A biography of the scientist who spent 30 years in China as a Methodist educator, a Rockefeller official in Beijing, and as a biological researcher, exemplifies Sino-American interaction during the first half of the century. Haas (history, Fort Lewis College) surrounds his themes with the rich atmosphere of China during the period, detailing the interplay between religious and secular belief systems encountered by Gee in the educational institutions and in the culture. Annotation copyright by Book News, Inc., Portland, OR
The result of ten years of study and analysis of NASA photographs of the Face on Mars and its surrounding complex, The Cydonia Codex provides evidence for a terrestrial connection between Cydonia and Mesoamerica"--Provided by publisher.
A biography of Gist Gee, an American scientist working for the Rockefeller Foundation in China in the early 1900s. The book also focuses on the significance of the Foundation's work in China, its support of the natural sciences, and how religious and secular beliefs affected Chinese institutions.
In this provocative book, The Cydonia Codex authors George J. Haas and William R. Saunders use archaeological research discoveries and photographs from NASA and other space programs to document the uncanny similarities between Martian and now-extinct Earth cultures. The Martian Codex begins with a review of the thirty-year history of documenting the famous “Face on Mars” landform from NASA’s first photographs in 1976 to the Mars Reconnaissance Orbiter’s HiRISE shots in 2007. Detailed analysis shows it as a split-faced structure that precisely resembles a set of masks from a temple in Cerros, Mexico. Part two provides additional examples of two-faced and composite structures all over the red planet. Haas and Saunders explore a series of recurring motifs by providing side-by-side views of the Martian geoglyphs with their terrestrial pre-Columbian counterparts. The results substantiate a commonality between two worlds in that both depict specific gods and characters from the creation mythology of the Mayan people, as recorded in the sacred Popol Vuh. This fact-based book represents the most persuasive argument yet that extraterrestrials may indeed have appeared on Earth during an earlier era.
The Weimar Republic began at 2:00 PM on November 9, 1918 when Philip Scheidemann declared from a second-story window in the Reich Chancellery to his hearers below that the German Reich was now a republic. It ended at 11:00 AM on January 30, 1933 when President Paul von Hindenburg named Adolf Hitler Chancellor. The Cultural Chronicle of the Weimar Republic is an account of significant cultural events in Germany during the time of the Weimar Republic. Weimar, already a German cultural mecca because Goethe and Schiller had lived and worked there 120 years earlier, emerged as a unique and experimental culture. Weimar culture was responsible for producing such icons as actress Marlene Dietrich, novels like All Quiet on the Western Front, musicals like The Threepenny Opera, the political cabaret, the Bauhaus School, and films like The Cabinet of Dr. Caligari and Metropolis. There were hundreds of premieres, performance debuts, exhibitions, works of fiction, and other cultural events that marked the Republic as Western Civilization's first modernist society. Modernism took many forms: the Einstein Tower in Berlin, the symphonies of Paul Hindemith, the paintings of Max Beckmann, the drawings of K the Kollwitz, the novels of Alfred D blin, the industrial designs of Ferdinand Porsche, the choreography of Mary Wigman, the acting of Ernst Deutsch, the plays of Expressionism. The Cultural Chronicle of the Weimar Republic presents these and scores of other modernist inscriptions worthy of note, while providing notations that inform readers of connections among individuals, art works, related cultural activities, and significant political and economic developments.
This volume completes Newman's monumental study of the sonata. It examines the evolution of the sonata idea from the prexcocious Romanticisms of Dussek before 1880 to the near exhaustion of Romantic music by the time of World War I. Thoroughly documented, illustrated by new extended lists of sonatas as well as the fullest bibliography of Romantic music literature yet published, the book is invaluable to musicians. Originally published in 1969. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
First Published in 1990. Information about individual operas and other types of musical theater is scattered throughout the enormous literature of music. This book is an effort to bring that data together by comprehensively indexing plots and descriptions of individual operatic background, criticism and analysis, musical themes and bibliographical references. The principal audience for this general reference guide will be for the non-specialist, but its hoped that persons specialising in opera would also find it useful.
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