief. In a lonely Brittany farmhouse, just before the Allied invasion, Klinger meets Julia. They begin an affair and, against the background of the horrors and normalities of the Occupation, Walther attempts to make a refuge for himself and Julia. THE PARDON OF ST ANNE is about how he succeeds, triumphantly and tragically.
This indispensable guide with built-in facilitator's guide outlines proven best practices for effective reading instruction, which are founded on current research.
divdivHungarian-born composer Sigmund Romberg (1887–1951) arrived in America in 1909 and within eight years had achieved his first hit musical on Broadway. This early success was soon followed by others, and in the 1920s his popularity in musical theater was unsurpassed. In this book, William Everett offers the first detailed study of the gifted operetta composer, examining Romberg’s key works and musical accomplishments and demonstrating his lasting importance in the history of American musicals. Romberg composed nearly sixty works for musical theater as well as music for revues, for musical comedies, and, later in life, for Hollywood films. Everett shows how Romberg was a defining figure of American operetta in the 1910s and 1920s (Maytime, Blossom Time, The Student Prince), traces the new model for operetta that he developed with Oscar Hammerstein II in the late 1920s (The Desert Song, The New Moon), and looks at his reworked style of the 1940s (Up in Central Park). This book offers an illuminating look at Romberg’s Broadway career and legacy./DIV/DIV
The German-language theater is one of the most vibrant and generously endowed of any in the world. It boasts long and honored traditions that include world-renowned plays, playwrights, actors, directors, and designers, and several German theater artists have had an enormous impact on theater practice around the globe. Students continue to study German plays in dozens of languages, and every year scores of German plays are produced in a wide variety of non-German venues. This second edition of Historical Dictionary of German Theater covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on directors, designers, producers, and movements such as Regietheater, “post-dramatic” approaches to theater production, the freie Szene of independent, non-subsidized groups, the role of increasingly massive government subsidies, and cities whose reputations as centers of innovation and excellence that have made the German-language theater one of the most vibrant anywhere on earth. This book is an excellent access point for students, researchers, and anyone wanting to know more about German Theater.
Since the 1990s, the expropriation of canonical works of cinema has been a fundamental dimension of art-film exploration. Rainer Werner Fassbinder provides an early model of open adaptation of film classics, followed ever more boldly by the Coen Brothers, Chantal Akerman, Alex Carax, Todd Haynes, Florian Henckel von Donnersmarck, Baz Luhrmann, and Olivier Assayas. This book devotes chapters to each of these directors to examine how their films redeploy landmark precursors such as City Lights (1931), Citizen Kane (1941), Rome Open City (1945), All About Eve (1950), and Vertigo (1958) in order to probe our psychological, philosophical, and historical situations in a postmodern société du spectacle. In broadly diverse ways, each of these directors complicates received notions of the past and its representation, while probing the transformative media evolution and dislocation of the present, in film art and in society.
This timely reference provides the latest information on the diagnosis, treatment, and prevention of nosocomial pneumonia, including risk factors, diagnostic tests used to make the definitive diagnosis, likely pathogens, and the most effective treatment options. Contains guidelines for the prevention of nosocomial pneumonia-emphasizing selected
Spanning some fifty-four years, The Union on Trial is a fascinating look at the journals that William Barclay Napton (1808¿1883), an editor, Missouri lawyer, and state supreme court judge, kept from his time as a student at Princeton to his death in Missouri. Although a northerner by birth, Napton, the owner or trustee of forty-six slaves, viewed American society through a decidedly proslavery lens. Focusing on events between the 1850s and 1870s, especially those associated with the Civil War and Reconstruction, The Union on Trial contains Napton's political reflections, offering thoughtful and important perspectives of an educated northern-cum-southern rightist on the key issues that turned Missouri toward the South during the Civil War era. Although Napton's journals offer provocative insights into the process of southernization on the border, their real value lies in their author's often penetrating analysis of the political, legal, and constitutional revolution that the Civil War generated. Yet the most obvious theme that emerges from Napton's journals is the centrality of slavery in Missourians' measure of themselves and the nation and, ultimately, in how border states constructed their southernness out of the tumultuous events of the era. Napton's impressions of the constitutional crises surrounding the Civil War and Reconstruction offer essential arguments with which to consider the magnitude of the nation's most transforming conflict. The book also provides a revealing look at the often intensely political nature of jurists in nineteenth-century America. A lengthy introduction contextualizes Napton's life and beliefs, assessing his transition from northerner to southerner largely as a product of his political transformation to a proslavery, states' rights Democrat but also as a result of his marriage into a slaveholding family. Napton's tragic Civil War experience was a watershed in his southern evolution, a process that mirrored his state's transformation and one that, by way of memory and politics, ultimately defined both. Students and scholars of American history, Missouri history, and the Civil War will find this volume indispensable reading.
This story of raging comedy and despair centers on the tempestuous marriage of an heiress and a Vietnam veteran. From their "carpenter gothic" rented house, Paul sets himself up as a media consultant for Reverend Ude, an evangelist mounting a grand crusade that conveniently suits a mining combine bidding to take over an ore strike on the site of Ude's African mission. At the still center of the breakneck action--revealed in Gaddis's inimitable virtuoso dialoge—is Paul's wife, Liz, and over it all looms the shadowy figure of McCandless, a geologist from whom Paul and Liz rent their house. As Paul mishandles the situation, his wife takes the geologist to her bed and a fire and aborted assassination occur; Ude issues a call to arms as harrowing as any Jeremiad--and Armageddon comes rapidly closer. Displaying Gaddis's inimitable virtuoso dialogue, and his startling treatments of violence and sexuality, Carpenter's Gothic "shows again that Gaddis is among the first rank of contemporary American writers" (Malcolm Bradbury, The Washington Post Book World).
Rudolf Hilferding was one of European socialism’s leading figures from 1902-1941. This volume of his previously unpublished correspondence shows how, even as his thought evolved in the face of the movement’s changing fortunes, democracy stood at the core of his vision of socialism.
The information on each individual in this work consists of the full name, place of residence and date of naturalization, as well as the location of the county court and the name(s) of the judges who conferred citizenship upon the applicants for naturalization. Most of the 3,000 persons listed were Quakers.
A comprehensive neurocognitive theory of dreaming based on the theories, methodologies, and findings of cognitive neuroscience and the psychological sciences. G. William Domhoff’s neurocognitive theory of dreaming is the only theory of dreaming that makes full use of the new neuroimaging findings on all forms of spontaneous thought and shows how well they explain the results of rigorous quantitative studies of dream content. Domhoff identifies five separate issues—neural substrates, cognitive processes, the psychological meaning of dream content, evolutionarily adaptive functions, and historically invented cultural uses—and then explores how they are intertwined. He also discusses the degree to which there is symbolism in dreams, the development of dreaming in children, and the relative frequency of emotions in the dreams of children and adults. During dreaming, the neural substrates that support waking sensory input, task-oriented thinking, and movement are relatively deactivated. Domhoff presents the conditions that have to be fulfilled before dreaming can occur spontaneously. He describes the specific cognitive processes supported by the neural substrate of dreaming and then looks at dream reports of research participants. The “why” of dreaming, he says, may be the most counterintuitive outcome of empirical dream research. Though the question is usually framed in terms of adaptation, there is no positive evidence for an adaptive theory of dreaming. Research by anthropologists, historians, and comparative religion scholars, however, suggests that dreaming has psychological and cultural uses, with the most important of these found in religious ceremonies and healing practices. Finally, he offers suggestions for how future dream studies might take advantage of new technologies, including smart phones.
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